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| Perhaps foremost, the story deals with the plight of the leader who must weigh loyalty, duty, and pride against the loss of his crew members who trust him. |


(2003) Film Review by MELINDA LEDMAN |
| This page was created on Novenber 7, 2003
This page was last updated on
December 28, 2004
—Review
—Trailers, Photos
—Posters
—About the Cast
—About the Crew
—About this Film
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| CREDITS |
| Directed by Peter Weir
Novel by Patrick O'Brian
Screenplay by Peter Weir & John Collee
Producers
Todd Arnow ... co-producer
Alan B. Curtiss ... executive producer
Samuel Goldwyn Jr. ... producer
Duncan Henderson ... producer
John Bard Manulis ... producer
Peter Weir ... producer
Cast - in credits order
Russell Crowe ... Capt. Jack Aubrey
Paul Bettany ... Dr. Stephen Maturin, Surgeon
James D'Arcy ... 1st Lt. Tom Pullings
Edward Woodall ... 2nd Lt. William Mowett
Chris Larkin ... Capt. Howard, Royal Marines
Max Pirkis ... Blakeney, Midshipman
Jack Randall ... Boyle, Midshipman
Max Benitz ... Calamy, Midshipman
Lee Ingleby ... Hollom, Midshipman
Robert Pugh ... Mr. Allen, Master
Richard McCabe ... Mr. Higgins, Surgeon's Mate
Ian Mercer ... Mr. Hollar, Boatswain
Tony Dolan ... Mr. Lamb, Carpenter
David Threlfall ... Preserved Killick, Captain's Steward
Billy Boyd ... Barrett Bonden, Coxswain
Bryan Dick ... Joseph Nagle, Carpenter's Mate
Joseph Morgan ... William Warley, Cpt. of Mizzentop
George Innes ... Joe Plaice, Able Seaman
William Mannering ... Faster Doudle, Able Seaman
Patrick Gallagher ... Awkward Davies, Able Seaman
Alex Palmer ... Nehemiah Slade, Able Seaman
Mark Lewis Jones ... Mr. Hogg, Whaler
John DeSantis ... Padeen, Loblolly Boy
Thierry Segall ... French Captain
Original Music by Iva Davies, Christopher Gordon and Richard Tognetti
Cinematography by Russell Boyd
Edited by Lee Smith
Rated
For rating reasons, go to FILMRATINGS.COM, and MPAA.ORG.
Parents, please refer to PARENTALGUIDE.ORG |
| TRAILERS AND CLIPS |
| —Trailers, Clips and Photos |
| BOOK |
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The Making of Master and Commander: The Far Side of the World
by Tom McGregor
The fascinating story behind one of the most highly anticipated movies to come out of Hollywood in recent years.
Peter Weir's astonishing film brings Patrick O'Brian's world to life, complete with its swashbuckling adventures, brilliantly drawn characterization, romance, and intrigue. It is sure to captivate stalwart enthusiasts of O'Brian's work as well as draw in new fans everywhere. With unique access to the cast and crew, Tom McGregor traces the project, from the actors' boot camp to the filming in the Galapagos
Islands and on board a replica ship (in the same studio where Titanic was filmed). With exclusive photographs and interviews with key members of the cast, including Russell Crowe and Paul Bettany (A Beautiful Mind), and director Peter Weir (Dead Poets' Society, Green Card, The Truman Show), this book records the painstaking work of the crew and stars in making the film as historically accurate as possible, from replicating
the uniforms of Nelson's navy to bringing the gun deck of the Surprise incredibly to life. Exclusive behind-the-scenes insight and information on the history of the project are dazzlingly showcased in this unique companion, featuring the same high production standards and imagination as the film itself. 200 color photographs.
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| SYNOPSIS |
H.M.S. Surprise,
28 guns.
197 souls
Coast of Brazil, April 1805
". Intercept French Privateer, Acheron . you will sink, burn or take her a prize"
Three-time Academy Award® directing nominee Peter Weir and Oscar® winner Russell Crowe join forces to create an epic, emotional adventure: MASTER AND COMMANDER: The Far Side of the World. Set during the Napoleonic
Wars, Crowe is Patrick O'Brian's Captain "Lucky" Jack Aubrey, renowned as a fighting captain in the British Navy, and Paul Bettany is ship's doctor Stephen Maturin. Their ship, the H.M.S. Surprise, is suddenly attacked by a superior enemy. With the Surprise badly damaged and much of his crew injured, Aubrey is torn between duty and friendship as he pursues a high-stakes chase across two oceans, to intercept and capture his foe. It's a mission that can make his reputation - or destroy Lucky
Jack and his crew. In the course of the characters' epic journey, the movie travels the world - from the coast of Brazil to the storm-tossed waters of Cape Horn, south through ice and snow, to the far side of the world, to the remote shores of The Galapagos Islands (becoming the first feature film ever to film there).
MASTER AND COMMANDER: The Far Side of the World is directed by Peter Weir from a screenplay by Weir and John Collee, based upon the novels by Patrick O'Brian. O'Brian's "Aubrey/Maturin" novels, so named after the lead characters, were declared by Richard Snow in The New York Times to be "the best historical novels ever written." David Mamet, also writing in the Times, called O'Brian one of the greatest novelists writing in the English language over the past 30 years. As to O'Brian's creation,
Captain Jack Aubrey, the Times later noted that Russell Crowe "seems born to play him."
The project originated over ten years ago when two legends - Hollywood producer Samuel Goldwyn, Jr. and celebrated author Patrick O'Brian - had preliminary conversations about turning some of O'Brian's Aubrey/Maturin stories into a film. It was Goldwyn who first saw the cinematic potential of O'Brian's work, and he persuaded the author, who had not been to the movies in years, that the medium would well serve the adventures of Captain Jack Aubrey and Dr. Stephen Maturin.
The film that resulted a decade later is based on the principal characters first introduced in O'Brian's book Master and Commander, but employs the broad narrative outline of the 10th of 20 Aubrey/Maturin
novels, The Far Side of the World. Peter Weir believed the latter had a more direct, cinematic and adaptable story structure. (Our heroes are attacked by a superior foe who must be pursued; but how far and at what cost?)
Using the narrative outline from The Far Side of the World also allowed the movie to be concentrated almost completely at sea, a unique and original approach that Peter Weir understood as the key to capturing the spirit and detail of O'Brian's novels. The film uses every state-of-the-art motion picture technique and an obsessive attention to accuracy and detail to put the audience back in time - not, as so common now, forward to some science fiction world - and lets us experience an adventure
aboard a ship in Nelson's Navy 200 years ago. From the splinter of wood in an attack to the heat of the doldrums, to rounding Cape Horn in a violent storm, MASTER AND COMMANDER: The Far Side of the World puts the audience at sea as never before in film.
But for all that spectacle, it is the attention to characters and emotion that separate Patrick O'Brian and Peter Weir from other storytellers who have plied these waters. Patrick O'Brian's 20-volume Aubrey/Maturin opus, which reflected a lifetime of research, was Weir's touchstone. The director never wavered from his commitment to capturing the detail and spirit of O'Brian's world and characters, and brings an unprecedented level of historical realism to the film.
"Patrick O'Brian's prose is magnificent," says Weir. "He's a writer of the first order. Of course, this was one of the most challenging aspects about adapting his work. When you adapt any book, the words fall out onto
the table and you have to replace the prose with images. It has been a great challenge to tell this story visually in a way that does justice to O'Brian's words."
As Weir and Collee began writing the screenplay, they marked up O'Brian's books under the headings: "Divisions," "Crew," "Jack and Stephen Dialogue," and so on. These references were in turn photocopied and turned into books themselves - "handy cribs for cast and crew," notes Weir.
"I surrounded myself with artifacts of the period as I worked on the script - swords, belt-buckles, maps, hoping to draw down the muse," Weir continues. "Music was another aid, as I groped in the dark, trying to find my way back in time." According to co-screenwriter John Collee, MASTER AND COMMANDER: The Far Side of the World, set largely aboard the ship Surprise, points to Weir's consummate ability to create vivid, enclosed worlds. "That's what Peter does brilliantly well, as in Witness
and The Truman Show. He wanted MASTER AND COMMANDER: The Far Side of the World to create a floating universe." |
Review
by
MELINDA LEDMAN BLOG
HJMLedman@yahoo.com.
Melinda
Ledman is a graduate of Baylor University with a Bachelor’s
degree in English. During college, she worked on the film Letter
From Waco (director Don Howard), which won the award for best documentary
feature in the 1997 South by Southwest Film Festival. After she
and her husband Rob had their first child in September 2002, she
began free-lance writing full time. In addition to writing reviews,
she most enjoys writing original screenplays. She gratefully serves
God after 12 years of alcoholism, and appreciates grace and freedom
on a whole new level. |
Master and Commander dealt with several themes that I haven’t seen on screen in a while, especially when it comes to war movies. Most war movies of late seem to deal with the same question over and
over again. “Is war right?” They always show the same two sides of the story-- young soldiers barely out of high school give their lives for the protection of their country, while the enemy is sadly forced to do the same thing. Quite frankly, I have almost stopped watching war movies because of this clichéd propaganda. I’ve been ready for a new approach for about 4 years, with the only exception being Tigerland, which at least had a unique treatment
of the same concept. Master and Commander finally provides some new food for thought, rejecting the bleeding heart treatment of war and exploring several other aspects which can offer valuable lessons in our daily grind.
Perhaps foremost, the story deals with the plight of the leader who must weigh loyalty, duty, and pride against the loss of his crew members who trust him. With every complication to completing his orders to stop the ship Acheron, comes the loss of
life or vitality of one or more of his crew members. After the initial battle scene, the “butcher’s bill” is 27 wounded and nine dead. Commander Jack Aubrey goes to visit them, but chooses to press on. They repair the ship just in time to be surprised again by the Acheron. After a narrow escape, the mast breaks in the pursuit of the Acheron and they must cut loose a shipmate. Soon, the midshipman Hollum is tagged the Jonah of the ship, and the run of bad luck is only
resolved by his suicide. When Commander Aubrey’s best friend Steven is wounded, he must stop long enough to consider whether to continue his mission. The movie shows how the temptation to win (even for one’s country) often comes with the requirement to sacrifice those who support your endeavor. Isn’t this the nature of success? What high ranking individual in business, government or the military hasn’t been faced with self-promotion at the expense of a lower
man or woman (often a friend)? At every point, it is a good idea to assess the value of those who support us, and to reward and protect them as much as we can. Duty, loyalty and pride often get in the way of this, but we must remember that we are all in this battle together.
An interesting sub-theme is that of disguise. Again, I was glad for the refreshing perspective. There is an advantage in disguise, whether the disguise of a bug like a walking stick, or the disguise of a battle ship as a whaler. The concept is discussed
several times before Commander Aubrey comes upon it as a tactic for attack. The doctor makes an interesting distinction that what an animal is using for defense, the Commander is using for attack. This has a huge spiritual application. The Bible says, “And no wonder, for Satan himself masquerades as an angel of light. It is not surprising, then, if his servants masquerade as servants of righteousness.” (2 Corinthians 11:14-15). I heard in an interesting thought the other
day--that the devil has had thousands of years to perfect his strategies to cripple, condemn and corrupt the human race. What better way than to use disguise? Many things that were clearly wrong and evil to a generation 100 years ago have become questionable and acceptable to our generation. And the general feeling about our generation is that we are enlightened, open and accepting of all things and all decisions regardless of consequence. Interesting disguise.
This leads me to another profound and realistic point of the movie—the battle never ends. Every time Lucky Jack Aubrey’s crew gets a break, the next battle is just beyond the horizon. This is literally true when Steven sees the Acheron
just as the ship is about to turn back home. And the ending…I loved it! But, the principal is true of life. Even when we are resting from the last battle in our lives, there is another one headed our way. It is important to not give up the fight. The rest stops will be there when the fight is over, and no struggle lasts indefinitely. But the fighting does continue until death, when at last many will find peace (Malachai 5:1-5). Regardless of our spiritual inclination, this life
is not marked for continual peace for any of us. To quote The Princess Bride, “Life is pain, Highness, anyone who tells you differently is selling something.” Pain and suffering are inevitable for all. Christ, however, can offer answers and a reprieve from life’s pain, a peace that passes all understanding (Philippians 4:7). In the meantime, we are to consider that the battle wages on… The tenacity of Aubrey’s predecessor, Lord Nelson, is rightly praised
in this story.
Lastly, although the movie had many more wonderful themes and fine points to explore, I will wrap up with the strong idea of providence. While some things seem to occur by accident, several others suggest
that God is directing the path and fate of the ship and crew. The scripture-spouting crewman who had brain surgery often gives warnings as a prophet might. He also starts the idea that Hollom is a “Jonah” who is bringing bad luck onto the boat. As the scientific Steven and the faith-based Jack argue about this, Jack blatantly states, “Not everything is in your book, Steven.” His point is that science doesn’t explain every event in life, and that some things
happen as a result of God’s hand. Sure enough, after Hollom jumps overboard, the good fortune returns to the boat. Now, of course, this is not the greatest reflection of the Biblical story of Jonah, because Jonah did not commit suicide. He simply turned his life and will over to God as God intended. Nevertheless, the idea of providence is there. Also, when Steven stops to look at the beetle on the Galapagos Islands, he sees the ship Acheron across the way. While this could be
accident, it could also be the miraculous placement of one man in the right spot at the right time. Incidentally, the scripture-spouting crewman also states, “The Devil’s in the wheel of that fathom ship.” But that fathom ship (the Acheron) never sinks the H.M.S. Surprise. Talk about providence!
Overall, I really enjoyed the movie, not only for the great spin on war movies, but also for the historical accuracy of the movie. Someone obviously did their homework, and it was interesting to see even the technical details of a war at sea in that period of time. If you haven’t seen it, also look for these great themes: courage, loyalty, tyranny, surprise, and leadership. Great flick!
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