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Resident Evil: Afterlife (2010)

Release Date:
Friday, September 10, 2010

MPAA Rating:
R

Rating Reason:
For sequences of strong violence and language

Genre:
Action, Horror

Starring:
Milla Jovovich, Ali Larter, Kim Coates, Shawn Roberts, Sergio Peris-Mencheta, Spencer Locke, Boris Kodjoe, Wentworth Miller, Sienna Guillory

Written By:
Paul W.S. Anderson

Director:
Paul W.S. Anderson

Official Site:

Synopsis:
The fourth installment of the successful "Resident Evil" franchise, "Resident Evil: Afterlife" is again based on the wildly popular video game series, and will this time be presented in 3-D.

Resident Evil: Afterlife (2010) | Review

This Ain't Heaven
Jacob Sahms

Content Image
I think I've seen a Resident Evil movie before, but I'm not sure it would really matter based on watching Resident Evil: Afterlife. Milla Jovovich returns as Alice, the former Umbrella Corporation officer who has been infected with the T-Virus, become superhuman, and now tracks Umbrella CEO Albert Wesker (Shawn Roberts). Alice is joined by Claire (Heroes' Ali Larter) and a host of other Los Angeles survivors, but the focus is mostly on Alice while everything continues to fall apart... harder.

The effects are pretty sweet: it's part horror, part sci-fi, and part action, but it's pretty clear when the filmmakers (led by director Paul W.S. Anderson) made something 3D even in the standard view. Guns fire madly, blades flash through the air, blood spatters, and zombies get dismembered. Even alien/zombie dogs get in on the crazy special effects action, but you'll have to see it to believe it.

In the meantime, Alice, Claire, and Chris Redfield (Prison Break's Wentworth Miller) march toward their "final" showdown with Wesker, who has been keeping people on ice, so to speak, because he's trying to get more and more powerful by harnessing the T-Virus. This is pretty standard fare from a sci-fi standpoint: just like with Frankenstein or gene splicing, Wesker thinks he can control the mutation and therefore the power, but playing God with science never seems to work well, regardless of how it's portrayed.

In the end, before another cliffhanger, we're left with the message that yes, there is a place which is uninfected, and yes, there is hope. It proves reasonably shortlived, but it's still interesting that Alice, after all she's been through, sees her purpose as two-fold: to end the problem AND to provide hope for those who are struggling, like the human "sheep" she rescues from Wesker. We're often in that position, too: we have an obligation to be part of the short-term, long-term, and final struggle with evil, but the victory is ultimately God's. In the meantime, we are encouraged to share the hope we have; in fact, to always be prepared to give a reason.

We're called to share that hope, even in the face of ultimate terror, because we know God reigns.

Copyright © 2010 Hollywood Jesus. All rights reserved.
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