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TORTILLA
SOUP
There is so much joy to be had in the world. Yet much of our time
is spent eating without the tastes -- living without the joy. God
does bless us with many wonderful gifts -- people, love -- food.
To know the joy God has for us, we have to live, not go through
the motions.
by Darrel Manson
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TORTILLA SOUP
(2001)
This page was created on September 13, 2001
This page was last updated on
May 23, 2005
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Directed
by Mar?a Ripoll
Writing credits: Hui-Ling Wang, Ang Lee and James Schamus for earlier
screenplay) and Tom Musca for actual screenplay.
Hector
Elizondo .... Martin Naranjo
Jacqueline Obradors .... Carmen Naranjo
Tamara Mello .... Maribel Naranjo
Constance Marie .... Yolanda
Nikolai Kinski .... Andy
Elizabeth Pe?a .... Leticia Naranjo
Raquel Welch .... Hortensia
Jade Herrera .... Eden
Produced
by Samuel Goldwyn Jr. (executive producer), John Bard Manulis (producer),
Lulu Zezza (co-producer)
Original music by Bill Conti
Cinematography by Xavier P?rez Grobet
Film Editing by Andy Blumenthal
MPAA:
Rated PG-13 for sexual content.
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Trailer
QuickTime (11.3
MB)
QuickTime (4.7
MB)
QuickTime (2.4
MB)
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Tortilla Soup
Various Artists - Soundtrack - 2001
1. Sem Contencao - Bebel Gilberto 2. Hoy Me Voy - Sergent Garcia
3. Perhaps, Perhaps, Perhaps - Lila Downs 4. La Verdolaga - P18
5. Cuchi-Cuchi - Los Amigos Invisibles 6. Si En Un Final - Eliades
Ochoa 7. Lagrimas Negras - Cuba L.A. 8. Les Portes du Souvenir -
Les Nubians 9. Si Estuvieras Aqui - Los Amigos Invisibles 10. Call
Waiting - Zap Mama 11. Tortilla Soup - Bill Conti 12. La Pluma -
Bloque 13. Amado Mio - Pink Martini
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A
comedy to arouse your appetite.
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SYNOPSIS:
Three grown sisters try to cope with (and live with) their father
who has one simple rule: be at home for Sunday dinner. Attendance
is mandatory and non-negotiable. Tradition is not to be messed with.
Heated talk, of course, is as common as jalape?os. |
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Bring
to a boil a widowed father of three grown daughters.
Martin
Naranjo (Hector Elizondo) is the family patriarch who's always got
something simmering, both on the stove and beneath the surface.
A classically trained master chef, his passion is his kitchen and
his life's work is seeing his daughters happy, healthy, and secure.
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Turn
up the heat with the daughter in the middle.
Carmen
(Jacqueline Obradors), is a beautiful and successful executive who's
just been offered a dream job in Barcelona and the chance to make
more money than she could ever have imagined. Yet it's not dollar
bills that truly excite her but the tortillas, tomatillos, and chiles
she's grown up with in dad's kitchen. Does she take the big bucks
to please her father, or follow her heart into the kitchen to cook
the seductive and rebellious foods she loves?
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Mix
in a strong-willed teenager.
Maribel
(Tamara Mello) -- the baby of the family -- plans to leave the family
nest in the fall to go to college. But destiny soon appears in the
form of a hunky bohemian free spirit named Andy (Nikolai Kinski)?
and college is suddenly off the agenda. Who needs college right
away when you can see the world?
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Stir
in the oldest daughter, whose life is about to turn upside down.
Prim
and proper schoolteacher Leticia (Elizabeth Pe?a) lives a life of
quiet devotion - to her father, her pupils, and the Lord (the only
true love of her life.) That is, until she starts receiving a series
of mysterious love letters. Could they be the sweet confection of
Orlando, the baseball coach (Paul Rodriquez) she sneaks furtive
glances at from her classroom window?
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Add
a few surprises to the mix.
This
is a family, so anything goes. There are always things simmering
beneath the surface. Add Hortensia (Raquel Welch) to the pot --
a flamboyant and flirtatious grandmother hot for Martin -- and things
get even spicier. What brews is a series of memorable Sunday meals,
featuring tasty offerings and a bevy of delicious surprises. In
this family, you bicker, fight, and disapprove. You also share,
learn, and grow. But above all, you cook? and eat!
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THE
PRODUCTION
Producer
Samuel Goldwyn had in mind a spicy story about family, food and
romance centered around three rebellious sisters and a curmudgeonly
father. What better source than "Eat Drink Man Woman," the 1995
Academy Award nominee for Best Foreign Language Film which Goldwyn
himself had released? While that film had the themes Goldwyn was
looking for - humor, the bittersweet ties of family - he wanted
one additional ingredient: the universal tension between daughters
who want to be independent, and fathers who want them to remain
little girls.
"By
highlighting those themes and changing the setting to America, we
open up a whole new world," says Goldwyn, Jr. "In this film, the
father, (Martin, played by Hector Elizondo), instills the old-school
values that he brought with him to this country just like our grandfathers
did when they came here. Now his daughters have to deal with him
and try to open his eyes to see that there are new ways of looking
at things, that everybody makes mistakes and that you have to live
your own life."
"Certain
parts of this story could have been tragic, but this family finds
a way to persevere through humor and certainly food - a lot of food,"
Elizondo adds.
A crucial
element to the story was the casting of Martin, a widower who shares
the roles of family patriarch and Master Chef extraordinaire. Martin
lovingly prepares dishes of every imaginable variety in quantities
which could feed an entire neighborhood. Elizondo immediately connected
to and identified with the part. "This story is very close to me
because I was an only parent raising a son," he says. "What's intriguing
about this dynamic is his relationship with his daughters. Ironically,
the daughter he's having the most trouble with is the one who is
most like him.
"Martin
is looking at himself in the mirror and has second thoughts as to
whether he wants Carmen to follow in his footsteps; someone who
has spent his life in the kitchen. It's what all parents go through,
trying to help your kids accomplish something more than what you
did."
The
family themes also attracted Jacqueline Obradors, who plays middle
daughter Carmen. "You can't help but think about family when you're
part of this movie," she says. "Family, friends and the relationships
you make are what is important."
Then
there are the three sisters who are still living at home with their
father. As one might expect, it's not always pleasant. "They all
seem so different, but they have a lot in common," says Pe?a. "All
of them are evolving, moving on. This is what creates the animosity
among them."
For
Raquel Welch, who plays an over-the-top neighbor looking for her
next husband, all of the characters are special. "This is a film
about real human circumstances," she says. "These are people you
want to spend time with. You're charmed by them; not beaten over
the head by them. I love that about this movie."
Playing
alongside Welch gave Paul Rodriguez the opportunity to live out
one of one of his boyhood fantasies. "I'm a migrant worker's son.
I'd love to say that my father took me to the movies and I said
to myself, 'Some day that's going to be me up there.' The reality
is that I had a poster in my room of Raquel Welch. It was my motivation.
Who'd have thought that I'd ever be in a film with her."
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Tortilla
Soup is an Americanization of Ang Lee?s Eat Drink Man Woman. And
it is flavored perfectly -- not too spicy, but certainly full of
zest.
The
story involves the Naranjo family, Martin, the father, and his three
daughters, Leticia, Carmen, and Meribel. They are all on their own
roads to seeking love and themselves. But at the center of it all
is food. Lots of food. Beautiful food.
Martin
is a Mexican-American master chef who has lost his ability to taste
and to smell. Yet throughout the movie, either at the restaurant
or at home, he is cooking. And everything he cooks you want to eat.
Even as he slices onions or grills nopales, you can tell that everything
he touches is marvelous.
Food
serves as the key metaphor of the film. It symbolizes the joy of
life. That is really what everyone is looking for. Martin, a widower
for many years, lives just as he cooks. Since he cannot taste what
he makes, he goes by memory and instinct. He does everything just
as it should be done, but he never enjoys it. It is that metaphor
that allows us to think about the joy of our own lives. Do we experience
our joys, or do we merely go through the motions that we think should
bring us joy?
There
is so much joy to be had in the world. Yet much of our time is spent
eating without the tastes -- living without the joy. God does bless
us with many wonderful gifts -- people, love -- food. To know the
joy God has for us, we have to live, not go through the motions.
If
you plan on doing dinner and a movie, let me suggest you take in
Tortilla Soup first, and then go to dinner. And make a reservation
at a really good Mexican restaurant. And enjoy!
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Tortilla Soup ? 2001 Samuel Goldwyn Films
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