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"The
Lord of the Rings required a commitment from our cast to learn how
to swordfight, horseback ride, canoe, learn Elvish, climb mountain
peaks and at the same time bring the magic and magnetism of Tolkien's
characters to the screen. They were up to the task."
- Barrie M. Osborne, producer
At
the core of the story in The Fellowship of the Ring are the
cultures that make up Middle-earth: Hobbits, Dwarves, Humans, Elves,
Wizards, Orcs, Ringwraiths and Uruk-Hai.
Each
culture has its own rich way of life, its own customs, myths, ways
of dress and even style of fighting. Each is fully developed in
The Fellowship of the Ring, creating the essence of a living,
breathing world just beyond our own history.
For
example, Hobbits are gentle and close to nature, an almost
child-like group who live off the land. With an average height of
3'6", the furry-footed creatures dwell deep in furnished holes
on the sides of hills. They love the simple things in life: smoking
pipes, eating, and, of course, storytelling. They live to around
100 years old, with the age of 33 marking the start of adulthood,
and the age of Frodo at the start of The Lord of the Rings
journey.
Elves,
on the other hand, are noble, elegant, magical beings whose time
is running out and who seem to possess a bittersweet sense that
they are now about to pass into myth. Although they could be slain
or die of grief, Elves are immortal in that they are not subject
to age or disease.
Dwarves
are short but very tough, with a strong, ancient sense of justice
and an abiding love of all things beautiful. Small in stature, they
live to be about 250 years old.
Wizards
are supremely powerful but can use that power for good or for evil,
depending on where their hearts lie.
Humans
in The Fellowship of the Ring are a fledgling race just coming
into their own. They are warriors, unafraid to defend their heartfelt
cause.
Other
creatures populating Tolkien's world are the misshapen Orcs
fighting for Saruman; the sinister, black-cloaked Ringwraiths
which are neither living nor dead but cursed to live in the twilight
world of Sauron; and Uruk-Hai, which are birthed under the
watchful eye of Sauron with only one mission: to get the One Ring
no matter what the cost.
To
bring these remarkably diverse beings to life would require a cast
of true versatility - and also a cast willing to spend months in
the deep heartland of New Zealand bringing life to a literary legend.
It would require a group of actors who could carry their characters
through three chapters of climactic changes.
In
the first installment, The Fellowship of the Ring, the actors
get a chance to introduce their characters and their individual
quests. At the center of it all is the story's 3'6" hero -
Frodo Baggins, the forthright Hobbit who assumes the responsibility
for destroying the One Ring. Despite the help of the Fellowship,
it is Frodo who must bear the burden of the One Ring and resist
its constant temptations of evil. For the actor to play Frodo, the
filmmakers chose 20-year-old Elijah Wood for his energy and charisma.
"Elijah
has a sincerity of purpose that just makes him a natural in the
role," observes Barrie M. Osborne. "He is capable of taking
the character through a real transformation, which begins with The
Fellowship of the Ring."
Wood
describes Frodo as "a very curious adventurer. Frodo lives
in a time when most of his fellow Hobbits want to stay with their
own kind, but Frodo is very different in that he wants to leave
and see the rest of the world and all its wonders."
As
Frodo begins his journey, Wood was struck by how real the Hobbit
felt. "He became alive for me," he admits. "The way
we shot the movie, everything was so authentic that we all believed
that Frodo and the others really existed in history. Once I had
on my prosthetic ears and feet for the first time, I knew what it
was to feel like a Hobbit. It sounds bizarre, but it felt the same
as playing a historical character, as if Hobbits had actually once
been alive."
One
of Frodo's closest allies in his plight to destroy the One Ring
is the powerful Wizard Gandalf, who begins to demonstrate his true
purpose and abilities in The Fellowship of the Ring. Gandalf
is played by renowned screen and stage star Ian McKellen, who was
thrilled to take on such a challenging role.
"I
see Gandalf as the archetypal wizard," says McKellen. "I
think in the creation of Gandalf, Tolkien was playing with ideas
about wizards from stories and classic tales throughout time. Gandalf
is related to Merlin, and maybe even Shakespeare's Prospero, but
he also is very much his own man."
"When
the story heats up and the journey begins and great things are at
stake, he makes a real contribution to the Fellowship," he
continues. "He shows his stuff as a warrior." Notes producer
Barrie M. Osborne: "Ian McKellen has the stature to make you
truly believe in Gandalf's power and wisdom."
Frodo's
quest to destroy the One Ring begins with his cousin, Bilbo Baggins,
an aged Hobbit with a history of bravery played by Ian Holm. Holm
says that "Bilbo is not unlike me. He's quite grumpy on the
outside but basically he has a heart of gold. He is a little fellow
who things seem to happen to - but when he's put to the test, he
comes up trumps more than most people."
A longtime
fan of Tolkien's novels, Holm likens playing such a renowned character
to another character noted for its many interpretations. "I
think playing Bilbo is a lot like playing Hamlet," he says.
"I mean, this is my version of Bilbo, just as it would be my
version of Hamlet. He's an eternal character but as an actor you
play it as you see it in front of you and trust in that."
Says
Barrie M. Osborne of the choice of Holm: "He brings out all
the nuances in Bilbo's character - he gets the crustiness of the
Hobbit, but more importantly, he reveals what lies underneath."
Three
Hobbit friends also join Frodo on his journey: Sam, Merry and Pippin,
played by Sean Astin, Dominic Monaghan and Billy Boyd. True friends,
the Hobbits' loyalty and bravery are put to the ultimate test on
their quest. Astin plays the poignant character of Samwise Gamgee,
who seems quite ordinary but turns out to be the most extraordinary
of friends to Frodo.
"Sean
Astin is a wonderful choice for Sam because he brings a real joviality
to the role, as well as an empathy for Sam's struggles," says
Osborne. "I think it's also a real bonus that he and Elijah
Wood are such good friends - that closeness really shows in the
relationship that develops between their characters."
Astin
was drawn to a character that seems to define the best of Hobbit-hood.
"To me, he personifies decency, simplicity, honesty and loyalty,
the ultimate Hobbit," says Astin. "Most of all, he has
an undying friendship with Frodo that is so strong, he's willing
to face the adventure of the unknown to help him."
Astin also sees Sam as a man of the land. "I look at him as
this kind of pastoral figure, a farmer whose hands are always in
the soil," he comments. "He's not the most sophisticated
being in the Fellowship, but he makes up for it with his earnest
steadiness."
Dominic
Monaghan, a British actor who comes to the fore in The Lord of
the Rings, brings out the quick-witted cleverness and fun-loving
spirit of the Hobbit Merry, formally known as Meriadoc Brandybuck,
another of Frodo's closest friends. "Like most Hobbits, Merry
always looks on the bright side of life," says Monaghan, "but
I don't think even he realizes at first how brave he can actually
be. As situations arise at the beginning of their journey, he starts
to become pretty important."
Monaghan
continues: "The main thing I wanted to get across in the beginning,
with The Fellowship of the Ring, is that Merry is just this
very sharp, sarcastic and funny boy who hasn't grown up yet. But
he's about to go through incredible experiences and adventures that
will change him into a new person."
For
the comical Hobbit Pippin, or Peregrin Took, the filmmakers chose
rising Scottish actor Billy Boyd. Boyd was amused by his character's
"knack for doing the wrong thing at the wrong time" but
also moved by Pippin's transformation throughout the odyssey. "One
thing about Pippin right from the beginning is that his whole life
revolves around friendship," points out Boyd. "He loves
his friends in the Shire more than anything."
But
when Pippin embarks on the journey to destroy the One Ring with
Frodo and the rest of the Fellowship, he discovers a world unlike
anything he's ever imagined. "Suddenly, things turn very serious
and dark for Pippin. He's falling in marshes and meeting strange
creatures and he'd rather be back at the pub chatting with the ladies!"
admits Boyd. "But that's what makes him so dynamic a character.
He tunes into the fun and beautiful side of life, even in the middle
of a war."
Two
Humans join the Fellowship. One, the mysterious warrior Aragorn
(or Strider) is played with trademark intensity by Viggo Mortensen,
whose affinity for the role sparked rumors that he was living in
the forest in Aragorn's torn, mud-stained clothes. Says Peter Jackson:
"Viggo embraced the character so completely it's difficult
to imagine the two being separate now." Adds Barrie M. Osborne:
"Viggo is the perfect actor to play a man who is struggling
to redeem himself from his ancestry and his heritage. He's incredibly
dedicated. He's the kind of an actor who one day had his tooth knocked
out by a sword and actually asked if they could superglue it back
on so he could finish the scene. He became Aragorn, and he brings
a real power to the role."
Mortensen
felt a strong personal connection to the project: "I'm Celtic
and Scandinavian, so I was raised on the myths that inspired Tolkien,"
he says. "It's part of my heritage." The actor was also
intrigued by Aragorn's primal, self-reliant brand of heroism. "He
can survive in nature, live from it, read its signs and live happily,
not needing anyone, not relying on anything but his own knowledge
and discoveries," he observes. "But now he has to take
on more responsibility, and it's not clear where it will lead him."
Also
joining the Fellowship is Boromir, a valiant warrior who lacks respect
for the One Ring's devastating power. Boromir is portrayed by Sean
Bean, who feels that the character "brings the human element
into the Fellowship. Boromir has the human qualities of being honorable
and brave but also having a very clear opinion about everything."
"In the beginning," he continues, "he sees the Ring
simply as a solution to the problems of his people. But he finds
out that it isn't quite so clear-cut, especially as he becomes susceptible
to its powers."
An
Elf and a Dwarf round out the Fellowship: Legolas, the keen archer
son of an Elf king, played by Orlando Bloom; and Gimli, the stout-hearted
axe-man who comes to represent the Khazad, the Dwarves of Middle-earth,
played by John Rhys-Davies. The disparity of their natures proves
to be a constant source of both strife and amusement. Orlando Bloom
explains: "Elves see Dwarves as these muddy creatures who steal
from the earth without giving back. But Legolas and Gimli grow to
respect one another's differences. They learn to rely on each other
in battle - and to laugh together."
Rhys-Davies
relished the notion that The Fellowship of the Ring kicks
off something many people haven't experienced in a long-time - an
epic, serial adventure: "I think today there is an enormous
hunger for adventure and a dynamic life that can only be met in
the imagination . . . or in movies like this one. Tolkien feeds
that hunger, because in our hearts we want to be part of a heroic
civilization like the Elves, Hobbits, Dwarves and men of Middle-earth."
Facing
off against the Fellowship is the evil Saruman, once the head of
the Council of the Wise, who has since succumbed to the dark temptations
of Sauron's power. Saruman wants Frodo's ring and is willing to
use his specially bred Uruk-Hai - grotesque, savage creatures --
to get it. Perhaps no one could embody Saruman better than film
legend Christopher Lee.
One
of film's great embodiments of Dracula, Lee approached The Lord
of the Rings with considerable reverence. "This is the
outright creation of an entire world," he says. "It brings
together history and languages and cultures and makes a dreamscape
come true."
"People
will always crave power and Saruman wants Sauron's power,"
Lee continues. "To me, he is not just the physical force of
evil personified, he is also very real."
Two
of the major female characters in The Lord of the Rings are
also introduced in The Fellowship of the Ring: the brave
Elf Arwen, who falls in love with Aragorn, played by the luminous
Liv Tyler; and the powerful, soul-probing Elf Queen Galadriel, played
by Academy Award nominee Cate Blanchett.
Tyler
was drawn to Arwen, the immortal Elven princess. "To me, Arwen
brings a real touch of femininity to the tale of Middle-earth,"
says Tyler. "In the midst of a war, she has fallen in love,
and become the backbone and motivation for Aragorn's fight."
Cate
Blanchett was also drawn to her character's fascinating strength.
"I loved playing Galadriel because she is so iconic. She is
the one in The Fellowship of the Ring who truly tests Frodo,"
says Blanchett. "I also think she has a profound message to
give about taking responsibility for ourselves and our actions.
And, yes, I have to admit I have always wanted to have pointy ears!"
Blanchett
was astonished by how completely the world of Middle-earth and its
many cultures had been explored by the filmmakers. "By the
time I started working, there was such a strong and real-life sense
of the various cultures, their histories and their hopes for the
future," she notes. "It was really like becoming part
of a whole different universe. I've never experienced anything like
it before."
Hugo
Weaving portrays Elrond, an Elf of great powers, father to Arwen,
whose knowledge of the One Ring proves invaluable to the Fellowship.
Weaving adored playing such a wise yet wistful hero. "Elrond
is so wise, so good, so noble and yet he also has, for a lack of
a better word, a real humanity to him. There is a side of him that
has been made desperate by the perpetual state of war. He has a
real sense of how hard it is for people to get out from under evil,"
Weaving says.
The
entire cast underwent intensive training in ancient arts and languages
for their roles. This included studying sword fighting with veteran
sword master Bob Anderson; learning horsemanship with head wrangler
Dave Johnson; and practicing the Elvish language with dialect and
creative language coaches Andrew Jack and Roísin Carty.
Jack
and Carty developed a unique accent and cadence for Elvish, based
in part on Celtic, yet entirely unique in the world. In also training
the actors in other dialects, they gave exercises during which the
actors stood in front of a mirror, making curious noises and faces,
learning to use their facial muscles in completely new ways. The
result was that the actors found their own accents spontaneously.
Jack and Carty taught the actors as if they were learning a language
from scratch, not simply memorizing script lines.
In
addition to the technical training, every actor involved in The
Lord of the Rings had to be in top physical condition - not
just because the Fellowship scales mountains, fords streams and
fights physically intense battles throughout the trilogy, but because
they had to withstand the 274-day shooting schedule. Says Dominic
Monaghan, who plays the Hobbit Merry: "We all started fitness
programs well before production began and we worked with physical
trainers throughout. Not only was the shoot physically challenging,
with huge leaps and big battles and stuff like that, but the hours
alone required physical conditioning and fitness. Anybody out of
shape wouldn't have made it!"
Summarizes
Peter Jackson: "For me the project really came to life when
the cast came on board and brought their individual interpretations
to the roles. They made it so much more realistic than I had ever
imagined."
CONTINUE
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