Hayao Miyazaki's latest animated epic, Ponyo (aka Ponyo on the Cliff by the Sea) hits the eye with what at first blush seems to be crude animation. Owing nothing to CGI, and coming after trailers for lush 3-D productions, did the movie no favors. However, one quickly settles into the imaginative world we've come to expect from Miyazaki. The voice talent assembled alone (Cate Blanchett, Betty White, Cloris Leachman, Tina Fey) points to the draw of a Miyazaki production .

This tale of a magical undersea creature (Ponyo), caught up in our pollution, discovering humanity (in her case, a little boy named Sosuke), and longing to be human smacks of an enchanted take on The Little Mermaid, replacing show tunes with a highly imaginative world. As with many of Miyazaki's tales of childhood wonder, the adults are complicated, reckless, and scary. Sosuke's mom drives like she stole something and is quick to let her son stay by himself. Ponyo's dad, in his smothering over-protection, comes off as threatening and creepy.

Miyazaki is a fan of the torn-between-two-worlds theme (subtly driven home with Ponyo's mom asking Sosuke "Could you love her if she moved between two worlds?"). Because of the allegory it is focused on exploring, the movie comes across like an animated version of Lady in the Water.

"If you could only remain innocent and pure forever." --Ponyo's dad

The story begins with Ponyo's dad, formerly human, longing for a return to the Cambrian Age, which he considers our Golden Era, his idea of the Garden of Eden. He struggles with what many parents struggle with, wanting to protect their children from the world, keeping them in the palm of his hand or in a bubble. Yet dealing with them is akin to handling a wet bar of soap: you want to keep them in your hand, but the best way to do so is in a loose grip because the harder you hold onto them the more likely they will just squeeze out. It's the tension that parents have to walk with their children. Letting our children escape our firm, controlled grips and allow them to go their own way. By holding on to them too tight, we don't allow them to grow. You can't teach your children from a place of fear because it only teaches them to be in a safe box, unprepared for the world. However, Ponyo's story follows a much more messianic path.

"What do you know about humans?" --Ponyo's dad

Going off on her own, Ponyo, a fish with a little face and red dress, discovers humanity, being rescued by 5-year-old Sosuke who lives on a cliff above the ocean and promises to protect her always. Though both human and magic, Ponyo wants to be fully human, though her first Pinocchio-esque efforts result in her sprouting chicken-like legs. Ultimately though, being fully human means to participate in the story, embracing all aspects of life, but living with the goal of loving everyone and everything with holiness and imagination. She "lowers" herself by coming into the mess humans have made of creation. She "opens a hole in the fabric of reality" by her very presence, bringing the magic with her and joining together two realities. Uniting and reconciling her transcendent realm and our world, she delights in her/our humanity with the wonder of a child, learning what it means to be human.

"I found Sosuke." --Ponyo

Ponyo rejoices in the idea of her relationship with Sosuke. She and the host of her fellow sisters (like ministering angels) revel each time a person is found, either her finding them or them finding her. Her love not forced but delighted in. As Ponyo's mom explains to Sosuke, "she needs you to accept and love her as she truly is." And once he does, "life begins again" (as Ponyo's mom puts it).

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