iv="Content-Type" content="text/html; charset=iso-8859-1"> Comix reviewed at Hollywood Jesus with visuals and insights.


wolverton.jpg (5418 bytes)These sixteen drawings represent some of Basil Wolverton's best work, done at the peak of his skill--contemporary with his finest horror/science fiction comic book work, and his early work for MAD magazine.


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"The fourth angel poured out his bowl on the sun, and the sun was given power to scorch people with
fire. They were seared by the intense heat and they cursed the name of God, who had control over these
plagues, but they refused to repent and glorify him."
­ Revelation 16:8-9
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Fire from the Sky

"The first angel sounded his trumpet, and there came hail and fire mixed with blood, and it was hurled down upon the earth. A third of the earth was burned up, a third of the trees were burned up, and all the green grass was burned up."
­ Revelation 8:7
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Boils and Darkness

"The fifth angel poured out his bowl on the throne of the beast, and his kingdom was plunged into darkness. Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done."
­ Revelation 16:10-11
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Earthquake and Volcanos

"The seventh angel poured out his bowl into the air, and out of the temple came a loud voice from the throne, saying, 'It is done!' Then there came flashes of lightning, rumblings, peals of thunder and a severe earthquake. No earthquake like it has ever occurred since man has been on earth, so tremendous was the quake."
­ Revelation 16:17-18
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Utter Destruction

"For then there will be great distress, unequalled from the beginning of the world until now ­ and never to be equalled again. If those days had not been cut short, no one would survive, but for the sake of the elect, those days will be shortened."
­Matthew 24:21-22
Original b&w published in 1975 in Prophecy, 1959.
All images and text ©1998 Monte Wolverton, unless otherwise noted.
Basil Wolverton's works have been published in the last two decades by several sources: Fantagraphics Books, 7563 Lake City Way, Seattle, WA 98115 (Wolvertoons, Powerhouse Pepper); Dark Horse Comics (Wolverton in Space, Spacehawk #1-5, Fantastic Fables #1-2, Planet of Terror and Gateway to Horror ) and Glenn Bray, P.O. Box 923308, Sylmar CA , 91392 (Foopgoop Frolics, GJDRKZLXCBWQ Comics) -- to name just a few publishers of Wolvertonia. For more publishers and prices, see the Basil Wolverton Catalog, or visit Gene Gallatin's Basil Wolverton Homepage.
wolverton.jpg (5418 bytes)Wolverton's Worldview

Longtime aficionados of Basil Wolverton are aware that he is somewhat of a paradox. On the one hand he was a Christian minister -- quiet, humble, generous to a fault -- morally and socially conservative -- always ready with a word of encouragement or humor. On the other hand, he created some of the most terrifying religious art since Hieronymus Bosch. And much of Wolverton's bizarre, frenetic secular work wasn't any less shocking. Like Bosch (an excellent cartoonist himself), the key to understanding Wolverton is an understanding of his religious convictions. The threads of Wolverton's creativity and his religion are inextricably woven together.

Wolverton's beliefs derived largely from the bizarre and eclectic teachings of Herbert Armstrong, a Chicago advertising and marketing man who had experienced an economic downturn in the early 1920's. Armstrong had moved his family to Oregon, in search of greener pastures. There, among a group of seventh-day sabbatarians, he became convinced that the Anglo-Saxon people were part of the descendants of the "Lost Ten Tribes of the House of Israel." A high-school dropout with no formal theological education, Armstrong thought he had discovered the heretofore lost key to all biblical prophecy, and that the Tribulation spoken of in the book of Revelation would shortly fall on the United States and the nations of the British Commonwealth.

Not unlike many evangelical preachers of the early 1930's, Armstrong adopted a dispensationalist paradigm, with a with a pre-millennialist, literal interpretation of the apocalyptic sections of scripture -- albeit with his own particular spin. The Bible, he taught, predicted imminent worldwide calamities, followed by the return of Christ and a happy Millennium, followed by the destruction of the wicked, followed by the advent of new heavens and earth.

As he began his ministry in Eugene, Oregon, Armstrong was convinced God had chosen him to bring a warning message to the world. In fact, he gradually became deluded into thinking he was the only true messenger of God in this age. To proclaim his message, Armstrong began a radio program, The World Tomorrow, and a magazine, The Plain Truth. As Armstrong's following grew, so did the threat of a second world war. He believed this was it -- the Beast, the Antichrist, and the whole end-time enchilada. Armstrong, of course, was wrong -- and this would not be the last time.

In the late 1930's, Herbert Armstrong's radio broadcast attracted the attention of a Vancouver, Washington comic artist, Basil Wolverton. The son of devout Christian parents, Wolverton had slipped into agnosticism. Armstrong changed that. Wolverton was baptized in 1941 and ordained an elder in 1943. During these years, Wolverton was also busily producing his comic book features--such as Spacehawk, Powerhouse Pepper, Rockman, Disk-Eyes the Detective, Scoop Scuttle, and Mystic Moot and His Magic Snoot.

wolvertontarget.jpg (5215 bytes)When Armstrong moved his growing operation to Pasadena, California in 1946, he relied on Wolverton to pastor a small congregation in the Portland area. That same year, Wolverton achieved national fame outside of comics aswinner of Al Capp's Lena the Hyena contest. This led to his grotesque drawings and caricatures being featured in Life and Pageant magazines. In
the early 1950's, Wolverton also produced his finest comic book work -- 17 horror and science fiction features, including "Brain -Bats of Venus" and "The Eye of Doom." The early MAD magazine utilized Wolverton's unique talents -- and they continue to use his art today.

wolvertonplop.jpg (5406 bytes)Meanwhile, Armstrong's Radio Church of God (later renamed WorldwideChurch of God), and Ambassador College were growing, as were his broadcasting and publishing efforts. In the early 1950's, he commissioned Wolverton to begin work on two projects. One was writing and illustrating a story of the Old Testament, which began serial publication in The Plain Truth in 1958 -- later to be published in six volumes. The other was this series of spectacular illustrations depicting shocking scenes from the Book of Revelation, to accompany a series of articles on that subject in The Plain Truth. -- later reprinted in two booklets, 1975 in Prophecy and The Book of Revelation Unveiled at Last.

During the 60's and 70's, Wolverton continued to be active in local ministry, while continuing to work on his story of the Old Testament, while continuing to create increasingly bizarre humorous work for a variety of publications and clients: Plop magazine, Barker greeting cards, Topps, and others.

Basil Wolverton died in 1978. Herbert Armstrong died in 1986. Shortly thereafter, a reformed Worldwide Church of God abandoned Armstrong's unorthodox doctrinal constructs, including Anglo-Israelism, an emphasis on prophecy, and ecclesiastical exclusivism. The Plain Truth magazine continues publication, albeit with very different content.

These drawings are an important historical record, not only of a fanatically (albeit well-intentioned) literal view of biblical prophecy, but of the mindset of the mid-1950's. The bomb-- the threat of disorder and the breakdown of society -- radioactivity -- disease epidemics -- cataclysms -- things which caused the 1950's citizen to break out in perspiration. These are things (perhaps no less impending -- who knows?) at which we yawn today. But as you gaze upon Wolverton's images of the ultimate cataclysm, you just might find a few beads of sweat breaking out on your forehead.

© Monte Wolverton.  All rights reserved.

Part 3
Part one
Part two
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Email Monte Wolverton at Monte@wolvertoon.com
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