Movies DVDs Music Books Comix TV Games Sports The Hit List Weekly Sweeps at HJ HWJ Blogs
Contact Us | Terms & Conditions | Privacy Policy | Subscribe | About | Donate

Title Search: Advanced Search
         
SpringWidgets
Fandango.com Boxoffice Top 10
Fandango?s Top 10 Box Office Movies!
SpringWidgets
Spiritual Insight in Movies
All other considerations aside, how spiritual is a movie? The scale rates from profoundly spiritual (5) to not at all spiritual (1). Courtesy of HollywoodJesus.com.
 
Set in the early 1950s, when abortion was still very much a criminal offense, Vera Drake is a very personal look at the issue. The film really doesn't consider the issues we've made so black and white as "pro-life" or "pro-choice." Instead it shows us Vera as a humane and gentle person, even when she does what many people (and certainly society of that time) consider an unspeakable crime.

(2004) Film Review

This page was created on November 7, 2004
This page was last updated on December 23, 2004


Overview
Review, Comment, Blog by Whitewave
Review, Comment, Blog by Darrel Manson
About this Film pdf
Spiritual Connections


Dial up modems will take a few moments

CREDITS

Directed by Mike Leigh
Screenplay by Mike Leigh

Cast (in credits order)
Imelda Staunton .... Vera
Richard Graham .... George
Eddie Marsan .... Reg
Anna Keaveney .... Nellie
Alex Kelly .... Ethel
Daniel Mays .... Sid
Philip Davis .... Stan (as Phil Davis)
Lesley Manville .... Mrs Wells
Sally Hawkins .... Susan
Simon Chandler .... Mr Wells
Sam Troughton .... David
Marion Bailey .... Mrs Fowler
Sandra Voe .... Vera's mother
Chris O'Dowd .... Sid's customer
Adrian Scarborough .... Frank
Heather Craney .... Joyce
Sinead Matthews .... Very young woman
Sid Mitchell .... Very young man
Leo Bill .... Ronny
Gerard Monaco .... Kenny
Ruth Sheen .... Lily
Tilly Vosburgh .... Mother of Seven
Alan Williams .... Sick Husband

Produced by
Simon Channing-Williams .... producer
Gail Egan .... executive producer
Robert Jones .... executive producer
Georgina Lowe .... line producer
Duncan Reid .... executive producer
Alain Sarde .... executive producer

Original Music by Andrew Dickson
Cinematography by Dick Pope
Film Editing by Jim Clark


MPAA: Rated R for depiction of strong thematic material.
Runtime: 125 min

For rating reasons, go to FILMRATINGS.COM, and MPAA.ORG.
Parents, please refer to PARENTALGUIDE.ORG

TRAILERS AND CLIPS
Trailer:
QuickTime, Hi-Res
QuickTime, Med-Res
QuickTime, Lo-Res

Clip:
Windows Media Player, Hi-Res
Windows Media Player, Lo-Res
POSTER 
Search For Posters!
AVAILABILITY ON VIDEO AND DVD

CHECK AVAILABILITY AND PRICING OF THIS MOVIE ON VIDEO OR DVD.
Just type in movie title and click go.

Also, check out 100 Hot Videos
and the 100 Hot DVDs

 
SYNOPSIS
London, 1950 - Vera Drake lives in a small flat with her husband Stan, and their grown-up son and daughter, Sid and Ethel. The family is not rich, but their combined incomes make for a reasonable life. Vera is a cleaner, Stan a mechanic in his brother Frank's garage, and Ethel works in a light-bulb factory. Sid is an apprentice tailor. The Drakes have something money can't buy: they are a genuinely happy family.

Vera is always helping people. She regularly visits one sick neighbor, and invites another, Reg, to supper because she thinks he isn't eating properly.

Vera cleans the houses of the “well-to-do.” In one of these, we encounter Susan, the daughter of the family.

Vera visits a house that is much shabbier than those of her employers. A distressed young woman is waiting. Vera offers her kind words of reassurance as she removes various items from her bag, and proceeds to perform an abortion.

This is Vera's secret life that she has never discussed with her family. They are totally unaware of her activities, which were of course illegal in England until the late 1960's.

We see the perennially cheerful Vera visiting a number of pregnant women. They vary in age, but all are working- or lower-middle class.

Her appointments are made through Lily, whom she has known since they were children, and who now operates a black market service for items such as tea and sugar, which are still in short supply in post-war England.

Susan, meanwhile, has been raped by a date, and finds herself pregnant. She seeks advice from an experienced older woman, and, following visits to a private doctor and a psychiatrist (to whom she has to demonstrate instability), she attends an expensive and discreet private clinic. Her parents are quite unaware of her termination and of her ordeal.

Vera's home life goes on happily, as before. Reg quickly becomes part of the family, and starts to "walk out" with the somewhat introverted Ethel. Eventually, he proposes marriage, and she accepts, much to everybody's delight.

Sid enjoys the life of an urban post-war young man, and Stan continues to work for Frank, whose 1930's semi-detached house contrasts vividly with Vera and Stan's small if clean
tenement flat. While Frank is extremely fond of his brother and family, his wife Joyce, with
her upwardly mobile material aspirations, looks down on them.

One weekend, a girl whom Vera has “helped” is suddenly taken ill, and is rushed into hospital. It is obvious to the doctor what has happened, and the girl's mother reluctantly admits the truth when the police are called in.

Frank and Joyce go to Vera and Stan's flat one Sunday to celebrate Ethel and Reg's engagement, and to announce their own news - that Joyce is expecting their first child.

They have barely broken this news when there is a knock on the door. Stan opens it, to discover the police, who enter and ask to see Vera. They will not reveal to the family the reason for their intrusion.

The Detective Inspector, his Detective Sergeant and the uniformed policewoman accompany a stunned Vera into the bedroom. She knows why they have come. Barely able to speak,
she admits everything, and, at their request, produces her abortion kit from a cupboard.

Still with no explanation given to the increasingly distressed family, Vera is taken away in a police car. Stan follows on foot in the snow, while the others stay behind.

At the police station, Vera is interrogated further, and then makes and signs a statement, while a perplexed Stan waits, still in the dark.

Detective Inspector Webster is as sympathetic and as patient as possible. Vera explains how
she just tries to help girls who are in trouble. Her sole motive is compassion. She is horrified
at the suggestion that she might have received money for doing this, and is deeply shocked to discover that Lily has been charging the women fees.

Vera is now formally charged with her crime, and Inspector Webster suggests that since Stan is inevitably going to find out the truth anyway, why doesn't she tell him herself? The Inspector brings in the bewildered Stan, and Vera confesses all.

Stunned, Stan goes home. His reaction is to be understanding and supportive, but he is angry as well. Ethel is distressed, and Sid is at first furious and disgusted, but later relents.

After a night in a cell, Vera appears before the magistrate, and with no opposition from the police, she is released on bail.

Vera is completely traumatized by what has happened. Just before Christmas, she is brought back before the magistrate's court, and she is committed to trial in January.

Christmas at the Drake flat is a subdued affair. Joyce makes it clear that she would rather not be there, but Reg declares it's the best Christmas he's had in a long time.

Prior to the criminal trial, Vera's solicitor tells her that none of her employers will give her a character reference, and that the shortest sentence they can hope for is eighteen months.

At the trial, in spite of the effort of her defense lawyer to emphasize her strong moral
character, and the fact the she did not profit from her "crimes", the judge determines to make an example of Vera Drake, and she is sent to prison for two-and-a-half years.

In the women's prison, Vera talks to two other inmates, both abortionists. They are serving longer sentences than hers because their clients both died. They assure her that, as a first-time offender, she will have to serve only half her sentence.

Meanwhile, at the flat, Stan, Sid, Ethel and Reg sit around the table all lost for words...

Review by DARREL MANSON
Pastor, Artesia Christian Church, Artesia, CA
http://netministries.org/see/churches/ch01198

Darrel has an incredible love and interest in the cinematic arts. His reviews usually include independent and significantly important film.
Click to enlargeVera Drake is a wonderful woman, almost saintly. This dowdy, middle-aged housewife spends the day with a smile on her face. She stops by the apartment of an invalid neighbor on her way home to make him tea. She loves her family. She invites a shy, lonely neighbor to share a meal with them (and hopes to set him up with her very shy daughter.) She does whatever she can do to help someone in need.

This pattern is established again and again in about the first third of the film before we are shown the secret side of Vera, not known even to her family. Although it's not really another side, because she is still doing what she can to help someone in need. Only this form of helping is by providing illegal abortions.

Review Continued here

Review by WHITEWAVE
Her given name means "White" or "Wave." She has always been fascinated by Humans, Theology, Hermeneutics, Philosophy, Epistemology, Culture and Psychology with a special interest in how Postmodern ideas have changed everything. She lives in Northern California, a mother of two, and is a free lance writer. Life goal: To Love people and make this world a better place.

Initially I thought this film would be about abortion. But it’s not really. It’s about the silencing of women’s voices about their feelings of betrayal, disappointment, shame, fear, sorrow, confusion and doubt. But most of all their feelings about sexuality and intimate relationships. I have enough personal experience with this to earn my right to speak

Review continued here

Continue:
COMMENT ON THIS FILM

Review, Comment, Blog by Whitewave
Review, Comment, Blog by Darrel Manson

Your Private Comments.
I will not post these comments. What are your personal thoughts?  I also welcome your spiritual concerns and prayer needs.  I will correspond with you, usually within two weeks.
Click here

OFFICIAL SITE
Publicity information and images © 2004 Fine Line Features. All Rights Reserved.
No other uses are permitted without the prior written consent of owner. Use of the material in violation of the foregoing may result in civil and/or criminal penalties. Credits and dates are subject to change. For more information, please visit their official site.

Hollywood Jesus News Letter
Receive the Hollywood Jesus Newsletter FREE.

Sign up here