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Star
Wars: Episode II - Attack of the Clones
The basic issue here is: Loss. Anakin has been terribly wounded
be the loss of this mother. In response to loss, he begins to
control things around him. Thus, his decent into the dark side.
Review by David Bruce
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Star Wars: Episode II
Attack of the Clones
(2002)
This page was created on May 14, 2002
This page was last updated on
May 30, 2005
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CREDITS
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Directed by George Lucas
Story by George Lucas
Screenplay by George Lucas and Jonathan Hales
Ewan
McGregor .... Obi-Wan Kenobi
Natalie Portman .... Senator Padm? Amidala
Hayden Christensen .... Anakin Skywalker
Ian McDiarmid .... Supreme Chancellor Palpatine/Darth Sidious
Samuel L. Jackson .... Mace Windu
Pernilla August .... Shmi Skywalker
Jack Thompson .... Cliegg Lars
Christopher Lee .... Count Dooku/Darth Tyranus
Anthony Daniels .... C-3PO/ Lt. Dannl Faytonni
Frank Oz .... Yoda (voice)
Andrew Secombe .... Watto (voice)
Oliver Ford Davies .... Sio Bibble
Silas Carson .... Nute Gunray/Ki-Adi-Mundi
Kenny Baker .... R2-D2
Ahmed Best .... Jar Jar Binks (voice)/Ahck Med-Beq (voice)
Jimmy Smits .... Senator Bail Organa
Ayesha Dharker .... Queen Jamillia
Joel Edgerton .... Owen Lars
Bonnie Piesse .... Beru Whitesun
Temuera Morrison .... Jango Fett
Daniel Logan .... Boba Fett
Produced
by
George Lucas .... executive producer
Rick McCallum .... producer
Original
music by John Williams
Cinematography by David Tattersall
Film Editing by Ben Burtt
MPAA:
Rated PG for sustained sequences of sci-fi action/violence.
For rating reasons, go to FILMRATINGS.COM,
and MPAA.ORG.
Parents, please refer to PARENTALGUIDE.ORG
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CD
SOUNDTRACK
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There's
never been anything quite like the symphonic film music series
that John Williams has forged for George Lucas's sprawling Star
Wars saga. By the time the sixth chapter rolls around, Williams
will have created a body of work that spans fully 30 years of
his career, a virtual Ring Cycle of sci-fi/fantasy soundtrack
music. While Attack of the Clones again achieves the high standards
of its predecessors, it also succeeds by both forging some rewarding
new musical themes at the same time it begins to bring the galactic
fable full circle. The budding relationship between now-teenaged
Anakin Skywalker and Amidala/Padme is informed by "Across the
Stars--Love Theme from Attack of the Clones," a grand romantic
motif that's infused with a subtle melancholy that hints at the
tragedy that must ultimately befall the young lovers. The composer's
mastery of idiom and color serve him especially well in the action
cues, infusing "Zam the Assassin and the Chase Through Coruscant"
and "Jango's Escape" with bracing doses of 20th-century modernism
and its inherent rhythmic fury performed, as always, by the London
Symphony Orchestra. Williams also incorporates the "Force" and
"Jedi" themes of the first SW trilogy sparingly, before "Confrontation
with Count Dooku and Finale" completes the musical/thematic tapestry
by interweaving The Empire Strikes Back's menacing "Imperial March"
with both the new "Love Theme" and the Phantom Menace's dramatic
choral showcase "Duel of the Fates." This sweeping denouement
should rightfully take its place among the saga's most compelling
musical sequences. Purists may grouse at the obviously abridged
music here, but given history a complete/ultimate edition of the
score can't be far behind. This soundtrack is issued with one
of four different, collectible covers. --Jerry McCulley
1.
Star Wars Main Title and Ambush On Coruscant 2. Across The Stars
(Love Theme from Attack of the Clones) 3. Zam The Assassin and
The Chase Through Coruscant 4. Yoda And The Younglings 5. Departing
Coruscant 6. Anakin and Padmi 7. Jango's Escape 8. The Meadow
Picnic 9. Bounty Hunter's Pursuit 10. Return To Tatooine 11. The
Tusken Camp and The Homestead 12. Love Pledge and The Arena 13.
Confrontation With Count Dooku and Finale
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POSTER
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Posters
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BOOK
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There
is a great disturbance in the Force. . . . From the sleek ships
of the glimmering Coruscant skyscape to the lush gardens of pastoral
Naboo, dissent is roiling. The Republic is failing, even under
the leadership of Supreme Chancellor Palpatine, elected ten years
earlier to save the crumbling government. Separatists threaten
war, and the Senate is hopelessly divided, unable to determine
whether to raise an army for battle or keep the fragile peace.
It is a stalemate that once broken, could lead to galactic chaos.
Mischievous
and resolved, courageous to the point of recklessness, Anakin
Skywalker has come of age in a time of great upheaval. The nineteen-year-old
apprentice to Obi-Wan Kenobi is an enigma to the Jedi Council,
and a challenge to his Jedi Master. Time has not dulled Anakin?s
ambition, nor has his Jedi training tamed his independent streak.
When an attempt on Senator Padm? Amidala?s life brings them together
for the first time in ten years, it is clear that time also has
not dulled Anakin?s intense feelings for the beautiful diplomat.
The
attack on Senator Amidala just before a crucial vote thrusts the
Republic even closer to the edge of disaster. Masters Yoda and
Mace Windu sense enormous unease. The dark side is growing, clouding
the Jedi?s perception of the events. Unbeknownst to the Jedi,
a slow rumble is building into the roar of thousands of soldiers
readying for battle. But even as the Republic falters around them,
Anakin and Padm? find a connection so intense that all else begins
to fall away. Anakin will lose himself?and his way?in emotions
a Jedi, sworn to hold allegiance only to the Order, is forbidden
to have.
Based
on the story by George Lucas and the screenplay by George Lucas
and Jonathan Hales, this intense and revealing novel by bestselling
author R. A. Salvatore sheds new light on the legend of Star Wars?and
skillfully illuminates one of our most beloved sagas.
About
the Author
R. A. Salvatore was born in Massachusetts in 1959. He is the acclaimed
author of the DemonWars trilogy: The Demon Awakens, The Demon
Spirit, and The Demon Apostle, as well as Mortalis, Bastion of
Darkness, Ascendance, and the New York Times bestseller Star Wars?
The New Jedi Order: Vector Prime. He lives in Massachusetts with
his wife, Diane, and their three children.
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SYNOPSIS
A
Jedi Shall Not Know Anger. Nor Hatred. Nor Love.
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Ten
years after the events of The Phantom Menace, not only has the galaxy
undergone significant change, but so have our familiar heroes Obi-Wan
Kenobi (Ewan McGregor), Padmé Amidala (Natalie Portman),
and Anakin Skywalker (Hayden Christensen) as they are thrown together
again for the first time since the Trade Federation invasion of
Naboo. Anakin has grown into the accomplished Jedi apprentice of
Obi-Wan, who himself has transitioned from student to teacher. The
two Jedi are assigned to protect Padmé whose life is threatened
by a faction of political separatists. As relationships form and
powerful forces collide, these heroes face choices that will impact
not only their own fates, but the destiny of the Republic.
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REVIEW
By David Bruce
How Evil Distorts Reality.
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"THE
DARK SIDE HAS CLOUDED THE FORCE... MASKING THE FUTURE, IS THIS
DISTURBANCE IN THE FORCE."
Yoda speaks these prophetic words as the story begins. The dark
side of the force has obscured the future -as it always does.
People in the Republic are in denial and have distorted views
of the danger all around them.
In
America, it is a time unlike any other in history. Americans had
a sense of security until 9/11 happened. 9/11 opened our eyes.
There is evil. It surrounds us. Its intent is to destroy us. This
is especially true in a spiritual sense.
The
Attack of the Clones deals with how subtle evil can be.
Anakin Skywalker is enticed to the dark side slowly over time
in subtle ways. The question in this episode is: Why does
Anakin choose the dark side of the force?
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"I
GUESS I WAS WRONG. THERE WAS NO DANGER AT ALL."
Senator Padme Amidala guard's words in the opening scene underscore
how the dark side had clouded truth. Just after he speaks these
words an explosion goes off killing many around them including Amidala
long time best friend Corde.
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"I
WILL NOT LET THIS REPUBLIC THAT HAS STOOD FOR OVER A THOUSAND
YEARS BE SPLIT IN TWO."
Chancellor Palpadine declares his intentions loud and clear to
the Jedi Knights gathered in his office. He seems genuinely concerned
for the republic. How subtle evil is, Chancellor Palpadine is
really a wolf in lamb's clothing. He is Darth Sidious -as we learned
in episode I. The point here is how deep rooted and present evil
can be without being detected -- not even by Jedi masters like
Yoda.
BTW:
An ongoing theme in this film is to never trust a politician.
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AN
OLD FLAME IS REKINDLED.
Anakin and Amidala are reintroduced to each other. They have shared
strong feelings toward each other throughout their long years
of absence from each other. As a Jedi, Anakin is unfortunately
prohibited from having any attachments to possessions, property
and romance.
And
thus begins the legacy of losses, which triggers his decent toward
the dark side.
The
idea of certain spiritual leaders not having possessions goes
back to Jesus who commissioned 70 men to go out from city to city
on a special spiritual mission. He told them, "Go now, and
remember that I am sending you out as lambs among wolves. Don't
take along any money, or a traveler's bag, or even an extra pair
of sandals." (Luke 10:3-4 NLT) Sounds very Jedi to me.
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FOLLOWING
THE HEART INSTEAD OF THE HEAD?
Jedi Masters are trained to follow their feelings: "Don't
think, feel." Yet they are forbidden to follow their hearts
in areas such as romantic love. A Jedi is a follower of the spirit
(inner self) rather than the passion of the flesh (outer self).
Anakin gives into the driving passion within him toward Amidala.
I must say that this is a little confusing to me in that I do
not see appropriate and passionate love as inconsistent with spirituality.
In fact, I see them as complementary to each other.
Jedi
Masters are the spiritual leaders in the Lucas' universe, and
they are celibate just as Roman Catholic priests are. This is
interesting in light of Lucas' Protestant background.
I
could not help but think of the current predicament of the Roman
Catholic Church with Priests who break the rule of celibacy and
dishonor themselves and the church by giving into the darker passions
of the flesh with underage youth. Following unchecked passion
is not a good idea. Personally, I believe that both the heart
and mind should be involved in all decisions.
Perhaps,
celibacy is not a good policy for spiritual leaders. How do you
feel about this?
The
idea of Spiritual people being single can, in part, be attributed
to St. Paul who said, "Now, about the young women who are
not yet married... Because of the present crisis, I think it is
best to remain just as you are." (1 Cor. 7:25-26 Msg). Mostly,
I think it was the early Stoic Philosophy and its influence on
the church fathers. Many of them had been Stoic philosophers and
hence, celibate. St. Augustine is a prime example of the mixing
of the Stoic idea of celibacy with Christian faith. From the third
century on Christian Priests tended to be celibate.
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ANGER
AGAINST A SETTING SUN.
Symbolism in background scenes abounds in this film. For example,
as Anakin sets out to save his mother from death, we see his anger
set against a lifeless desert landscape with a setting sun. This
is very suggestive of a bleak soul descending into the depths of
spiritual darkness. |
ROMANTIC
LOVE ON A LUSH GREEN HILL SIDE NEXT TO A CALM LAKE.
"Beautiful" is the only word to describe the breath taking
landscape in which Lucas portrays romantic love. It seems to contrast
the bleak love-less landscape of Anakin's anger. |
LOSS
TURNS INTO A CONTROL FACTOR.
Anakin's attempt to save his mother does not work out. She dies
in his arms while he is freeing her from a tribe of Tusken Raiders.
The scene is set in a remote wasteland valley in the darkness of
night. Again, it is highly symbolic. In his anger and hatred of
her captors, Anakin kills all of the Tusken Raiders, including the
women and children. He lays waste to the wasteland in the dark of
night. |
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ANGER
CONTINUES TO GROW.
Anakin confesses to Amidala his slaughter of the Tusken tribe.
"I hate them! I killed them all... I couldn't control myself..."
He continues to speak from the darkness that is growing within
him. "Why did she have to die? ...Why couldn't I save her?
...Some day I will be! I will be the most powerful Jedi ever!
I promise you, I will even learn to stop people from dying."
Anger,
hate and self centeredness grows in Anakin.
JEALOUSY
CONTINUES TO GROW.
Anakin goes on in his confession of soul: "It's all Obi-Wan's
fault! He's jealous! He knows I'm more powerful than he is. He's
holding me back." Anakin fails to see his own jealousy.
The
basic issue here is: Loss. Anakin has been terribly wounded by
the loss of this mother. In response to loss, he starts to control
things around him. Thus he begins his descent into the dark side.
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ISSUES: |
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CLONES
-MANUFACTURED HUMANS.
Lucas gives us a rather chilling view of the meaning of cloning.
In the future will human clones be grown to fight our wars? Will
we manufacture humans for slave-like tasks? How do you feel about
the issue of human cloning? Is there a danger of cloning a race
of "sub-human" disposable people?
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THE
MULTI-ETHNIC MAKE UP OF THE JEDI MASTERS.
In this episode, Lucas gives us a view of the Jedi as multicultural.
They come in all kinds of shapes and colors. Everyone is included.
Spiritually, God's kingdom is inclusive too. All are included. God
is "not a respecter of persons." |
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YODA
AND GENERATION X
I asked a Gen-Xer to describe his generation to me. He said, "We
are the Star Wars generation!"
I
thought, "Wow, he's right."
The
ongoing Star Wars series supplies a framework for an entire generation.
It has evolved with that generation. Yoda is a case in point.
He starts out as a Frank Oz Sesame Street type of puppet and evolves
into a high tech computer generated character.
Likewise,
Gen X started out on Sesame Street and graduated to computers.
In
the seventies, when Eastern religion was popular in the West,
Yoda is a Buddha like monk - a symbol of spirituality; (Beatle
George Harrison reflected this trend as well). Yoda was withdrawn
from society. Inner meditation was his thing. Violence was not
a part of his makeup.
In
this episode everything changes. Yoda becomes involved in the
world around him --big time. He becomes a warrior capable of marshaling
an army into war, literally. Speaking of changes, wait until you
see Yoda in a lightsaber duel. We experience a Yoda that reflects
the spiritual journey of a generation. Like Yoda, today's spirituality
is a mixed bag. A little of this and a little of that. "I'm
a born again Christian, and I believe in reincarnation."
"I am Jewish, but I don't believe in God."
Yoda
no longer reflects a monk-like loner living in a swamp somewhere.
In this episode, he is a person with close friends and involved
in the real world. "There has been a shift in the universe."
Yoda reflects our changing times.
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THE
ISSUE OF SUBSTANCE ABUSE.
While in a bar, Obi-Wan is approached by a drug dealer. "Wanna
buy some Death Sticks?"
Using
the force, Obi-Wan replies, "You don't want to sell me
Death Sticks."
Under
the hypnotic spell of the force, the drug dealer replies, "I
don't want to sell you Death Sticks."
Obi-Wan:
"You want to go home and rethink your life."
Dealer:
"I want to go home and rethink my life."
Wonderful
little scene I thought. And perhaps good advice for all of us.
Isn't it time for all of us to rethink our life? In what ways
do anger, jealousy, self-centeredness and control issues drive
us toward the dark side of the force?
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