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THE LORD OF THE RINGS:
THE TWO TOWERS

ABOUT THE FILMMAKERS


ABOUT THE FILMMAKERS

This page was created on Decembr 1, 2002
This page was last updated on May 29, 2005


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ABOUT THE FILMMAKERS


THE FILMMAKERS

PETER JACKSON (DIRECTOR/ WRITER/ PRODUCER)

Long-time J.R.R. Tolkien fan Peter Jackson makes history with The Lord of the Rings, becoming the first person to direct three major feature films simultaneously. Released in 2001, the first film in the trilogy, The Lord of the Rings: The Fellowship of the Ring, was nominated for 13 Academy Awards, including Best Director, and won four. The film also received the American Film Institute's prestigious Film Award and was nominated for 12 awards from the British Academy of Film and Television Arts (BAFTA), winning awards for Best Film and garnering Jackson the David Lean Award for direction. In addition to four Golden Globe nominations, the film also received numerous distinctions and awards around the world.

Jackson previously received widespread acclaim for his 1994 feature Heavenly Creatures, which was awarded a Silver Lion at the Venice Film Festival and an Academy Award nomination for Best Screenplay. Written by Jackson and his collaborator, Fran Walsh, the film is based on an infamous New Zealand murder of the 1950s, and the story of two intelligent and imaginative young girls whose obsessive friendship leads them to murder one of their mothers.

Other film credits include The Frighteners starring Michael J. Fox, the adult puppet feature Meet the Feebles and Braindead, which Jackson co-wrote. Braindead played at festivals around the world winning 16 international science fiction awards including the prestigious Saturn. Jackson also co-directed the television documentary "Forgotten Silver" which also hit the film festival circuit.

Born in New Zealand on Halloween in 1961, Jackson began at an early age making movies with his parents' Super 8 camera. At seventeen he left school, and failing to get a job in the New Zealand film industry as he had hoped, started work as a photo-engraving apprentice. After purchasing a 16mm camera, Jackson began shooting a science fiction comedy short, which, three years later, had grown to a seventy-five minute feature called Bad Taste, funded entirely from his own wages. The New Zealand Film Commission eventually gave Jackson money to complete the film, which has become a cult classic.

BARRIE M. OSBORNE (PRODUCER)
As producer of The Lord of the Rings: The Fellowship of the Ring, Barrie M. Osborne won a British Academy of Film and Television Arts Award for Best Film, an AFI Film Award and was nominated for an Academy Award,

In addition to his work on The Lord of the Rings trilogy, Osborne executive produced the worldwide box office blockbuster and groundbreaking special effects award-winner The Matrix. His other producing credits include John Woo's Face/Off and China Moon. He has served as executive producer on The Fan, Dick Tracy, Child's Play, Wilder Napalm, Rapa Nui and Peggy Sue Got Married.

A native New Yorker who earned a degree in sociology from Minnesota's Carleton College, Osborne rose to the rank of 1st Lieutenant in the U.S. Army Corps of Engineers before entering the film industry in 1970, as an apprentice editor and assistant production manager. Accepted into the Directors Guild of America trainee program, Osborne worked under the tutelage of directors such as Francis Ford Coppola, Alan Pakula and Sydney Pollack on films including The Godfather Part II, Three Days of the Condor and All The Presidents Men. He subsequently worked on a number of films in various capacities including Apocalypse Now, The Big Chill, King of Comedy, The Cotton Club, Cutter's Way, Fandango and China Syndrome.

During a two-year tenure as Vice President for Feature Production at Walt Disney Pictures, Osborne oversaw features including Ruthless People, The Color of Money, Tin Men, Three Men And A Baby, Tough Guys, Outrageous Fortune, Who Framed Roger Rabbit? and Good Morning Vietnam.

FRAN WALSH (WRITER/PRODUCER)
For her work co-writing The Lord of the Rings: The Fellowship of the Ring, Fran Walsh was nominated for an Oscar, a British Academy of Film and Television Arts award and Writers Guild of America Screen Award, and (along with Peter Jackson, Barrie Osborne and Tim Sanders) won the AFI Film Award.

Walsh first garnered an Academy Award nomination for Best Screenplay for the feature Heavenly Creatures, which she co-wrote with her collaborator Peter Jackson. Other writing credits co-written with Jackson include Forgotten Silver, The Frighteners, Meet the Feebles and Braindead. Walsh, who has a background in music, began her writing career soon after leaving Victoria University where she majored in English Literature.

PHILIPPA BOYENS (WRITER)
Since being named by Variety in their list of Ten Writers to Watch in 2000, Philippa Boyens, who made her debut as a screenwriter with The Lord of the Rings trilogy, has been nominated for an Oscar, a British Academy of Film and Television Arts Award and a Writers Guild of America Award, among others. Prior to this, Boyens worked in theatre as a playwright, teacher, producer and editor. Boyens moved to film via a stint as Director or the New Zealand Writers Guild. Her love of J.R.R. Tolkien's work brought her to this project, having been a fan since she was eleven years old.

STEPHEN SINCLAIR (WRITER)
Sinclair, one of New Zealand's most successful playwrights and screenwriters, has had a long screenwriting partnership with Academy Award nominees Peter Jackson and Frances Walsh (Heavenly Creatures, The Frighteners), most recently including The Lord of the Rings: The Two Towers. In 1990, he co-scripted the feature film Meet the Feebles, and in 1991, Braindead (aka Dead Alive), which subsequently won Best Screenplay at the 1993 New Zealand Film and Television Awards.

In April of 2002, Sinclair directed his short film The Bach, a twelve-minute comedy thriller set in the Coromandel.

For the stage, Sinclair co-wrote (with Danny Mulheron) "The Sex Fiend," which premiered at Bats Theatre in 1989, went on to play return seasons in all the main centers, and continues to be performed by repertory companies around the country. It has also been produced in Australia, most recently in December of last year. "Ladies Night" (co-written with Anthony McCarten) has enjoyed international success with recent productions in Australia, Great Britain, Germany, France, Switzerland, Scandinavia, Finland, Austria, Argentina, Uruguay, Chile, Brazil, Puerto Rico and Canada. Last year in France it won the Moliere Award for the Best Stage Comedy for 2001 and it has currently become a hit in Moscow.

Sinclair began his career as writer and director for the Maori and Pacific Island Theatre Group, Taotahi, which he co-founded. His several years with the group culminated with the production of "Le Matau," the first play to deal with the Pacific Island experience in New Zealand.

Other plays include "Caramel Cream," "Blowing It" (co-written with Stephen Papps), and the musicals "Big Bickies" and "Braindead." In June of 2002 his historical drama "The Bellbird" was produced as a main bill for the Auckland Theatre Company. Peter Calder of the NZ Listener called it "a play of heart and soul and a valuable addition to our literature."

Sinclair's one-hour television comedy Love Mussel, starring the late Kevin Smith, screened in July of last year. The NZ Listener cited it as the best one-hour television comedy-drama for 2001.

His first novel, the children's book, Thief of Colours, was published by Penguin Books in 1995. His first adult novel, entitled Dread, published in July 2000, was described in the review in the New Zealand Listener as "an impressive debut." His collection of poetry, The Dwarf and the Stripper, will be published early in 2003.

A recent article in the Auckland Metro referred to Sinclair as "New Zealand's finest comic writer."

ROBERT SHAYE AND MICHAEL LYNNE (EXECUTIVE PRODUCERS)
Robert Shaye and Michael Lynne are the Co-Chairmen and Co-Chief Executive Officers of New Line Cinema Corporation. Since Lynne joined the company, they have together guided New Line's growth from a privately held distributor of art films into one of the entertainment industry's leading independent motion picture production and distribution companies.

The Lord of the Rings: The Two Towers represents the central in a trilogy of films shot concurrently over an unprecedented year and a half of production. On December 19, 2001, New Line released The Lord of the Rings: The Fellowship of the Ring, which passed the $850 million mark worldwide and garnered 13 Academy Award nominations, winning four - for Cinematography (Andrew Lesnie), Makeup (Peter Owen, Richard Taylor), Score (Howard Shore), and Visual Effects (Jim Rygiel, Randall William Cook, Richard Taylor and Mark Stetson). The Lord of the Rings: The Two Towers, the central film in the trilogy, will be released December 18, 2002, with the final film, The Lord of the Rings: The Return of the King slated for release one year later.

The trilogy represents the cornerstone of New Line's 2002-2003 slate, which includes such films as Blade II, About Schmidt, starring Jack Nicholson, and Friday After Next, starring Ice Cube. The studio's Austin Powers in Goldmember, the third installment of the highly successful Austin Powers franchise, earned a record-breaking $70 million over the weekend of July 26.

In previous years, New Line has released such blockbusters as the Rush Hour and Austin Powers franchises, as well as the hits Wag the Dog, Boogie Nights, The Wedding Singer, Dumb and Dumber, The Mask and Seven. The company's specialty division, Fine Line Features, has released such acclaimed films as the Academy Award-nominated Best Picture Shine, Dancer in the Dark, The Anniversary Party, and The Sweet Hereafter.

MARK ORDESKY (EXECUTIVE PRODUCER)
In 1997, on the heels of his savvy acquisition of Oscar-winning Shine, Mark Ordesky began his tenure as the head of Fine Line Features. At 34, Ordesky became one of the youngest executives in Hollywood to head a motion picture company. Ordesky has created a unique film culture at Fine Line that supports the efforts of the creative community and has established on-going relationships with such directors as Bernardo Bertolucci, Lars Von Trier, and David Mamet and a haven for emerging talent such as Sundance winner Gavin O'Connor. Ordesky has also nabbed such acquisitions as Saving Grace, Bernardo Bertolucci's Besieged, Oscar-nominated Before Night Falls, Tumbleweeds, and The Sweet Hereafter. A lifelong fan of J.R.R. Tolkien's trilogy, he was also an early champion of Jackson's project and executive producer of all three films.

Ordesky's career at New Line Cinema began over ten years ago as he developed a taste for material as a script reader for Chairman Bob Shaye. Working his way up the ladder at the mini-major, Ordesky did everything from managing the company's relationship with John Waters to successfully introducing Jackie Chan to U.S. audiences with the smash success Rumble in the Bronx.

ANDREW LESNIE, A.C.S. (DIRECTOR OF PHOTOGRAPHY)
Andrew Lesnie won an Academy Award for his work on The Lord of the Rings: The Fellowship of the Ring, and was nominated for the American Society of Cinematographers Award and the British Academy of Film and Television Arts cinematography award, among other awards and accolades.

Lesnie held the Australian Cinematographers Society's coveted Milli Award for 1995 and 1996, making him Australia's Cinematographer of the Year two years running. He also won the 1997 Australian Film Institute Award for best cinematography for Doing Time for Patsy Cline, and a 1997 A.C.S. gold award for the same film. He won the 1996 A.C.S. Golden Tripod Award for Babe, in 1995 for Temptation of a Monk, and in 1994 for Spider and Rose. His other feature credits include Two if by Sea, The Sugar Factory, Fatal Past, The Delinquents, Dark Age, Boys in the Island, Daydream Believer and Unfinished Business, among others. Lesnie also handled second unit photography on Farewell to the King, Incident at Raven's Gate and Around the World in Eighty Ways, and shot the documentaries The Making of The Road Warrior, Stages (about Peter Brook and the Paris Theatre Company in Australia), and The Comeback, starring Arnold Schwarzenegger. His television credits include "The Rainbow Warrior Conspiracy," "Melba" (A.C.S. Merit Award), and "Cyclone Tracy" (A.C.S. Golden Tripod Award for best photographed miniseries). In addition, Lesnie has garnered A.C.S. Awards for the short films The Outing and The Same Stream.

RICHARD TAYLOR (CREATURE, MINIATURE, ARMOUR, SPECIAL MAKE- UP EFFECTS SUPERVISOR)
Richard Taylor, director of his special effects company Weta, has been special effects designer on all of Peter Jackson's feature films including The Lord of the Rings trilogy, The Frighteners, Heavenly Creatures, Braindead, Meet the Feebles and the television documentary "Forgotten Silver." For the groundbreaking work accomplished by Taylor, his partner Tania Rodger, and their team at Weta, Taylor won two Oscars and two British Academy of Film and Television Arts awards - for Best Visual Effects and Best Makeup, and received both BAFTA and Oscar nominations for Costume Design as well as numerous other awards and accolades.

Taylor's feature credits include Heaven, The Ugly, Once Were Warriors, Jack Brown Genius, Tidal Wave, The Tommyknockers and A Bright Shining Lie. For television, Taylor has designed creature and special makeup effects for "Hercules," "Xena: Warrior Princess" and "Young Hercules."

GRANT MAJOR (PRODUCTION DESIGNER)
Grant Major won the AFI Production Designer of the Year from the American Film Institute, in addition to being nominated for an Academy Award and a British Academy of Film and Television arts award, among other accolades, for his work on The Lord of the Rings: The Fellowship of the Ring. Previously, Major received a New Zealand Film and Television award for Best Design on Peter Jackson's Heavenly Creatures in 1995. Two years later Major picked up the same award for The Ugly. Major's other film credits include Jackson's The Frighteners, Memory and Desire, The Aberrations, Jack be Nimble, An Angel at my Table and, as art director, for Other Halves. Major's work as an art director for television includes telefilms "Hercules" and "The Grasscutter," the series "Hanlon," as well as commercials and news programs. Major also worked as a production designer on the telefilm "The Chosen."

Born in Palmerston North, New Zealand, Major's career in design began at Television New Zealand. His background ranges from production design for the Commonwealth Games ceremonies to designer for the New Zealand Pavilions at the World Expos in Australia and Spain.

MICHAEL HORTON (EDITOR)
Michael Horton is a 30-year veteran of the New Zealand film industry. He has cut over two dozen films and hundreds of commercials. Some of the films he has edited include Smash Palace for director Roger Donaldson; The Quiet Earth for Geoff Murphy; Cinema of Unease for Sam Neill, and 'Once were warriors' for Lee Tamahori. He shares a common interest with Peter Jackson in Goat Husbandry.

RICK PORRAS (CO-PRODUCER)
Prior to his work on The Lord of the Rings: The Fellowship of the Ring, Rick Porras associate produced Contact and previously worked with Peter Jackson as post production supervisor on The Frighteners. After graduating from Stanford University, Porras ventured into the film business as a buyer for Filmline International attending the international festivals and markets. Porras then joined Robert Zemeckis Productions as a production assistant and later assistant to director/producer Zemeckis on the HBO series "Tales From the Crypt : Yellow" and the feature film The Public Eye. Porras continued working with Zemeckis in other capacities including production associate on Death Becomes Her and post-production supervisor on Forrest Gump. He was also post-production consultant on Tales From The Crypt: You Murderer and to the South-Side Amusement Co.

JAMIE SELKIRK (CO- PRODUCER)
Prior to his work on The Lord of the Rings: The Fellowship of the Ring, Jamie Selkirk has collaborated with Peter Jackson on the majority of his films, first as editor, sound editor and post production supervisor for Bad Taste, Meet The Feebles and Heavenly Creatures. With Jackson's Braindead, Selkirk made the move to associate producer/editor and then to producer and editor on The Frighteners. Selkirk's other credits include Jack Brown Genius, The Lie of the Land, Battletruck, The Scarecrow, Wild Horses and The Silent One.

Selkirk's career in editing started at the New Zealand Broadcasting Corporations. He moved to editorial as a trainee editor and began cutting newsreels, current affairs, documentaries, and dramas. Before his foray into production, Selkirk formed his own post-production company, Mr. Chopper, and worked on a variety of productions and television commercials.

NGILA DICKSON (COSTUME DESIGNER)
Ngila Dickson, born in Dunedin, New Zealand, was nominated for an Academy Award and a British Academy of Film and Television Arts award, among other accolades, for her work on The Lord of the Rings: The Fellowship of the Ring. In both 1997 and 1998, Dickson received the Best Contribution to Design Award at the New Zealand Television Awards; and for her work on "Xena: Warrior Princess," Dickson garnered the Best Costume Award at the 4th International Cult TV Awards. Dickson's film credits as a costume designer include Peter Jackson's Heavenly Creatures, Jack be Nimble, Crush, Grampire, Ruby and Rata, User Friendly, and the telefilm "Rainbow Warrior." For television, Dickson has designed for the series "Hercules," "Xena, Warrior Princess," "High Tide," "Mrs. Piggle Wiggle" and the "Ray Bradbury Series."

She is currently designing costumes for Edward Zwick's The Last Samurai, starring Tom Cruise.

HOWARD SHORE (COMPOSER) has composed the scores to more than 60 films and recently received the Oscar for Best Original Score for The Lord of the Rings: The Fellowship of the Ring, for which he was also honored with the Los Angeles Film Critics and The Chicago Film Critics Award.

Shore's outstanding film work also includes The Silence Of The Lambs and Philadelphia, directed by Jonathan Demme; Ed Wood, directed by Tim Burton; Seven and The Game, directed by David Fincher; Dogma, directed by Kevin Smith; and After Hours, directed by Martin Scorsese. Other recent film scores are The Score, The Yards, Analyze This, Mrs. Doubtfire and Big.

Shore's long standing collaboration with David Cronenberg has produced the scores to The Brood (1979), Scanners (1980), Videodrome (1983), The Fly (1986), Dead Ringers (1988), Naked Lunch (1990), M. Butterfly (1993), Crash (1996) and eXistenZ (1999).

His upcoming projects include the highly anticipated 2nd installment of The Lord of the Rings: The Two Towers, and David Cronenberg's Spider, starring Ralph Fiennes, scheduled for release later this year. Shore's last project was the David Fincher thriller Panic Room, starring Jodie Foster.

Howard Shore was formally educated at the Berklee School of Music in Boston. He recorded with the group "Lighthouse" from 1969 to 1972. As one of the original creators of Saturday Night Live, he served as Musical Director from 1975 to1980.

Shore has been honored with 2 Los Angeles Film Critics Awards, a Grammy Award nomination, and 2 BAFTA Award nominations in Great Britain. He has also received a Gotham Award in New York, the Saturn Award for Science Fiction and a Genie Award in Canada. In May 2000, Shore was honored during a week long retrospective of his work presented by the University of Ghent in Belgium.

Shore's music has also been performed live in concerts throughout world, including the Seville Film Music Festival in Seville, Spain; Cinesonic's 1st International Conference on Film Scores and Sound Design in Melbourne, Australia; and the National Arts Centre in Ottawa, Canada. In November 2000, Shore conducted the world premiere Concert to Projection of his original score to David Cronenberg's Naked Lunch. The performance was part of the Belfast Festival at Queens, in Belfast Ireland, and featured Ornette Coleman and the Ulster Orchestra. Naked Lunch Concert to Projection was most recently performed in March 2001 at the Barbican Centre in London as part of the Barbican performance series Only Connect: A Series of Extraordinary Live Events.

In addition to his film score work, Shore's chamber music has been featured on Arabesque Record's "Reel Life - The Private Music of Film Composers Vol. 1".

JIM RYGIEL (VISUAL EFFECTS SUPERVISOR)
In 1980, after earning his M.F.A. degree from Otis Parsons School of Design, Rygiel joined Pacific Electric Pictures, one of the earliest companies to employ computer animation for the advertising and film markets. In 1983, Rygiel's work took him to Digital Productions where he began work on The Last Starfighter, a film notable for its pioneering use of digital imaging in place of models. While at Digital Productions, Rygiel's commercial work was nominated for numerous awards, winning a prestigious CLIO award for the introduction of the Sony Walkman. From 1987 to 1989, Rygiel supervised numerous projects while at visual effects companies Pacific Data Images (PDI) and Metrolight. In 1989 Rygiel was asked to form and head a computer animation department at Boss Film Studios. This department of one grew to over 75 animators and 100 support staff within a few short years, winning several awards, including a CLIO Award for the Geo Prism automobile commercial. While at Boss, Rygiel supervised many feature films, both as Digital Effects Supervisor and Visual Effects Supervisor. His credits there include Starship Troopers, Species, Outbreak, Air Force One, The Scout, The Last Action Hero, Cliffhanger, Batman Returns, Alien III, and Ghost. In 1997 Rygiel went on to supervise, The Parent Trap, Star Trek: Insurrection, Anna and the King, and 102 Dalmatians.

In 2002, Rygiel received the American Film Institute's first AFI Digital Effects Artist of the Year award, the Academy Award and the British Academy of Film and Television Arts award for Best Visual Effects, for his work on The Lord of the Rings: The Fellowship of the Ring.

Rygiel is a member of the Academy of Motion Picture Arts and Sciences as well as the Academy of Television Arts and Sciences, and The British Academy of Film and Television Arts.

ALAN LEE (CONCEPTUAL ARTIST/ SET DECORATOR)
Alan Lee, who is responsible for the fifty watercolor illustrations in the centenary editions of The Lord of the Rings, Tolkien's Ring and The Hobbit, provided conceptual sketches for the design of The Lord of the Rings.

Lee has long had a preoccupation with the Celtic and Norse myths which influenced Tolkien. His other illustrations include such fantasy works as Faeries (with Brian Froud), The Mabinogion, Castles, The Mirrorstone, The Moons Revenge, Merlin Dreams, Black Ships Before Troy and The Wanderings of Odysseus. Lee has received several prestigious awards including the Kate Greenway Medal for Black Ships Before Troy. Most recently, Lee garnered the Best Artist Award at the World Fantasy Awards of 1998.

Lee began work in the film industry as a conceptual designer on the film Legend. Other credits for Lee include the feature film Erik the Viking and the acclaimed television miniseries "Merlin."

JOHN HOWE (CONCEPTUAL ARTIST)
John Howe is best known throughout the world for his contributions to a wide range of Tolkien projects such as calendars, posters, and jacket illustrations - and he brings his passion for Tolkien's work to conceptual drawings for The Lord of the Rings.

Howe has worked quite extensively for the European film industry, illustrating Bande Dessinee comics and numerous books, primarily fantasy, historical, and children's titles. He decorated the reception of the renowned Maison d'Ailleurs, the Museum of Science Fiction in Yverdon-les-Bains, Switzerland, and has personal exhibitions on show throughout Europe for the past twenty years. He has also produced backgrounds for animated television.

Born in Vancouver, John Howe eventually fled the family farm for the big city, but ended up a year later studying illustration in France. Upon graduating, he worked in a variety of media, from magazines to comics, animated film to historical and children's books, as a writer, illustrator and photographer. While Tolkien-related work admittedly comprises a large part of his work, Howe works for a variety of fantasy and science fiction publishers, as well as continuing to write and illustrate books. His recent work includes the illustrations for the best-selling Lord of the Rings board game.

DAN HENNAH (SUPERVISING ART DIRECTOR)
Prior to working with director Peter Jackson on The Lord of the Rings: The Fellowship of the Ring, Dan Hennah was the art director for Jackson's The Frighteners. Other feature film credits as art director include Sinking of the Rainbow Warrior, White Water Summer and Savage Islands; as supervising art director on The Rescue; as production designer on Mesmerised and as dressing prop on Mutiny on the Bounty. He was recently honored with an Oscar nomination for Best Art Direction for his work on The Lord of the Rings: The Fellowship of the Ring.

As a production designer for television, Hennah's credits include the Cloud 9 television series "The Tribe," "Twist in the Tale," "William Tell" and "Treasure Island." Further television credits find Hennah as associate designer on "99-1," art director on "Heart of the High Country" and production designer on the movie-of-the-week "Adrift." Born in Hastings, New Zealand, Hennah went on to study architecture at the Wellington Polytechnic School of Architecture. Hennah's first position in the film industry was as a production assistant on the film Prisoner.

PETER OWEN (MAKE-UP AND HAIR DESIGN)
Over three decades ago Peter Owen started work at Bristol Old Vic while a student of Modern Languages at Bristol University. After working in theatre, television and opera all over Europe, Owen began work as a film make-up and hair designer on The Draughtsman's Contract. His other early films include Prick Up you Ears and Dangerous Liaisons.

Owen won an Academy Award for his work on The Lord of the Rings: The Fellowship of the Ring. His more recent feature credits include Little Women, Age of Innocence, Oscar & Lucinda, Bird Cage, Beloved, Portrait of a Lady, Onegin and Tim Burton's Sleepy Hollow for which he received the 1st Annual Hollywood Guild of Makeup Artists & Hairstylists- Best Character Makeup, 2000.

Owen's company with Peter King, Owen & King, counts as regular clients Meryl Streep, Michelle Pfeiffer, John Malkovich, Bruce Willis, Nicole Kidman, Cate Blanchett, Johnny Depp, Cameron Diaz, Robert DeNiro, Helen Hunt and Ralph Fiennes, among others.

PETER KING (MAKEUP AND HAIR DESIGN)
After training and working as a hairdresser, King joined Bristol Old Vic and worked on his first film The Draughtsman's Contract. Thereafter King worked for Peter Owen on numerous opera, theater, and film production until they formed a company with Caroline Turner. His early work as a designer includes The Blackheath Poisonings, Secret Weapon, Princess Caraboo, Fairytale-A True Story and Batman !V. More recently he has worked on Avengers and Little Voice and received BAFTA Nominations for Velvet Goldmine and An Ideal Husband.

As a company, Owen & King have as regular clients Meryl Streep, Michelle Pfeiffer, John Malkovich, Bruce Willis, Nicole Kidman, Cate Blanchett, Johnny Depp, Cameron Diaz, Robert De Niro, Helen Hunt and Ralph Fiennes, among others.

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