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The Last Samurai asks the question, “What does it mean to honor something?” Family, culture, tradition, your enemy, your word, principles, change…the film addresses humankind’s tendency to devalue things which are by nature worthy of respect.

(2003) REVIEWS PART 2
Film Review by Melinda Ledman
With Point of View by Darrel Manson

This page was created on December 16, 2003
This page was last updated on December 22, 2003


Review
—Review Part 2
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Review by
MELINDA LEDMAN

Melinda Ledman is a graduate of Baylor University with a Bachelor’s degree in English. During college, she worked on the film Letter From Waco (director Don Howard), which won the award for best documentary feature in the 1997 South by Southwest Film Festival. After she and her husband Rob had their first child in September 2002, she began writing full time. Among her personal works, she has written several stage plays (all performed), one short (which was produced, but never made it through editing), and is in the process of completing her first full length screenplay. She gratefully seeks to serve God after wasting over 12 years of her life to alcoholism. She is thankful to have discovered her God-given talent, and enjoys grace and freedom on a whole new level.
Click to enlargeHonor is a slippery word. If asked to define it, I might have a notion of it or scramble up several words that come close. But, my life in American culture has far removed me from a sincere understanding of honor, at least as it involves experience. The opening lines of the film, “a forgotten word- honor” didn’t speak volumes to me at first.

The Last Samurai asks the question, “What does it mean to honor something?” Family, culture, tradition, your enemy, your word, principles, change…the film addresses humankind’s tendency to devalue things which are by nature worthy of respect. Click to enlargeAmong the many, many examples of this theme throughout the movie, the two primary examples were the country’s struggle to preserve the sacred tradition of the Samurai and Captain Algren’s need to reconnect with life. At the beginning of the movie, Captain Algren has lost his soul to war. Embittered by an inhumane encounter with the American Indians, he claims, “I’ll kill whoever you want for $500 per month.” A drunken cameo hero working for Winchester, he values neither his life nor the lives of the rebels he is paid to suppress. However, his stay with the Samurai reintroduces him to friendship, self-respect, spirituality, serenity, and a desire to preserve rather than destroy. The country’s struggle occurs in the opposite direction. Rather than fighting to regain a sense of value, Japan struggles with losing that value. The time-honored tradition of the Samurai warrior faces extinction. The Emperor desires to embrace the fleeting economy of the West, but has enough innate respect for things culturally sacred to defer drastic change. The worthy adversary, Osuma, quickly wields his influence to convince the Emperor to forsake the past and embrace change. Though opposite in approach, both storylines address the question of what is to esteem something or hold it in high regard.

Click to enlargeThere are so many examples of this in the movie, it is worth seeing a second time just to absorb a new perspective on things our culture has forgotten. Algren’s strange relationship with Taka forces us to take a look at the value of family, courtesy, and destiny. Katsumoto introduces Capt. Algren to friendship, faith, discipline, the value of keeping one’s word, service, and war as life rather than death. Capt. Algren in turn teaches the Samurai that death for one’s principles is a matter of passionate expression rather than a shameful display of defeat.

Ujio represents courage, loyalty, and discipline.

Graham, who documents history, shows the importance of leaving some things undocumented.

The Emperor’s struggle reveals the difficulty of governing a nation through changing times.

Each of these things commands honor in its own right, and it is interesting to note the dynamic contexts in which this word is used.

Click to enlargeThe problem of assigning value to that which is truly important is not new. Greece had a similar problem during the time the New Testament was written. Jesus introduced the word agape to the disciples and they could not understand why He would want to use it. It was a relatively unacceptable word for love because it suggested a kind of love that gives without receiving anything in return. To the Greek (and to the American today) this concept of “honoring” something above one’s self was foreign. But that is what Christ taught, and it is what He lived. The words of Philippians 2:6-8 have always astounded me. Every time I read them, I am taken aback by the level of love, commitment, passion and true honor that Christ has given us. To be the very God who created humanity, to come to earth and die by our laws, to give his own life so that we could be reconciled with Him…that is honor. That is esteeming someone on a level that I cannot pretend to match.

Click to enlargeBy the end of this movie, I couldn’t get the one question out of my head: What does it mean to honor something? And then, what is it that I honor? Honestly, I had to rearrange some of my priorities and become reacquainted with several things lost in the shuffle of my life. Although my academic mind feels obligated to explore the other amazing themes of this movie, I think I will leave them alone for today. Perhaps I will go see the movie again, this question of honor now being resolved in my mind.

Point of View by
DARREL MANSON
Pastor, Artesia Christian Church, Artesia, CA
http://netministries.org/see/churches/ch01198

Darrel has an incredible love and interest in the cinematic arts. His reviews usually include independent and significantly important film.
Click to enlargeI'm torn by The Last Samurai. I have always thought of myself as an idealist and a romantic, and The Last Samurai is unbridled romanticism. It gives us a glimpse into the noble warrior class of Japan until the nineteenth century. The samurai lived and died by a code of ethics, bushido, that was built around honor. They lived, fought and died as honorable men.

On the other hand, I am a pacifist. I do not believe that violence -- even by noble people -- brings honor and blessing.

As I watched the bloodshed and futility of the battles, I realized that I've grown weary of watching noble warriors, whether samurai, Jedi knights, Arthurian knights, Lakoda warriors, or Rocky Balboa. All of them fight a good fight. All of them strive to be honorable. But can there be honor in a system based on violence?

I wonder just how much we're willing to accept the honor of warriors? I'm sure nearly all soldiers from every country see themselves much as the samurai saw themselves -- as being in service to their nation or ruler, willing to give their lives in that noble cause. Gangbangers consider themselves to be following a certain code in protecting their communities. Terrorists consider themselves to be nobly sacrificing themselves for a higher good.

To be sure, samurai would be appalled and dishonored to kill the innocent; that would certainly be counter to the bushido code. But the concept of living within a code of violence as honorable is consistent throughout.

Click to enlargeThere are many connections between this film and Dances With Wolves (especially since the setting was moved ten years later than the real end of the samurai to include allusions to Custer and massacres of Native Americans.) In both films an American Cavalry officer finds himself among these noble warriors who many consider to be uncivilized savages. (Of course, both foreign cultures are ultimately portrayed as actually more civilized than the Western culture that is invading them.) The officers in the films each earns acceptance in the new culture and even becomes one with them against his own culture.

Both are romantic looks at the old ways of now nearly lost cultures. They appeal to us for their noble values. Romanticism calls us to return to ways that seem more noble than our current world. But such a returning is merely an illusion.

Click to enlargeConsider the climactic battle in which the samurai go against the army, superior in numbers and in fire power. The samurai will not dishonor themselves by using firearms. The army has howitzers and Gatling guns. The samurai know that they will not win. They know that they will all be killed. They go into the battle seeking to die honorably and to take as many of the soldiers with them as they can.

The film treats these suicidal warriors as heroes and implicitly encourages us to emulate them. Would we think the same of a suicide bomber?

Those that would identify with the samurai are likely deluding themselves. The samurai as portrayed in this film would not find honor in the use of weapons that causes wanton destruction. They would not find honor in terming civilian casualties as "collateral damage". They would not find honor in destruction for the sake of terrorizing populations.

The idealistic view of these warriors glorifies warfare, even though the ways they fought will never be again. The world has moved on to smart bombs, daisy cutters, hijacked airliners, and land mines. That glorification is often what inspires young men and women to enlist in armed forces or terrorist cells.

Click to enlargePerhaps I'm at an age in which that idealism and romanticism isn't enough to justify the futility any more. The world does not need more noble warriors, because the nobility is not real. In the end, we need to understand that the samurai are gone, like the knights of the Round Table. They are gone because the world will not follow their ideal -- and likely never did.
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