We get a glimpse of the ultimate love of the O’Ryan character, complete with a sacrifice theme and the foretelling of that event. And we see a concept generally accepted within Christianity -- the indwelling of the Holy Spirit

(2004) Film Review

This page was created on September 11, 2004
This page was last updated on December 29, 2004


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CREDITS

Click to enlargeDirected by E. Elias Merhige
Story by Zak Penn
Screenplay by Zak Penn and Billy Ray

Cast (in credits order)
Aaron Eckhart .... Thomas Mackelway
Ben Kingsley .... Benjamin O'Ryan
Carrie-Anne Moss .... Fran Kulok
Harry J. Lennix .... Rich Charleton (as Harry Lennix)
Kevin Chamberlin .... Harold Speck
Julian Reyes .... Highway Patrolman
Keith Campbell .... Raymond Starkey
Chloe Russell .... Loretta
Ellen Blake .... Dolly
William B. Johnson .... Mel
Jerry Gardner .... Sheriff Harry Dylan
Daniel Patrick Moriarty .... Bud Granger
Curtis Plagge .... Jumbo
Nicole DeHuff .... Katie Potter
William Mapother .... Bill Grieves
Donn Owens .... FBI Agent
Brady Coleman .... Dyson
Frank Collison .... Piper

Produced by
Lester Berman .... co-producer
Moritz Borman .... executive producer
Guy East .... executive producer
Gaye Hirsch .... producer
Gary Lucchesi .... executive producer
E. Elias Merhige .... producer
Darren Miller .... co-producer
Tom Rosenberg .... executive producer
Jonathan Sanger .... executive producer
Nigel Sinclair .... executive producer
Paula Wagner .... producer
Tom Cruise .... executive producer (uncredited)

Original Music by Clint Mansell and John McCarthy (additional music)
Cinematography by Michael Chapman
Film Editing by John Gilroy , Robert K. Lambert and Fred C. Vitale


MPAA: Rated R for violent content, language and some nudity.
For rating reasons, go to FILMRATINGS.COM, and MPAA.ORG.
Parents, please refer to PARENTALGUIDE.ORG

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SYNOPSIS
It's 4 AM and torrents of rain pour down on a dusty roadside New Mexico diner. Inside, an innocuous looking salesman sips coffee while catching up on his fishing magazines. After the front door creaks open, an unusual looking man startles the salesman by sitting down at his table and displaying frightening drawings that send the salesman fleeing for the safety of his car.

We meet Agent Thomas Mackelway on his first day of work at the Albuquerque field office of the FBI. Mackelway, wrestling with secrets and demons from his past, is plagues by headaches and feels that he is being watched. And in fact he is... but by whom?

Mackelway finds himself mysteriously drawn into a bizarre series of murders: the salesman from the diner found dead in his car on the deserted New Mexico border; a sixth grade teacher from Boulder, Co. discovered in an abandoned vehicle in the diner parking lot; and Mackelay's own personal nemesis, killed while attacking a young girl. Mackelway's former partner, Fran Kulok, who knows Mackelway's deepest secrets, is sent to Albuquerque to assist him on the case. Together, they set out to solve this lethal puzzle. What do these murders have in common?

The case becomes increasingly personal as Mackelway's determination turns to obsession. The killer seems to be taunting him, faxing him hundreds of maddening, chilling clues, all of which point to a cunning renegade named Benjamin O'Ryan. Trained in a secret government remote viewing program which enabled five elite agents to get into the hearts and minds of killers and their victims, O'Ryan became consumed with tracking the ultimate manifestation of a killer -- Suspect Zero.

Click to go to Mike's BlogReview by MIKE FURCHES

Click to enlargeSome movies seem to split the moviegoing audience as wide apart as the election process in America. You either love ‘em or you hate ‘em, and it seems as if there is no in-between. The recent release -- Suspect Zero -- is just such a movie. For some strange reason, many within the moviegoing audience have found a niche in “serial killer” themes. The success of the Silence of the Lambs Trilogy with Silence of the Lambs, Hannibal, and Red Dragon, (preceded by Manhunter), along with such films as Seven, has helped give credibility to the genre. Suspect Zero falls into the recent serial killer format, but with its own distinctive twist.

Review Continued here

 

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