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November is a psychological thriller exploring a woman's struggle to transcend trauma through a surreal blend of emotion and memory. The narrative and visual style are comprised of dreamlike moments and images stemming from Sophie's subjective experience, blurring the line between reality and the unconscious.

(2005) Film Review

This page was created on June 20, 2005
This page was last updated on July 16, 2005

Overview
Photos
About this Film
Spiritual Connections


Dial up modems will take a few moments

CREDITS

Directed by Greg Harrison
Written by Benjamin Brand

Cast (in credits order)
Courteney Cox .... Sophie
James LeGros .... Hugh
Michael Ealy .... Jesse
Nora Dunn .... Dr. Fayn
Nick Offerman .... Officer Roberts
Anne Archer .... Sophie's Mother
Matthew Carey
Robert Wu .... Juhn
Brittany Ishibashi .... Lim
Timothy Jieh .... Extra
Amir Talai .... George
Tony Tharae .... Extra

Produced by
Jake Abraham .... producer
Holly Becker .... supervising producer
Caroline Kaplan .... executive producer
Bruce J. Nachbar .... line producer
Danielle Renfrew .... producer
Jonathan Sehring .... executive producer
John Sloss .... executive producer
Gary Winick .... producer

Original Music by Lew Baldwin
Cinematography by Nancy Schreiber
Film Editing by Greg Harrison

MPAA: Rated R for violence and some language.
Runtime: 73 min

For rating reasons, go to FILMRATINGS.COM, and MPAA.ORG.
Parents, please refer to PARENTALGUIDE.ORG

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SYNOPSIS
After a dinner out, photographer Sophie Jacobs (Cox) and her boyfriend Hugh (Le Gros) stop at a corner store for a late night snack. While Sophie waits unaware in the car, Hugh is murdered in a violent robbery. Haunted by guilt, Sophie goes on with her life as best she can: teaching photography at a local art college, meeting her mother (Archer) for lunch, and visiting her therapist (Dunn). But one day at school, a slide mysteriously appears in the projector's carousel: an image of what looks like her car in front of the corner store the night of the shooting. Are these paranoid visions stemming from her grief and guilt, or does someone know something about the murder?

As her investigation deepens, more strange events start to occur, drawing into question exactly what happened the night of Hugh's death. As Sophie struggles with her memory of that night, her life becomes like a photograph itself, an image refracted through a lens, with as much outside the frame as in.

November is a psychological thriller exploring a woman's struggle to transcend trauma through a surreal blend of emotion and memory. The narrative and visual style are comprised of dreamlike moments and images stemming from Sophie's subjective experience, blurring the line between reality and the unconscious.



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DAVID BRUCE
Host of HollywoodJesus.com
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