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Myth and reality merge as Lara Croft searches for an infamous site known as 'The Cradle of Life.'

(2003) Film Review

This page was created on July 10, 2003
This page was last updated on January 8, 2005


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CREDITS
Click to enlargeClick to enlargeClick to enlarge

Click to enlargeDirected Directed by Jan de Bont
Kirk M. Petruccelli (story) & Lloyd Levin
Screenplay by Dean Georgaris

Angelina Jolie .... Lara Croft
Gerard Butler .... Terry Sheridan
Chris Barrie .... Hillary
rest of cast listed alphabetically
Robert Atiko .... Armin Kal
Robert Cavanah .... Agent Stevens
Ciarán Hinds .... Dr. Jonathan Reece
Djimon Hounsou .... Masai warrior
Andrew Joshi .... Reiss's Guard
FClick to enlargeabiano Martell .... Jimmy Petraki
Til Schweiger
Noah Taylor .... Bryce
Ronan Vibert .... Agent Calloway
Simon Yam .... Chen Lo
Terence Yin

Produced by
Lawrence Gordon .... producer
Lloyd Levin .... producer
Jeremy H. Smith .... executive producer
Louis A. Stroller .... co-producer

  Original Music by Alan Silvestri
    Cinematography by David Tattersall
    Film Editing by Christian Wagner
 
MPAA: Rated PG-13 for action violence and some sensuality.
For rating reasons, go to FILMRATINGS.COM, and MPAA.ORG.
Parents, please refer to PARENTALGUIDE.ORG

TRAILERS AND CLIPS
Trailers, Photos
CD
Lara Croft Tomb Raider: The Cradle of Life
Various Artists - Soundtrack - 2003
BOOK  

Lara Croft Tomb Raider The Cradle of Life
by Nancy Krulik (Author)

When the legendary Luna Temple is found off the coast of Greece, it is considered the greatest archaeological find since the Egyptian pyramids. As usual, Lara Croft is the first tomb raider on the scene. Once inside, Lara discovers a treasure more precious than she ever expected -- the secret to finding the Cradle of Life.
The minions of biological weapons designer Dr. Jonathan Reiss intercept Lara at the Luna Temple and steal the key to locating the Cradle of Life. Now Lara must track it across the globe to the mountains of Kenya and find the site of the Cradle of Life before Dr. Reiss can destroy mankind. Local tribesmen say that no one has ever survived the quest for the Cradle of Life. Apparently they've never met Lara.

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SYNOPSIS
Click to enlargeFacing her greatest challenges and dangers yet, Lara Croft shows off her physical prowess like never before. During this installment of her adventure, the intrepid tomb raider jet skies, rides horses, motorcycles and much more through such exotic locations as Hong Kong, Kenya, Wales, Greece and Africa as she searches for an infamous site known as 'The Cradle of Life.'


REVIEW BY DAVID BRUCE
Host of HollywoodJesus.com
 Click to enlargeClick to enlargeClick to enlargeClick to enlarge
Click to enlargeClick to enlargeFIRST IMPRESSION
Kosa: Lara! Do you ever do anything the easy way?
Lara Croft: And risk disappointing you?

The first appearance of Lara Croft is in a bathing suit propelling across the waters doing extreme flips on her surf cycle. The second image of of Lara is in a steel metal gray diving suit with a weapon strapped to her side. Impression: beauty, strength, power and talent. This fits with the new image of women on the screen. During the 70s and 80s it was difficult to present women in any position of power (important to the then emerging role of women) and yet maintain glamour (important for box office). Women, traditionally, had been relegated mostly to
secondary and subordinate roles. I believe that the Alien series (1979-1997), with Sigourney Weaver, was largely responsible for changing all that. The Alien series was very successful at cutting new ground. It opened the doors for women as action heroes. Movies like Tomb Raider are now possible.
Click to enlargeClick to enlarge
The images of Ripley (Weaver) in the Alien series portray her as a powerful and independent human capable anything.
Click to enlargeClick to enlarge
The impact of this series was indicated by a strong box office. It hit was such a major chord with the public that 3 sequels resulted! The Photos are from each of the 4 films
Click to enlargeMALE/FEMALE RELATIONSHIPS
Terry Sheridan: All right, you go first.
Lara Croft: No, you go first.
[Thugs shoot at them]
Lara Croft, Terry Sheridan: I'll go first.

The film presents the relation between Lara and her male partner, Terry Sheridan, as essentially a working business relationship, rather than mere a romantic one. Lara is presented as more than equal to her male counterpart. This dynamic change toward equalitarianism can be seen in the James Bond series. In the early Bond series, women functioned as "sex objects." However, by 2002, that image was reversed. Consider the following:
Click to enlarge
In this poster from Goldfinger (1964) Sean Connery as James Bond is pictured in the power position, and the woman, Pussy Galore (Honor Blackman), is portrayed as a definite sex object, painted gold, naked, and on a bed.
Click to enlargeIn Die Another Day (2002) both Halle Berry and Pierce Bronson are pictured as equals in the movie poster. They are mirror images of each other. Both are equally powerful. The role of the "Bond Girl" had definitely changed. Consider also, the nick names of the main women characters: "Jinx" in 2002 as opposed to "Pussy Galore" in 1964. In the Lara Croft Series she is more than equal. Her gun is as big as Berry's, but there is no man beside her.

Click to enlargeClick to enlargeClick to enlargeInterestingly, like Halle Berry in Die Another Day, Lara Croft's first appearance in this film is in a bikini. This image of the rising woman out of water has deep roots in mythology (e.g. Venus rising). Beauty, strength and independence are important symbols of woman in both films. Venus (the Roman goddess of love and romance) in her most primitive form was birth-giving and death-giving (i.e. powerful), later these aspects were dropped and she was only seen in her love goddess role. What we have seen in the last decade is the rebirth of Venus in all of her aspects. In fact, in the original Tomb Raider 2 script Angelina says, "It was all about Lara's sexuality ...and using flirting to fight. We changed all that ..now she's a complete woman."

Click to enlargeTHE CRADLE OF LIFE
Lara Croft: In nature there's always a balance. The world comes in pairs. Yin and Yang. Right and Wrong. Man and Woman. What's pleasure without pain. That sort of thing.

Nearly all research into the origins of human life point to Africa. Even the Bible's Garden of Eden may be in Africa, as well. Lara Croft is in search of this location -the birth place of humanity -the Cradle of Life. In the Bible, Eden is not only where life was created, but it is also the origin of evil and death. Similarly, Lara discovers life, death and evil all originating all in the same place. Note: The movie was actually shot on location in a place said to be the "Cradle of Life."

EVE AND PANDORA'S BOX
Lara Croft:
Pandora's Box ... Reiss is going to use the Orb to find Pandora's book!
Agent Stevens:
You mean the Greek Myth. Pandora is given a box by the gods, told not to open it. She does and unleashes pain in the world?
Lara Croft:
I'm afraid that's the Sunday school version, yes.

Lara Croft and her enemies are in search of the legendary Pandora's Box located somewhere in the Cradle of Life. Myths can tell us a lot about life. Pandora's box was originally a vase until Erasmus in the middle ages mistakenly translated pithos (vase) as pyxis (box). The Vase was probably a symbolic uterus from which humanity arises. Pandora is like Eve. Pandora opened the forbidden box, Eve ate the forbidden fruit. Both released divine curses (sickness, death, strife, pain) upon humanity.

"...I (Zeus) will give them an evil and all men shall fondle this evil... and take delight in it... and gave the name of woman Pandora because all the gods... have given her each a gift to be sorrow to men who eat bread..." (Hesiod, Works and Days pgs 49-82, Lattimore)

Click to enlargeTHE NEW EVE
-SEEKING THE LOST, SAVING HUMANITY

Lara Croft: Something wrong?
Gus Petrakis: First Alexander doesn't record the location. Then God wipes it from the earth with a volcano. Now even the currents change. Did it ever occur to you, Lara, that maybe this temple wasn't meant to be found.
Lara Croft: Everything lost is meant to be found. Don't worry.

(SPOILER)The Film ends with Lara beginning to open Pandora's Box, and then she doesn't. Unlike Pandora and Eve, Lara does not yield to temptation. She saves humanity from the evils that could have unleashed. She is the New Eve -the New Woman. She is the protective guardian. Interestingly, the July 18, 2003 cover of Entertainment Weekly portrays Angelina Jolie in the classic pose of Eve with an apple for their feature on Tomb Raider 2, which says she is "the complete woman ...one tough mother."

Click to enlargeTHE HOPE BOX
Thus, the Film ends with Hope. There is a salvation for humanity. The New Woman/Humanity does not open Pandora's Box. In deed, we all have a choice. We can chose the the way way of death or the way of life. In the Greek myth of Pandora's Box, Zeus also supplied blessed Hope among the evil demons of the box. So that after the box was opened hope would prevent humans from killing themselves in total despair and suffering. Lesson: There is always Hope, no matter what the situation!

The word which God has written on the brow of every man is hope.
--VICTOR HUGO (1802–1885)

Do not look forward to the changes and chances of this life in fear; rather look to them with full hope that, as they arise, God, whose you are, will deliver you out of them. He is your Keeper. He has kept you hitherto. Hold fast to his dear hand, and he will lead you safely through all things; and, when you cannot stand, he will bear you in his arms. Do not look forward to what may happen tomorrow. Our Father will either shield you from suffering, or he will give you strength to bear it.
--SAINT FRANCIS OF SALES (1567–1622)

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