Zombies continue to be hot. The current boom in zombiephilia may have some of its roots in the literary realm, from the horror of Brian Keene's The Rising to the comic ridiculousness of Pride and Prejudice and Zombies. They have had a parallel surge in film, from the "fast zombies" of 28 Days Later again to the comedy of Shaun of the Dead. Zombieland is very much in the comedic tradition.

The movie review in a sentence: Zombieland delivers on what the trailer promises. Opening with the image of Earth turned into a vision of Apokalips (a present to us comic book geeks) due to a virus, we are introduced to our hero, Columbus. He's a neurotic, over-cautious, nerd (Jesse Eisenberg, Adventureland, The Squid and the Whale) who has managed to survive due to being a loner as well as the system of rules he created.

"I've always been a bit of a loner." --Columbus

As he longs to return to Columbus, Ohio to find his family, he comes across Tallahassee (an exuberant Woody Harrelson) who prefers to go by place names, because real names get you too emotionally attached. The loss he suffered in the post-human reality has transformed Tallahassee into a road warrior who revels in taking out zombies in the most brutal and creative ways possible.

The pair, who gradually come to at least not annoy each other throughly are completely flummoxed and bamboozled by two young sisters, Wichita (Emma Stone, Superbad) and 12-year-old Little Rock (Abigail Breslin, My Sister's Keeper), in apparent distress.

"When you're afraid of everything out there, you quit going out there." --Columbus

Columbus found a lot of things disturbing, from people to clowns, becoming a paranoid shut in. Except part of him still longed to be a part of a family. Columbus treated people like zombies to be avoided even before they were flesh-eating monsters. Now, the plague of the 21st century has reduced people to a hateful, violent case of the munchies.

"Without other people you might as well be a zombie." --Columbus

Zombies are the ideal monsters, perfect to illustrate our dehumanization. These creatures portray a resurrection to walking death. A similar metaphor is found in the case of Frankenstein and the curse of The Mummy. They are the living dead, with no hope, only an eternal existence in a "body of death" (Romans 7:24). They are particular reminders that there are worse things than death.

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