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The incredible beauty in this film inspires a sense of awe in the viewer and makes the film worthwhile purely as a work of photographic art. Even though it portrays a worldview that is vastly different from our own, the pattern of growing up and learning to live in harmony with our environment is universal. And those universal truths tell a story that in itself is worthy of our awe.

Spring, Summer, Fall,
Winter... and Spring

Bom yeoreum gaeul gyeoul geurigo bom
(2003) Film Review by Darrewl Manson

This page was created on April 20, 2004
This page was last updated on May 23, 2005


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CREDITS

Directed by Ki-duk Kim
Writen by Ki-duk Kim

Producers
Karl Baumgartner ... producer
Seung-jae Lee ... producer

Cast - in credits order
Young-soo Oh ... Old Monk
Ki-duk Kim ... Adult Monk
Young-min Kim ... Young Adult Monk
Jae-kyeong Seo ... Boy Monk
Yeo-jin Ha ... The Girl
Jong-ho Kim ... Child Monk
Jung-young Kim ... The Girl's Mother
Dae-han Ji ... Detective Ji
Min Choi ... Detective Choi
Ji-a Park ... The Baby's Mother
Min-Young Song ... The Baby

Cinematography by Dong-hyeon Baek
Edited by Ki-duk Kim


MPAA: Rated R for some strong sexuality.
Runtime: 103 min

For rating reasons, go to FILMRATINGS.COM, and MPAA.ORG.
Parents, please refer to PARENTALGUIDE.ORG

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SYNOPSIS

SPRING
The wooden doors of a gated threshold open on a small monastery raft that floats upon the tranquil surface of a mountain pond. The hermitage's sole occupants are an Old Monk (OH Young-soo) and his boy protege Child Monk (KIM Jong-ho). While exploring the world in and around their secluded idyll, Child Monk indulges in the capricious cruelties of boyhood. After tying stones to a fish, a frog, and a snake, Child Monk awakens to find himself fettered by a large stone Old Monk has bound to him. The old man calmly instructs the boy to release the animals, promising him that if any of the creatures die "you'll carry the stone in your heart for the rest of your life."

SUMMER
The doors open again on Boy Monk now aged 17 (SEO Jae-kyung) who meets a woman (KIM Jung-young) making a pilgrimage with her spiritually ill daughter (HAYeo-jin). "When she finds peace in her soul," Old Monk reassures the mother, "her body will return to health." The girl awakens desire in Boy Monk and the sensual flirtation between the two of them culminates in passionate lovemaking on pond-side rocks. After a furtive but tender tryst in the abbey's rowboat, the lovers are discovered by Old Monk. The girl, now healed, is sent back to her mother. Forsaking his monastery home, the infatuated Boy Monk follows her.

FALL
Long absent from the monastery, Young Adult Monk (KIM Young-Min), now a thirty year old fugitive, returns to the abbey raft still consumed by a jealous rage that has compelled him to commit a violent crime. When Young Adult Monk attempts penitence as cruel as his misdeed, Old Monk punishes him. The Old Monk instructs Young Adult Monk to carve Pranjaparpamita (Buddhist) sutras into the hermitage's deck in order to find peace in his heart. Two policemen arrive at the abbey to arrest Young Adult Monk but thanks to Old Monk, they let Young Adult Monk continue carving the sutras. Young Adult Monk collapses from exhaustion and the two policemen finish decorating the sutras before taking Young Adult Monk into custody. Alone again, Old Monk prepares a ritual funereal pyre for himself.

WINTER
The doors open on the now frozen pond and abandoned monastery. The now mature Adult Monk (played by director KIM Ki-duk) returns to train himself for the penultimate season in his spiritual journey-cycle. A veiled woman arrives bearing an infant that she leaves in Adult Monk's care. In a pilgrimage of contrition, Adult Monk drags a millstone to the summit of a mountain overlooking the pond. As he gazes down on the pond that buoys the monastery and the mountainsides that gently hold the pond like cupped hands, Adult Monk acknowledges the unending cycle of seasons and the accompanying ebb and flow of life's joys and sorrows.

... AND SPRING
The doors open once again on a beautiful spring day. Grown from a child to a man and from a novice to a master, Adult Monk has been reborn as teacher for his new protege. Together, Adult Monk and his young pupil are to start the cycle anew...

Review by
DARREL MANSON BLOG
Pastor, Artesia Christian Church, Artesia, CA
http://netministries.org/see/churches/ch01198

Darrel has an incredible love and interest in the cinematic arts. His reviews usually include independent and significantly important film
In Buddhist thought, life and time are cyclic. It is more than just the cycle of dying and rebirth that is part of that worldview. It is also the way life is understood and lived. We see this Buddhist worldview beautifully portrayed in the Korean film Spring, Summer, Fall, Winter, ... and Spring.

The film tells the story of two monks living in a temple floating on Jusan Pond, surrounded by forested mountains -- a beautiful setting for an exploration of the spiritual life. And the life that is portrayed indeed shows us a spiritual journey. One of the monks is an adult monk, while the other begins the film as a child. As the film progresses from season to season, the years pass as well, and the younger monk progresses from child to boy to young man to adult. With each season of the earth, we see a season in the life of the younger monk -- and by extension, a season in the life that is common to all people.

Director Kim Ki-Duk said, “I intended to portray the joy, anger, sorrow and pleasure of our lives through the life of a monk who lives in a temple on Jusan Pond surrounded by nature,” and that is exactly what he proceeds to do. He shows us the passion that fills each of the seasons. He also shows us the way the older monk is forming the spirit of the younger monk in his charge. The older monk does not try to break the younger’s passions, but rather help him to control the passions and by controlling them to more fully live in harmony with his own nature and the nature of the world around him.

The film begins with the child learning a serious lesson about cruelty to animals. He later learns of love, and leaves the monastery. Away from the temple, the young monk’s life takes a tragic turn when he commits a violent crime. He then returns briefly, but in that brief time, the older monk heals the younger one's spirit before he is arrested. Eventually, he returns yet again, ready to remain and partake of the spiritual life of the temple.

The incredible beauty in this film inspires a sense of awe in the viewer and makes the film worthwhile purely as a work of photographic art. Even though it portrays a worldview that is vastly different from our own, the pattern of growing up and learning to live in harmony with our environment is universal. And those universal truths tell a story that in itself is worthy of our awe.

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