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MAID IN MANHATTAN
Here is film that pulls on Cinderella for structure, The Prince and the Pauper for message, and the society movies of thirties for comedy. But, it is also different in some other ways -and those differences are the subject of this review.
Review by David Bruce


MAID IN MANHATTAN
(2002)


This page was created on December 13, 2002
This page was last updated on May 17, 2005


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CREDITS

Directed by Wayne Wang
Writing credits:
Story by John Hughes (as Edmond Dantès)
Screenplay by
Kevin Wade

Jennifer Lopez .... Marisa Ventura
Ralph Fiennes .... Christopher Marshall
Thomas Michael Sullivan .... Papparazzi
Tyler Posey .... Ty Ventura
Marissa Matrone .... Stephanie Kehoe
Natasha Richardson .... Caroline Lane
Chris Eigeman .... John Bextram
Stanley Tucci .... Jerry Siegel
Seth William Meier .... Marshall's Aide
Bob Hoskins .... Lionel Bloch

Produced by
Richard Baratta .... co-producer
Elaine Goldsmith-Thomas .... producer
Benny Medina .... executive producer
Charles Newirth .... executive producer
Paul Schiff .... producer
Deborah Schindler .... producer

Original Music by Alan Silvestri
Cinematography by Karl Walter Lindenlaub
Film Editing by Craig McKay

MPAA: Rated PG-13 for some language/sexual references.
For rating reasons, go to FILMRATINGS.COM, and MPAA.ORG.
Parents, please refer to PARENTALGUIDE.ORG

TRAILERS AND CLIPS
Trailers -click here
CD SOUNDTRACK

CD infoMaid in Manhattan
Various Artists - 2002
1. I'm Coming Out - Amerie
2. Train On A Track - Kelly Rowland
3. Yes We Can Can - Pointer Sisters
4. Lovergirl - Teena Marie
5. Miracles - Res
6. Fall Again - Glenn Lewis
7. Come Away With Me - Norah Jones
8. If You're Not The One - Daniel Bedingfield
9. Kathy's Song - Eva Cassidy
10. Me and Julio Down by the Schoolyard - Paul Simon
11. Guitar Man - Bread
12. I'm Coming Out - Diana Ross
13. Maid In Manhattan - Alan Silvestri
14. At Last - Alan Silvestri

POSTERS
Maid in Manhattan
Maid in Manhattan
27 in x 40 in
Double-sided poster plain, or
Framed | Mounted
Maid in Manhattan
Maid in Manhattan
27 in x 40 in
Double-sided poster plain, or
Framed | Mounted


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SYNOPSIS
Click to enlargeIn Revolution Studios' charming romantic comedy Maid in Manhattan, Jennifer Lopez stars as a hard-working, intelligent and determined single mother who dreams of a better life. While struggling as a housekeeper at Manhattan's first-class Beresford Hotel, she falls for a rising politician, who mistakenly assumes she's a socialite guest at the hotel.

Will a hotel worker from the Bronx and a well-heeled gentleman from midtown Manhattan risk it all for a chance at romance?

Marisa Ventura has made a good life for herself and her ten-year-old son, Ty (Tyler Garcia Posey), even if they don't have a lot of money. One Saturday morning Marisa brings Ty to the Beresford. She asks a co-worker to keep an eye on him for her while she and another maid, Stephanie (Marissa Matrone), attend to their chores. One of the hotel guests, a spoiled socialite, Caroline Lane (Natasha Richardson), asks Marisa to return some designer clothes for her. After Caroline leaves, Stephanie coaxes Marisa into trying them on before taking them back to the store. In an uncharacteristically frivolous moment, Marisa slips into the chic, expensive outfits.

Ty appears at the door with the handsome Christopher Marshall (Ralph Fiennes), an aspiring U.S. Senator and one of Manhattan's most eligible bachelors. Ty has come to ask Marisa's permission to walk through Central Park with Christopher and his dog Rufus. Christopher is immediately attracted to Marisa. Assuming she is a hotel guest, he asks her to join them. She is about to refuse, but Stephanie intervenes and accepts for her.

Despite the obvious sparks between them, Marisa is reluctant to encourage Christopher, fearing she'll lose all that she's worked so hard to build. But he pursues her, even though it could compromise his political career.

As romance, mistaken identity and front-page gossip collide, Marisa and Christopher learn that the bigger your dreams, the better the chance they might come true.

REVIEW

MORE THAN CINDERELLA
Here is film that pulls on Cinderella for structure, The Prince and the Pauper for message, and the society movies of thirties for comedy. But, it is also different in some other ways -and those differences are the subject of this review.

Click to enlargeIT IS ABOUT THE INVISIBLE PEOPLE
As much as we want to deny it, our focus is on the rich and famous, and not on the butlers, maids and custodians. This film makes a strong statement about how we tend to overlook certain groups of people, especially those in the service class. In a celebrity crazed society we tend to focus on Jennifer Lopez and Ben Affleck and not on the ordinary everyday people such as Marisa Ventura, as played by Jennifer Lopez. Interesting, isn't it. Is Latina-Jennifer-Lopez making an anti Celebrity-Jennifer-Lopez statement? I think she is. And good for her.

IT IS ABOUT BREAKING CHAINS
Click to enlargeMarisa Ventura is an interesting name, and one that I wonder about. Here's why. Producer Elaine Goldsmith-Thomas stated, "Being from the San Fernando Valley, my aspirations were limited to living closer to Ventura Blvd. My vision, I'm afraid, wasn't quite so broad." So, is the name Marisa Ventura a reflection of self imposed limitations that we all place on ourselves? I think so.

The film explores not so much the limitations imposed on us by others, but rather by ourselves. The film is about breaking those chains that bind us. The film is about getting to the other side of Ventura Blvd.

IT IS ABOUT THE AN EXPANDING CONCEPT OF BEAUTY
Click to enlargeJennifer Lopez portrays a very beautiful Latina in this film. She does not in anyway attempt to look like an Anglo. Her skin is brown - and not Michael Jackson white. Her hair is Latina black - and not Swedish blonde.

Personal note: I was watching Spanish language television the other day and I saw a lot of Latinas who were looking like blonde Anglinas -very discouraging to me -especially when the studio audience was very Latino with no blonde Anglo types any where in view. So, I appreciate J Lo giving a expanded more inclusive view of glamour.

I really appreciated the strong statement the film made about being true to one's self. Be yourself, it was saying, and not someone else.

IT IS ABOUT THE INTEGRATION OF THE WORLD
Click to enlargeIn the film a White politician falls in love with a Latina. There is new political and religious reality reflected here.

In case you have not noticed, there have been some very dramatic demographic changes taking place. And, this movie will underscores them. The Latin community is growing, while the European and American White community is in decline. Consider this: the Latino community is now 25% of the Los Angeles population -and growing.The growing influence of the southern hemisphere into the north simply can not be ignored. There is a new gobal reality.

Similarly, in the area of religion, the White boomer churches are in decline, and Latino Pentecostal churches are growing faster than the birth rate. While Anglo churches tend to be carbon copies of each other, laid back and often boring, Latino churches are different --enthusiastic, committed and exciting. The Anglo Church Of England is experiencing decline, but is fast growing in the African community. The only real growth in the declining Episcopal denomination is in the southern hemisphere.

Click to enlargeI must say however, that the future is not in the hands of the southern hemisphere of the globe, nor is it in the hands of the northern half of the world. Rather, the future is in the coming together of the south with the north. There is a great mixing of traditions and cultures at work in the world. Multicultural mix is the future.

This film reflects and underscores these wonderful and refreshing realities.

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