|
|
| As
hard as it may be for us to fathom, God is willing to forgive even
those like Walter if they seek God’s forgiveness. One of the
qualities of God’s grace is that it is available even when the
world is unwilling to offer grace. Walter is deeply in need of such
grace. Perhaps it is God’s grace that is allowing Walter to
keep ahead in his struggle. |

(2004) Film Review |
| This
page was created on January 26, 2005
This page was last updated on
January 26, 2005
—Overview
—About
this Film pdf
—Spiritual Connections
Dial up modems will take a few moments |
| CREDITS |
| Directed
by Nicole Kassell
Screenplay by Steven Fechter and Nicole Kassell
Cast
(in credits order)
Kevin Bacon .... Walter
Kyra Sedgwick .... Vickie
Mos Def .... Sgt. Lucas
Benjamin Bratt .... Carlos
David Alan Grier .... Bob
Eve .... Mary-Kay
Kevin Rice .... Candy
Michael Shannon .... Rosen
Hannah Pilkes .... Robin
Carlos Leon .... Pedro
Gina Philips .... Nicole Walker
rest of cast listed alphabetically
Van Cameron .... Lumber Yard Worker
Paul Majors .... Lumber Yard Worker
Bobby Prochaska .... Clerk
Scott Hatfield .... Bus Passenger (uncredited)
Laura Kirby .... Waitress (uncredited)
David C. Roehm Sr. .... Older barfly (uncredited)
David Von Roehm .... Barfly (uncredited)
Produced
by
Kevin Bacon .... executive producer
Marvet Britto .... co-executive producer
Lisa Cortes .... co-producer
Lee Daniels .... producer
Damon Dash .... executive producer
Valerie Hoffman .... line producer
Brook Lenfest .... executive producer
Dawn Lenfest .... executive producer
Dave Robinson .... co-producer
Simone Sheffield .... associate producer
Candice Williams .... associate producer
Original Music by Nathan Larson
Cinematography by Xavier Pérez Grobet
Film Editing by Lisa Fruchtman and Brian A. Kates
MPAA: Rated R for sexuality,
disturbing behavior and language.
Runtime: USA:87 min
For rating reasons, go to FILMRATINGS.COM,
and MPAA.ORG.
Parents, please refer to PARENTALGUIDE.ORG
|
| TRAILERS
AND CLIPS |
Trailer:
QuickTime/Windows
Media Player, Various
Clip 1 - 'Damaged Goods':
Windows
Media Player
Clip 2 - 'You Believe in Fairy Tales?':
Windows
Media Player |
| POSTER |
|
| AVAILABILITY
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| SYNOPSIS
|
Kevin
Bacon, an indispensable fixture of American cinema over the past 20
years, delivers his finest performance in The Woodsman, a harrowing
and moving tale of one man’s attempt to re-enter society.
After
twelve years in prison, Walter (Bacon) arrives in an unnamed city,
moves into a small apartment across the street from an elementary
school, gets a job at a lumberyard, and mostly keeps to himself.
A quiet, guarded man, Walter finds unexpected solace from Vickie
(Kyra Sedgwick), a tough-talking woman who promises not to judge
him for his history. But Walter cannot escape his past. A convicted
sex offender, Walter is warily eyed by his brother-in-law (Benjamin
Bratt), shunned by his sister, lives in fear of being discovered
at work, and is hounded by a suspicious local police office, Detective
Lucas (Mos Def). After befriending a young girl in a neighborhood
park, Walter must also grapple with the terrible prospect of his
own reawakened demons.
The
Woodsman -- based on a play of the same name, directed by Nicole
Kassell produced by Lee Daniels, to be distributed domestically
by Newmarket Films -- is an unnerving, ultimately hopeful portrait
of compulsion and hard-won redemption.
|
| |
“What’s
the worst thing you’ve ever done?” Walter and Vickie
are in bed after making love. She wants to know Walter’s deep
dark secret. So he asks her this question. It really doesn’t
matter what she answers, Walter’s answer is worse. Walter
has spent 12 years in jail for molesting little girls between the
ages of 10 and 12.
Why
would anyone want to watch a film about a pedophile? That is definitely
a fair question. When I first saw the trailer for the film, I
thought it looked interesting, but at a more visceral level I
was disgusted that anyone would make such a movie. There are few
things that so repulse us than those who victimize children, especially
when they do so sexually. We don’t want to have to think
about it. We certainly don’t want to come to the point of
sympathizing with someone who would do such a heinous crime.
The
Woodsman really doesn’t so much sympathize
with Walter as it does give us a view of his ongoing struggle.
Neither Walter nor the viewer is aware of what led him to these
deeds. He wants to be normal, but knows that his desires are not
normal, nor are they easy to control. Back in society, he is often
in the presence of children. He lives across the street from an
elementary school (the only landlord who’d rent to him).
He sees them on the bus, in the mall, just about anyplace he goes.
His
struggle is magnified by his isolation. He is sullen and solitary
– full of self hatred that comes to a head late in the film.
He has either cut himself off, or been cut off by those who have
known him. Within his family, only his brother-in-law will have
anything to do with him. No one at his job knows his secret, and
when it is found out, he is ostracized and threatened. A police
sergeant keeps coming by to keep tabs on him and to make sure
Walter knows he’s unwanted and being watched.
The
film is not an attempt to excuse or explain such behavior. It
recognizes the grave nature of the subject. Walter is always seen
as a flawed and damaged individual. But he is seeking to overcome
his desires. In that he has a small sense of the heroic in his
character. He continues to grow through the film. By the end of
the film, there is enough hope for Walter that we can leave the
theater without the despair of knowing that failure awaits him,
but we are never really sure.
The
film does not ask us to forgive Walter, but it does call us to
question the extent to which we continue to punish people long
after they have done wrong. To be sure, someone needs to keep
an eye on Walter. But at the same time, the lack of support from
nearly the whole community only adds to his feelings of alienation
and need to experience some form of love. That is not to say that
we bear responsibility for recidivism of molesters; that is their
responsibility. But we often let our feelings rule such situations.
As
hard as it may be for us to fathom, God is willing to forgive
even those like Walter if they seek God’s forgiveness. One
of the qualities of God’s grace is that it is available
even when the world is unwilling to offer grace. Walter is deeply
in need of such grace. Perhaps it is God’s grace that is
allowing Walter to keep ahead in his struggle.
The
Woodsman on Darrel's blog
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