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As hard as it may be for us to fathom, God is willing to forgive even those like Walter if they seek God’s forgiveness. One of the qualities of God’s grace is that it is available even when the world is unwilling to offer grace. Walter is deeply in need of such grace. Perhaps it is God’s grace that is allowing Walter to keep ahead in his struggle.

(2004) Film Review

This page was created on January 26, 2005
This page was last updated on January 26, 2005


Overview
About this Film pdf
Spiritual Connections


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CREDITS

Click to enlargeDirected by Nicole Kassell
Screenplay by Steven Fechter and Nicole Kassell

Cast (in credits order)
Kevin Bacon .... Walter
Kyra Sedgwick .... Vickie
Mos Def .... Sgt. Lucas
Benjamin Bratt .... Carlos
David Alan Grier .... Bob
Eve .... Mary-Kay
Kevin Rice .... Candy
Michael Shannon .... Rosen
Hannah Pilkes .... Robin
Carlos Leon .... Pedro
Gina Philips .... Nicole Walker
rest of cast listed alphabetically
Van Cameron .... Lumber Yard Worker
Paul Majors .... Lumber Yard Worker
Bobby Prochaska .... Clerk
Scott Hatfield .... Bus Passenger (uncredited)
Laura Kirby .... Waitress (uncredited)
David C. Roehm Sr. .... Older barfly (uncredited)
David Von Roehm .... Barfly (uncredited)

Produced by
Kevin Bacon .... executive producer
Marvet Britto .... co-executive producer
Lisa Cortes .... co-producer
Lee Daniels .... producer
Damon Dash .... executive producer
Valerie Hoffman .... line producer
Brook Lenfest .... executive producer
Dawn Lenfest .... executive producer
Dave Robinson .... co-producer
Simone Sheffield .... associate producer
Candice Williams .... associate producer

Original Music by Nathan Larson
Cinematography by Xavier Pérez Grobet
Film Editing by Lisa Fruchtman and Brian A. Kates


MPAA: Rated R for sexuality, disturbing behavior and language.
Runtime: USA:87 min

For rating reasons, go to FILMRATINGS.COM, and MPAA.ORG.
Parents, please refer to PARENTALGUIDE.ORG

TRAILERS AND CLIPS
Trailer:
QuickTime/Windows Media Player, Various

Clip 1 - 'Damaged Goods':
Windows Media Player

Clip 2 - 'You Believe in Fairy Tales?':
Windows Media Player
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SYNOPSIS
Click to enlargeKevin Bacon, an indispensable fixture of American cinema over the past 20 years, delivers his finest performance in The Woodsman, a harrowing and moving tale of one man’s attempt to re-enter society.

After twelve years in prison, Walter (Bacon) arrives in an unnamed city, moves into a small apartment across the street from an elementary school, gets a job at a lumberyard, and mostly keeps to himself. A quiet, guarded man, Walter finds unexpected solace from Vickie (Kyra Sedgwick), a tough-talking woman who promises not to judge him for his history. But Walter cannot escape his past. A convicted sex offender, Walter is warily eyed by his brother-in-law (Benjamin Bratt), shunned by his sister, lives in fear of being discovered at work, and is hounded by a suspicious local police office, Detective Lucas (Mos Def). After befriending a young girl in a neighborhood park, Walter must also grapple with the terrible prospect of his own reawakened demons.

The Woodsman -- based on a play of the same name, directed by Nicole Kassell produced by Lee Daniels, to be distributed domestically by Newmarket Films -- is an unnerving, ultimately hopeful portrait of compulsion and hard-won redemption.

Click to go to Darrel's Blog

Review by DARREL MANSON
The Woodsman on Darrel's blog

Click to enlarge“What’s the worst thing you’ve ever done?” Walter and Vickie are in bed after making love. She wants to know Walter’s deep dark secret. So he asks her this question. It really doesn’t matter what she answers, Walter’s answer is worse. Walter has spent 12 years in jail for molesting little girls between the ages of 10 and 12.

Click to enlargeWhy would anyone want to watch a film about a pedophile? That is definitely a fair question. When I first saw the trailer for the film, I thought it looked interesting, but at a more visceral level I was disgusted that anyone would make such a movie. There are few things that so repulse us than those who victimize children, especially when they do so sexually. We don’t want to have to think about it. We certainly don’t want to come to the point of sympathizing with someone who would do such a heinous crime.

Click to enlargeThe Woodsman really doesn’t so much sympathize with Walter as it does give us a view of his ongoing struggle. Neither Walter nor the viewer is aware of what led him to these deeds. He wants to be normal, but knows that his desires are not normal, nor are they easy to control. Back in society, he is often in the presence of children. He lives across the street from an elementary school (the only landlord who’d rent to him). He sees them on the bus, in the mall, just about anyplace he goes.

His struggle is magnified by his isolation. He is sullen and solitary – full of self hatred that comes to a head late in the film. He has either cut himself off, or been cut off by those who have known him. Within his family, only his brother-in-law will have anything to do with him. No one at his job knows his secret, and when it is found out, he is ostracized and threatened. A police sergeant keeps coming by to keep tabs on him and to make sure Walter knows he’s unwanted and being watched.

Click to enlargeThe film is not an attempt to excuse or explain such behavior. It recognizes the grave nature of the subject. Walter is always seen as a flawed and damaged individual. But he is seeking to overcome his desires. In that he has a small sense of the heroic in his character. He continues to grow through the film. By the end of the film, there is enough hope for Walter that we can leave the theater without the despair of knowing that failure awaits him, but we are never really sure.

Click to enlargeThe film does not ask us to forgive Walter, but it does call us to question the extent to which we continue to punish people long after they have done wrong. To be sure, someone needs to keep an eye on Walter. But at the same time, the lack of support from nearly the whole community only adds to his feelings of alienation and need to experience some form of love. That is not to say that we bear responsibility for recidivism of molesters; that is their responsibility. But we often let our feelings rule such situations.

As hard as it may be for us to fathom, God is willing to forgive even those like Walter if they seek God’s forgiveness. One of the qualities of God’s grace is that it is available even when the world is unwilling to offer grace. Walter is deeply in need of such grace. Perhaps it is God’s grace that is allowing Walter to keep ahead in his struggle.

The Woodsman on Darrel's blog
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