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Why We Fight (2005)

Release Date:
Friday, January 20, 2006

MPAA Rating:
PG-13

Rating Reason:
For disturbing war images and brief language.

Genre:
Documentary

Starring:
Graydon Carter, John S.D. Eisenhower, Chalmers Johnson, William Kristol, John McCain, Richard Perle, James G. Roche, Gore Vidal

Written By:
Not available

Director:
Eugene Jarecki

Synopsis:

Is American foreign policy dominated by the idea of military supremacy? Has the military become too important in American life? Jarecki's shrewd and intelligent polemic would seem to give an affirmative answer to each of these questions.

He may have been the ultimate icon of 1950s conformity and postwar complacency, but Dwight D. Eisenhower was an iconoclast, visionary, and the Cassandra of the New World Order. Upon departing his presidency, Eisenhower issued a stern, cogent warning about the burgeoning "military industrial complex," foretelling with ominous clarity the state of the world in 2004 with its incestuous entanglement of political, corporate, and Defense Department interests.


Why We Fight (2005) | Review

The Spiritual Threat of Imperialism (Manson)
Darrel Manson

Content Image

In 1961, a few days before leaving office, President Eisenhower gave a farewell address to the nation. In it he gave a brief outline of the state of the world at that point in the Cold War. The part of that speech that is most remembered is that he coined the term “military-industrial complex”. He sees the establishment of a standing army and the growth of the armament industry as necessary for that time, but warns against such forces becoming too influential.

He said: "In the councils of government, we must guard against the acquisition of unwarranted influence, whether sought or unsought, by the military-industrial complex. The potential for the disastrous rise of misplaced power exists and will persist. We must never let the weight of this combination endanger our liberties or democratic processes. We should take nothing for granted. Only an alert and knowledgeable citizenry can compel the proper meshing of the huge industrial and military machinery of defense with our peaceful methods and goals, so that security and liberty may prosper together."

In Why We Fight, Eugene Jarecki wants to awaken “an alert and knowledgeable citizenry” to what the military-industrial complex has become and how it influences and shapes our nation and our foreign policy. His thesis (as explained in a Q&A on the film’s website) is that since the end of World War II America has been developing into an empire. He views our current situation as both a divergence from and extension of our policies over the last 60 years.

The influence of the military-industrial complex (MIC) does indeed call for an examination. It is no longer a threatening sounding concept; it is the way of life in this country. We have become so used to the MIC that we hardly notice how extensive it is. Jarecki lays out some of the facts that we need to hear to oversee the “meshing” of these giants.

Unfortunately, this film falls far short of what we need to give serious consideration to his thesis, let alone the larger question of the influence of the MIC. While some of the information in the film is truly thought provoking, it is seriously flawed. Those flaws, while not destroying the credibility, certainly raise doubts about reliability.

For example, Gore Vidal speaks of Japan wanting to surrender all summer, but President Truman not accepting because he wanted to use the atomic bomb as a show of power to the Soviets. There is no substantiation offered to this assertion.

Jarecki gives an appearance of balance by including among the talking heads people who support the Administration or work in think tanks that promote some of the ideas that could be deemed imperialism. But overall, it’s clear that his sympathies are elsewhere. That turns the film into another jeremiad against the Bush Administration and the war in Iraq.

I’m no fan of the Administration, its policies, or the war, but by focusing so much on the current situation, Jarecki loses sight of the overall dangers of the MIC. He does include footage of other Presidents of both parties, but it’s clear that his real interest is in the present.

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