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ONE
HOUR PHOTO
ABOUT THIS FILM
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ONE
HOUR PHOTO
(2002)
This page was created on October 4, 2002
This page was last updated on May 29, 2005
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ABOUT
THIS FILM
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ABOUT
THE PRODUCTION
Writer/Director Mark Romanek said his inspiration for ONE HOUR PHOTO
emerged out of "a desire to make a contemporary film in the mode of
the `lonely-man' films of the 70s." His influences were drawn from
films like "The Conversation," "The Tenant," "Taxi Driver" and "The
Passenger."
After completing the script, Romanek sent it to Producers Christine
Vachon and Pamela Koffler who instantly liked the story. Vachon remembers,
"The script was intriguing enough for us to feel like we wanted to
sit down and talk to him. That's part of the process. Will a director
convince us that a script we felt was good is even better? Do they
make us excited about the journey from the page to the screen?"
Producer Stan Wlodkowski joined the filmmaking team after learning
of the burgeoning project through a colleague. A longtime fan of Vachon
and Koffler, Wlodkowski also found Romanek's script "insightful as
well as challenging."
The team instantly set about the task of finding the right actor to
fill Sy Parrish's shoes. Koffler says, "We were driven to Robin by
Mark's vision. We thought to really elevate ONE HOUR PHOTO, to make
it as great as it could be, we needed a real movie star in the role
of Sy. Someone with that kind of charisma willing to play a character
probably unlike anything they'd ever played before."
Romanek said what convinced him that Williams was the right man for
the part was the enthusiasm and empathy he brought to the character.
"When we first met to discuss doing the film, we were so in synch
about how `Sy' should be played, I immediately started to see the
incredible potential of having Robin take on this role."
"To have Robin Williams in a part that is different than audiences
have seen before was undeniably an important element in bringing this
story to the screen," Koffler explains. Vachon agrees, adding, "I
think audiences will be excited by the idea of seeing Robin do something
that they haven't seen him do before, or not in a long time. Robin
has done dramatic roles all through his career but they certainly
aren't Sy. He's demonstrated in the past the range he has as an actor,
so, in a way, all we're doing is reminding people of that."
Romanek agrees, "If you look more closely at some of Robin's dramatic
work, you come to realize that this character isn't as far afield
from his previous roles as you might imagine."
Williams was enthusiastic about the unusual character. "I'm glad they
sent it to me to begin with." He explains, "People always say, 'Oh,
he plays such nice people.' This man is nice, but with a dark side.
It's been exciting to play that. He does things that are creepy, bizarre.
It's interesting stuff to inhabit a real and very, very fascinating
character."
Romanek says it was also fascinating to watch Williams play the character.
"The level of commitment, emotion and attention to detail that Robin
brought to playing this role was truly amazing to witness."
Connie Nielsen, who plays the part of Nina Yorkin, the central character
in Sy Parrish's idealized fantasy world, credits Romanek for his visionary
character development. "I found that Mark had written a script that
treated Robin's character with humanity and understanding."
Michael Vartan, who plays Will Yorkin, agrees, "One of the most interesting
things was actually thinking of Robin Williams playing this character."
Vartan explains, "It's not a huge departure because he has played
dramatic roles before, but in my head, when I think of Robin Williams,
I think of someone very funny, very witty, very fast, and it's always
more on the comedic side of things. So when I read the script, especially
toward the end of the story, I thought, my God, he is going to be
absolutely terrifying in this film."
In addition to the complex nature of Sy's character, Williams said
he was also drawn to the storyline. "When I first read it," Williams
explains, "I thought it had so many interesting turns. You think it's
going one way, then it gets very disturbing?disturbing in a good way,
if you can be disturbed in a good way," he laughs. "His focus changes
from one scene to the next and I found myself not knowing what was
going to happen next, which is good. I found myself drawn into the
character almost to the level of the thought process. That's what
fascinated me."
Sy, who has always been an outsider, is drawn to the Yorkin's picture-perfect
existence, which seems so opposite to his own. Williams observes,
"They're not like a Norman Rockwell family but almost like families
you see in advertisements now. They're young, beautiful, and perfect
in terms of that ideal image and they seem to have everything. And
that's what he finds fascinating because he is totally the opposite;
not attractive, he lives alone. They are like the exact counter pole
to the universe for him and he's drawn to that."
This duality of perception - the Yorkins' appearance vs. their reality
- also held intrigue for Nielsen. "I thought it interesting to play
a character who has both this exterior side, which is the fantasy
side, if you will. She is a housewife who, on the outside, looks as
if she has the perfect life, and at the same time, we get to see the
private side of her, which is anything but perfect. I love the dichotomy,"
Nielsen says.
And Sy is certainly a character on the outside looking in Nielsen
observes, "What struck me was that feeling when you're 15 years old
and you think, 'If I could just be that person, or have that money
or whatever, then my life would be perfect.' Then you grow up and
realize that there is no such thing as perfect. That is one of the
things Sy needs to realize."
Vachon observes that it is the fact that Sy seems so ordinary that
is also disturbing. "What Robin achieves with the character is making
you wonder about him, and feel for him, and at the same time, be kind
of disgusted by what he is doing."
"And disgusted," Koffler adds, "because everyone has experienced Sy
moments; the inability to connect with other people, of always being
a little off, that kind of loneliness. The trick to Sy is making him
sympathetic, without making him saccharin and that's something that
Robin's really managed."
Williams adds, "We talked about the character and that he views himself
not as an evil character, just as a man who is righteous in his own
way. A man who views himself almost like he is doing good, in a bizarre
way."
Playing the pivotal role of Detective Van Der Zee - the determined,
yet compassionate police detective who tracks Sy down - is critically
acclaimed actor Eriq La Salle ("ER"). La Salle sees the film as an
exploration of "what it means to be damaged, what it means to be lonely
and alone, what it means to be in such need of basic love that you
have to create an imaginary world for yourself and that you have to
kidnap someone else's life just to feel whole and complete." He continues,
"It's one of those films that should really make us all count our
blessings."
As for Williams' own take on the course his character chooses, "He
lives alone because of an inability to connect, to be the warmest
guy in the world. He's disconnected on some levels, hence the fascination
with precision. Does he come away a better human being? He's a different
human being because of the things that have happened to him. He acted
something out very much from within himself. I don't think he's the
same person in the end, it's not the same man."
Sy Parrish and the world he lives in has a look that is very distinctive,
created with very vivid images by Romanek. Williams describes, "The
SavMart store is like hyper reality. It's like a lot of those big
market-type stores with surreal abundance and amongst that he sits
in this little corner. But the store itself - everything is this kind
of white, bright light all around and Sy blends in. He doesn't stand
out and could all of a sudden just disappear in his blandness. In
the outside world he stands out, especially when you get near the
Yorkin's house which is very warm and incredibly beautiful, almost
painfully beautiful because it is his idealized home." Comparing that
with the reality of Sy, Williams says, "In his own life, you know,
things are very much in place. It's very distinct; this is not someone
who acts out. Everything is planned except for when things start to
fall apart. And when his world falls apart, it falls apart big."
To create the carefully crafted, meticulously ordered, picture-perfect
world of Sy Parrish, Romanek turned to long-time collaborator and
acclaimed Production Designer Tom Foden ("The Cell"). Using a soon-to-be-demolished
facility, Foden created SavMart, a retail store that would be the
foundation of Sy Parrish's domain. As Robin Williams describes, "It's
designed to be Sy's world and he is a creature that blends into the
environment, I mean it's the clothes, the hair, everything. It's someone
who is very, very dedicated to his job and for him it's an art form
and he's passionate about it. In that store, there will be music playing
and I doubt that he hears it. He's oriented toward photographs and
everything is almost like a picture to him."
The visual style of the film extends into the very specific look of
each of the character costumes created by Costume Designer Arianne
Phillips. As Michael Vartan observes, "I'm wearing all brown today.
There's not an ounce of anything else but brown, it's very monochromatic.
Everything is painted in this perfect picture. It also has to do with
the fact that it's shown from Sy's point of view, which is, at times,
more of a fantasy than anything real. This family seemingly has everything
together...even the dog matches the furniture," he laughs.
ABOUT THE CAST
ROBIN WILLIAMS (Seymour "Sy" Parrish)
Robin Williams received both the Best Supporting Actor Academy Award?
and the Screen Actors Guild "Actor" award for his compassionate, intelligent
portrayal of Dr. Sean McGuire in the 1997 film "Good Will Hunting."
His first feature film was Robert Altman's "Popeye" in 1980. Audiences
then embraced a more poignant Williams in his portrayal of T.S. Garp
in George Roy Hill's hugely successful "The World According to Garp"
followed by Paul Mazursky's "Moscow on the Hudson." Barry Levinson's
landmark film, "Good Morning Vietnam" earned Williams his first Academy
Award nomination, with Peter Weir's enormously popular "Dead Poets
Society," earning him a second Oscar? nomination.
Subsequently Williams starred opposite Robert De Niro in Penny Marshall's
"Awakenings" (bringing him a special honor from the National Board
of Review) followed by Terry Gilliam's "The Fisher King," for which
Williams received his third Academy Award? nomination. He also starred
in Barry Levinson's "Toys," Steven Spielberg's "Hook," and Mike Nichols'
"The Birdcage."
Williams received Golden Globe Awards for his unforgettable performances
in "Mrs. Doubtfire" and "The Fisher King" and also earned a Special
Achievement Award from the Hollywood Foreign Press Association for
his vocal contributions as Genie in the animated blockbuster feature
"Aladdin."
Recently, Williams' successes have included Les Mayfield's "Flubber"
and the 1998 box office hit "Patch Adams" directed by Tom Shadyac.
In 1999, Williams executive produced and starred in Blue Wolf Productions'
"Jakob The Liar," a story of life in a Nazi-occupied Polish ghetto.
In 2000, he again teamed-up with director Chris Columbus in the screen
adaptation of the Isaac Asimov story "Bicentennial Man."
First capturing the attention of television audiences when he guest-starred
as Mork on the hit sit-com "Happy Days," Williams was quickly signed
for the spin-off series "Mork and Mindy." Williams, who began his
career as a stand-up comedian, has won four Grammy Awards, including
one for "Robin Williams Live at the Met" on HBO, the culmination of
a 23-city SRO tour. He also won Emmy Awards for the television specials,
"Carol, Carl, Whoopi and Robin" and "ABC Presents A Royal Gala."
In the upcoming year, Williams will star in Danny DeVito's "Death
To Smoochy" and opposite Al Pacino in Chritopher Nolan's "Insomnia."
He is also active in several humanitarian organizations, and has been
a primary force in "Comic Relief," an annual benefit to aid the homeless,
which has raised America's consciousness, and $38 million to date.
CONNIE NIELSEN (Nina Yorkin)
In 2000, Connie Nielsen starred opposite Russell Crowe in Ridley Scott's
Academy Award-winning "Gladiator." Previously, she appeared opposite
Gary Sinise, Tim Robbins, Don Cheadle, and Jerry O'Connell in the
Brian DePalma-directed "Mission To Mars."
Nielsen's starring role in the 1998 "Soldier" - a futuristic story
about the American Forces fighting elite - in which she played a pioneer
woman who nurses a veteran soldier (Kurt Russell) back to health -
vaulted Nielsen to her leading-lady status.
Her breakthrough performance came in 1997 with her portrayal of the
devil's daughter in "The Devil's Advocate" starring Al Pacino and
Keanu Reeves. Nielsen also made memorable appearances in the comedy
"Rushmore" with Bill Murray and "Permanent Midnight" opposite Ben
Stiller. Other credits include "Voyage" with Rutger Hauer and Eric
Roberts, and foreign films "Le Paradis Absolument" with Christopher
Mamvoy, "Okavango" and "Colletti Bianchi."
In the coming year, Nielsen will star in "The Hunted," in which she
will play an FBI agent who is pursuing murderer Benicio Del Toro with
the help of Tommy Lee Jones. In "Demonlover," she will star opposite
Chloe Sevigny and Gina Gershon. Nielsen is currently in production
on "Basic," in which she'll star opposite John Travolta and Samuel
L. Jackson. Additionally, she will be seen in the independent film,
"Dark Summer," co-starring French actor Jean-Hugues Anglade.
MICHAEL VARTAN (Will Yorkin)
Michael Vartan starred as Sam Coulson, the schoolteacher that Drew
Barrymore's character fell in love with in Twentieth Century Fox's
romantic comedy, "Never Been Kissed" and as the ex-boyfriend of Madonna's
character in John Schlesinger's "The Next Best Thing."
Vartan currently stars in the hit action TV series "Alias" as Vaughan.
Previously, he played Sir Lancelot in the two-part TNT mini-series
"The Mists of Avalon" that retold the legendary story of Camelot.
The project, filmed on location in Prague, also stars Angelica Huston,
Julianna Margulies and Joan Allen. His TV work also includes a guest-starring
role on Fox-TV's "Ally McBeal" in which he played a potential suitor
to Ally.
After starring in two French films, Vartan grabbed the attention of
the film world with his breakthrough performance in the 1993 Italian
epic "Fiorile" directed by Paolo and Vittorio Taviani. Vartan, who
was nominated for a French Caesar Award for Best Up-and-Coming Actor,
played two characters in this fable of a curse that haunts a family
through centuries.
Soon after, Vartan landed a role in "To Wong Foo, Thanks For Everything,
Julie Newmar," playing the bigoted, small-town thug who harasses three
drag queens (Wesley Snipes, Patrick Swayze and John Leguizamo). He
went on to star opposite David Schwimmer as one of his best friends
in "The Pallbearer." He also starred in "The Myth of Fingerprints"
with Julianne Moore and "The Curve" with Keri Russell, both of which
premiered at The Sundance Film Festival in 1997 and 1998 respectively.
GARY COLE (Bill Owens)
A multifaceted actor, Gary Cole has appeared alongside Billy Bob Thornton
and Bill Paxton in Sam Raimi's "A Simple Plan," with Jonathan Taylor
Thomas in "I'll Be Home For Christmas" and with Jennifer Aniston in
"Office Space." Cole's feature film credits also include "In the Line
of Fire" with Clint Eastwood and John Malkovich, "The Brady Bunch:
A Very Brady Sequel," "Gang Related" opposite Dennis Quaid, "Kiss
the Sky," and Andrew Shea's "Santa Fe."
For television, Cole recently starred in the Emmy Award-winning series
"From Earth to the Moon" produced by Tom Hanks. In the dramatic series
"Midnight Caller," Cole starred as the ex-police detective turned
radio call-in host known as Nighthawk. Additionally, Cole's television
credits include "The Switch," "Vital Signs," "Echoes in the Darkness,"
the miniseries "Son of the Morning Star," "Fatal Vision," and "When
Love Kills" and the television movies "Those She Left Behind," "The
Old Man and the Sea," "Lies She Told," "Twilight Zone" and the series
"American Gothic."
Cole was an ensemble member of the highly respected Steppenwolf Theatre,
where he starred in the productions of "Death and the Maiden," "Cat
on a Hot Tin Roof," "Bang," "Philadelphia, Here I Come" and "And a
Nightingale Sang." Cole also starred in the New York productions "Orphans"
and "True West."
ERIQ LA SALLE (Detective Van Der Zee)
Eriq La Salle stars as Dr. Peter Benton on "ER," television's smash
hit medical drama created by Michael Crichton and produced by Steven
Spielberg's Amblin Television. His convincing portrayal as an intense
surgical resident has earned him three Emmy nominations as well as
several Golden Globe and NAACP Image Award nominations. The series
is now in its eighth season.
La Salle is also active in developing film projects and gaining experience
behind the camera. He has written, directed and produced several short
films, two of which have won awards on the festival circuit including
The Worldfest Houston Film Competition and The USA Film Festival.
He intends to direct a feature version of his recent short "Psalms
From The Underground," the story of the struggle faced by the daughter
of a slain civil rights activist as she tries to fill her father's
role in the organization. In December of 1997, La Salle formed Humble
Journey Films a film and television production whose first project
"Mind Prey" was both produced by and starred La Salle.
This year La Salle, through his Humble Journey banner, will produce
with Frank Darabont the Castle Rock Pictures film "The Salton Sea,"
directed by D.J. Caruso and starring Val Kilmer.
La Salle's earlier credits include "Rebound" for HBO pictures, which
he also directed, "Drop Squad" directed by David Johnson and executive
produced by Spike Lee, and appearances in "Jacob's Ladder," "Coming
to America" and "Five Corners."
DYLAN SMITH (Jake Yorkin)
Dylan Smith, who turned 8 years old during the filming of ONE HOUR
PHOTO, was chosen for the role of Jake after being spotted by a casting
director and asked to audition. His first foray into film was in a
short entitled "End of Time" directed by Dennis Rayfield. In the coming
year, Smith will appear as a guest star on "Gilmour Girls."
ABOUT THE FILMMAKERS
MARK ROMANEK (Writer / Director)
ONE HOUR PHOTO is the new feature film from Writer/Director Mark Romanek.
Romanek's groundbreaking music videos for such artists as Madonna,
Nine Inch Nails, Fiona Apple, Beck, Lenny Kravitz, Macy Gray, David
Bowie, R.E.M., Michael Jackson, and Janet Jackson among many others
have received over a dozen MTV awards, two Grammys, four Clios, nine
MVPA awards, and three Billboard Music Awards. Two of Romanek's music
videos, Madonna's "Bedtime Story" and Nine Inch Nails' "Closer," have
become part of the permanent collection at the New York Museum of
Modern Art.
In 1997, MTV presented Mark with the prestigious Video Vanguard award
honoring his unprecedented achievement in the art of music video.
Other recipients of this award have included Madonna, Michael Jackson,
Peter Gabriel, R.E.M., U2 and the Beastie Boys.
Romanek has also directed TV spots for Calvin Klein, Nike, Philips,
and Cirque Du Soleil.
CHRISTINE VACHON (Producer)
In 1999, Christine Vachon produced the critically acclaimed "Boys
Don't Cry" starring Hilary Swank in a performance for which she received
the Academy Award in the Best Actress category. Vachon's early works
as a producer include Todd Haynes' controversial first feature "Poison"
which was awarded the 1991 Sundance Film Festival Grand Jury Prize
and Video Artist Tom Kalin's first feature "Swoon," based on the infamous
Leopold / Loeb murder case. "Swoon" received the coveted Caligari
Award at the 1992 Berlin Film Festival.
Vachon's other producer credits include Haynes' "Safe" starring Julianne
Moore; Steve McLean's "Postcards from America," which premiered at
the 1994 New York Film Festival; "Stonewall" starring Guillermo Diaz
and Frank Weller; and "I Shot Andy Warhol" starring Lili Taylor, Jared
Harris and Stephen Dorff. She also executive produced Rose Troche's
"Go Fish" and co-produced Larry Clark's "Kids"
Vachon and her Killer Films partner Pamela Koffler have produced numerous
critically acclaimed films including "Kiss Me, Guido," Tod Haynes'
"Velvet Goldmine" starring Ewan McGregor, Toni Collette and Christian
Bale, which won Haynes a special Jury Award for artistic contribution
at the 1998 Cannes Film Festival, and received an Emmy Award Nomination
for best costume design; and Todd Solondz's "Happiness."
In 1994, Vachon was awarded the Frameline Award for Outstanding Achievement
in Lesbian and Gay Media and was honored for Outstanding Vision and
Achievement by New York Women In Film and Television. Vachon's best-selling
book "Shooting To Kill: How An Independent Producer Blasts Through
The Barriers to Make Movies That Matter" was published in 1998.
PAM KOFFLER (Producer)
Pam Koffler formed Killer Films with producing partner Christine Vachon
in 1996. Their partnership grew out of a collaboration that began
in 1993 with Tom Kalin's GEOFFREY BEENE 30, for which Koffler was
line producer. She continued as line producer on the next three films
Vachon produced: Larry Clark's "Kids" (1994), Nigel Finch's "Stonewall"
(1995) and Mary Harron's "I Shot Andy Warhol" (1995).
In 1996, Koffler and Vachon produced Cindy Sherman's debut feature
"Office Killer." In 1997, Pam line produced Todd Solondz's award-winning
feature, HAPPINESS, a Killer Films/Good Machine production. In 1998,
Koffler and Vachon completed Bruce Wagner's debut film, "I'm Losing
You," based on his best-selling book, and Kim Peirce's directorial
debut, "Boys Don't Cry," released by Fox Searchlight Pictures. "Boys
Don't Cry," based on the Brandon Teena story, stars Chlo? Sevigny
and garnered Hilary Swank an Academy Award for Best Supporting Actress.
Killer's "Crime and Punishment in Suburbia," written by Larry Gross
and directed by Rob Schmidt, screened in competition at the 2000 Sundance
Film Festival. The film, which stars Monica Keena, Vincent Kartheiser,
Jeffrey Wright, and Ellen Barkin was released by United Artists in
September 2000, with whom Killer has had a first look deal since 1998.
Upcoming releases produced by Killer are "The Grey Zone," directed
by Time Blake Nelson and starring Harvey Keitel and Mira Sorvino,
"The Safety of Objects," directed by Rose Troche and starring Glenn
Close and Dermot Mulroney; and "Storytelling," a joint production
with Good Machine and New Line Cinema, starring John Goodman and Selma
Blair.
STAN WLODKOWSKI (Producer)
In 2000, Stan Wlodkowski co-produced the multiple Academy Award-winning
"American Beauty." Most recently Wlodkowski produced "Winchell," which
is slated to air on HBO in 2002 and executive produced the Paul Mazursky-directed
"Knockaround Guys" set to release in Australia in 2002.
His producer credits include "Slums of Beverly Hills," released by
Fox Searchlight Pictures in 1998, Norman Rene's "Longtime Companion,"
John Madden's "Ethan Frome," and Todd Solndz's "Fear, Anxiety and
Depression."
Wlodkowski co-produced "Imaginary Crimes" and "Golden Gate," executive
produced "Bad With Numbers" and line produced "Zebrahead." His television
credits include the American Playhouse productions of "The Sunset
Gang," "Ask Me Again" and "Blue Window."
JEFF CRONENWETH (Director of Photography)
Jeff Cronenweth received critical acclaim for his role as director
of photography for David Fincher's "Fight Club" starring Brad Pitt
and Edward Norton. Previously, he served as Fincher's second unit
director of photography on "The Game" and "Seven."
As assistant camera, Cronenweth's credits include extensive work with
DP Sven Nykvist on "Only You" for director Norman Jewison; Nora Ephron's
"Sleepless In Seattle," Lasse Hallstr?m's "What's Eating Gilbert Grape"
and Sir Richard Attenborough's "Chaplin." Additional credits include:
"Final Analysis" and "State of Grace" for director Phil Joanou, "Gardens
of Stone" and "Peggy Sue Got Married" for Francis Ford Coppola, "Just
Between Friends" for Allan Burns, "Stop Making Sense" with Jonathan
Demme and W.D. Richter's cult classic "Adventures of Buckaroo Bonzai."
TOM FODEN (Production Designer)
Tom Foden has served as production designer on two recent films; Tarsem
Singh's visually stunning, highly acclaimed "The Cell" and Gus Van
Sant's "Psycho" starring Vince Vaughn and Anne Heche.
In 1995, Foden won an MTV award for Best Art Direction for the Mark
Romanek-directed music video "Scream" starring Michael and Janet Jackson.
He was also nominated for MTV awards for Best Art Direction in 1994
and 1997 for his work with the band Nine Inch Nails. In 1999, he won
an MVPA for art direction for the video "If You Can't Say No" by Lenny
Kravitz. His music video credits also include work for the bands Bush,
Live, Natalie Merchant, Radiohead, Soundgarden, Hanson, and U2 among
others.
Foden has worked on numerous television commercials for clients such
as Marlboro, BMW, Microsoft, Intel, Calvin Klein, Coke, Mercedes,
Reebok and Miller Beer.
ARIANNE PHILLIPS (Costume Designer)
Arianne Phillips has earned critical reviews for the design of costumes
for talent including Angelina Jolie and Winona Ryder in James Mangold's
"Girl, Interrupted;" Claire Danes, Giovanni Ribisi, and Omar Epps
in Scott Silver's "The Mod Squad;" Courtney Love, Woody Harrelson
and Edward Norton in "The People Vs. Larry Flynt;" and the 2001 release
of "Hedwig And The Angry Inch." Additional credits include Mark Pellington's
"Going All The Way," starring Jeremy Davies, Ben Affleck, and Rachel
Weisz; Rachel Talalay's "Tank Girl" starring Lori Petty; and Alex
Proyas' "The Crow" starring Brandon Lee.
Phillips began her career styling music videos, album covers and magazine
editorials for artists such as Hole, Lenny Kravitz, Jennifer Lopez,
Iggy Pop, REM, Natalie Imbruglia, Sonic Youth and David Bowie. She
is currently a stylist for Madonna, Courtney Love, Gwen Stefani and
No Doubt.
JEFF FORD (Editor)
ONE HOUR PHOTO is Jeff Ford's third feature film as an editor. Previously,
he edited "The Yards" directed by James Gray and "Teddy Bears Picnic"
directed by Harry Shearer. Prior to that, Ford served as assistant
editor on several films including "As Good as it Gets," directed by
James L. Brooks and "Assassins," directed by Richard Donner. He is
a graduate of the USC School of Cinema - Television. |
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