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SIMONE
A contemporary satire of Hollywood, Simone
is the story of a disillusioned director, played by Al Pacino, who
creates the first totally believable synthetic actress. This film
addresses the issues of reality and the meaning of being human.
Review by David Bruce |
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| CREDITS |
| Directed
by Andrew Niccol
Written by Andrew Niccol
Al
Pacino .... Viktor Taransky
Catherine Keener .... Elaine Christian
Evan Rachel Wood .... Lainey
Pruitt Taylor Vince
Rachel Roberts .... Simone
Jay Mohr .... Hal Sinclair
Tony Crane .... Lenny
Jason Schwartzman
rest of cast listed alphabetically
Stanley Anderson
Derrex Brady
Susan Chuang .... Lotus
Produced by
Bradley Cramp .... executive producer
Danny DeVito .... executive producer: Jersey Films
Daniel Lupi .... co-producer
Andrew Niccol .... producer
Michael Shamberg .... executive producer: Jersey Films
Stacey Sher .... executive producer: Jersey Films
Original music by
Carter Burwell
Cinematography by Derek Grover and Edward Lachman
Film Editing by Paul Rubell
MPAA:
Rated PG-13 for some sensuality.
For rating reasons, go to FILMRATINGS.COM,
and MPAA.ORG.
Parents, please refer to PARENTALGUIDE.ORG
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| TRAILERS
AND CLIPS |
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| CD
SOUNDTRACK |
Simone
Carter Burwell
1.
Procuro Olvidarte
2. O Amanhã
3. Todo Por Amor (Tudo Por Amor)
4. Fruta Dulce
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5.
Barca
6. Ata-Me (Lia)
7. Que No Llora No Ama (Me Ama Mo)
8. Me Moriria Sin Ti
9. Yolanda: A Dúo con Pablo Milanés
10. Deslices (Deslizes)
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| POSTER |
No
available poster as of Aug 23, 2002 |
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| AVAILABILITY
ON VIDEO AND DVD |
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| SYNOPSIS
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A contemporary satire of Hollywood, Simone is the story of a disillusioned
director, played by Al Pacino, who creates the first totally believable
synthetic actress. However, swept up by her instant success, including
a major singing career, the producer cannot bear to admit his fraud
to the world or himself. The film also stars Catherine Keener, Pruitt
Taylor Vince, Jason Schwartzman and Jay Mohr. And introducing Simone
as herself. Written, directed and produced by Academy Award nominated
screenwriter Andrew Niccol (writer/director of Gattaca, and writer/producer
of The Truman Show).
In
Hollywood, the land of illusion, never have those words rung so
true? until S1M0NE. She is the ultimate director's fantasy. Unlike
her flesh and blood colleagues, she won't get old, won't gain an
ounce. She won't get drunk, will never need rehab. She doesn't have
an agent, manager, entourage or religious guru. She won't demand
a bigger trailer or a private jet. She does all of her own stunts.
She doesn't need a body double. She has no problem with nudity -
clothes are simply an option. She's programmed to love any script
she's offered. She's not interested in money. The only power she
craves comes from an electrical outlet. Meet S1M0NE.
Viktor Taransky (Pacino) is a down and out Academy Award-nominated
director who just lost his last shot at a comeback when his temperamental
flesh and blood actress (Winona Ryder in a cameo role as Nicola Anders)
walked off his movie "Sunrise, Sunset". And when she left, so did
Taransky's self-respect. Fired by his ex-wife and studio head Elaine
Christian (Keener), Taransky just lost any hope of recapturing his
former life with Elaine and their daughter Lainey (Wood). But then
computer genius Hank Aleno (Koteas) shows up?
Although Hank is not long for this world, he is certain his creation
will be in the right hands - Taransky's. Although Taransky initially
rebuffs Hank's insane proposal, Hank has the last say. He bequeaths
the software to Taransky that will change his life forever: Simulation
One. Just a few key strokes and an overnight sensation is born: S1M0NE.
Suddenly, Taransky has a taste of the success he always craved and
the world's most beloved star under his thumb. Or does he?
An intrepid tabloid reporter, Max Sayer (Vince), is doing his best
to challenge that. And his pursuit becomes a little sweeter when Taransky's
immaculate matrix starts to take on a life of her own. In a twist
of comedic consequences the Omniscient Taransky never anticipated,
the creation?or creature? is about to show the creator the meaning
of "Eternity Forever." Suddenly, real never looked so good. |
| REVIEW
by David Bruce
Webmaster of HollywoodJesus.com |
| Andrew
Niccol has done it again. He is the genius that gave us Gattaca
and the Truman Show. He projects a profound
sense of spirituality through his films. In Gattaca, he explored the
idea of redemption through blood. In the Truman Show he dealt with
the dangers of institutional religion, in which a man, Christof, set
himself up as a god. In Simone, Niccol explores the nature of belief
and myth. PERSECPTIONS
OF REALITY
In this day and age of computer-generated images, photo enhancement
and virtual reality, the line between reality and illusion has been
blurred. So-called photographic evidence is no longer compelling.
We question it more than we ever did. “If it is on television,
it must be true” –not! Is “reality television”
really reality? We have entered an age when we can manufacture what
is perceived of as reality. This film opens very necessary and interesting
discussion. (View Quick Time
clip of reality vs. illusion)
SELF
CENTERED ACTORS
It has been noted that Simone is an indictment against the Hollywood
system. It lampoons self-centered and self-serving movie stars.
The film offers a very humorous, yet also tragic, look into the
entertainment industry.
GOD-LIKE
CHARACTER
More than this, I think it questions the concept of religious belief.
I noticed that several reviewers made comparisons between Viktor
Taransky and God. Indeed, Taransky is a god-like creator. There's
even a line in the movie where he says that he breathed life into
Simone, a conscious reflection of the biblical image of God breathing
the breath of life into humanity. Viktor Taransky creates a whole
universe of the illusion and is the master-god over it, much like
the Christof character in the Truman Show. (View
Quick Time Clip of Taransky as Creator)
JESUS
SLAM?
Film critics seem to be blind to more obvious religious similarities
in this film. There are some obvious connections to Christian themes.
One could view this film as a slam against the Christian message
of a literal Jesus Christ being resurrected from the grave. Christianity
rests on the real and historical event of the resurrection of Jesus
Christ from the dead. Without this actual historic event there can
be no Christianity.
DEATH
AND BURIAL
In one scene, Viktor places all of the computer drives containing
the digital Simone into a trunk and then submerges it in deep in
the ocean. This is symbolic of a burial. Several (3?) days later,
the trunk is brought up from the ocean depths and is found to be
empty, no body/hard drives. The similarity to the Jesus story is
obvious to me. But is it a slam? Or, is it a statement about the
nature of faith?
THE
EMPTY TOMB
There is a parallel scene to this, in which thousands mourn the
death of Simone while Viktor stages her burial on international
television. The coffin is open and Simone is not there. Again we
see the reflection of the empty "tomb."
RESURRECTION
Suddenly the story takes an interesting turn as Simone is witnessed
to be alive on national television. Simone has a resurrection --an
illusion created by her disciples. The masses want to believe and
do. In actuality Simone never existed, never died, was never really
buried, and her resurrection was only an illusion.
IS
JESUS AN ILLUSION?
Are the death, burial and resurrection of Jesus Christ an illusion
as well? Is the writer director of Simone making a statement about
how thousands can believe in something that just simply isn't true?
Or does he have something else in mind? For example: Is Niccol calling
attention to the power of the Jesus story and the huge impact it
has had on pop culture? In other words, is he making a positive
statement about the historical Jesus? In any event, he is making
reference to "The Greatest Story Ever Told" and creates
a Christ-like Simone.
Note:
I thought the titles of the Viktor Taransky films were singnificant
because they seem to make religious statements:
1. Stay God Amalgamated
Films (fictional studio)
2. Eternity Forever Simone's
movie Eternity Forever
3. I Am A Pig Simone's
movie I Am Pig
NICCOL'S
FILMS ENJOYABLE
I have always enjoyed the films of Andrew Niccol. Although this
picture opened to a less than enthusiastic crowd, I think it is
a wonderfully made film that asks some very important questions
about faith, reality, and illusion. How can you be sure of your
faith?
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