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Jim Sheridan has written and directed some impressive films about Irish families, among them My Left Foot, The Boxer, and In the Name of the Father. In America is also a story of an Irish family, but this family has immigrated (illegally) to New York City where they are looking for a new life in the wake of the death of a child. 

(2003) Film Reviews by Melinda Ledman and Darrel Manson

This page was created on December 16, 2003
This page was last updated on April 11, 2006


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CREDITS

Directed by Jim Sheridan
Screenplay by Jim Sheridan, Naomi Sheridan & Kirsten Sheridan

Producers
Nye Heron ... associate producer
Arthur Lappin ... producer
Paul Myler ... co-producer
Jim Sheridan ... producer
Meredith Zamsky ... line producer: New York

Cast
Paddy Considine ... Johnny
Samantha Morton ... Sarah
Sarah Bolger ... Christy
Emma Bolger ... Ariel
Ciaran Cronin ... Frankie
Djimon Hounsou ... Mateo
Juan Hernandez ... Papo
Nye Heron ... Blind Man
Jason Salkey ... Tony
Rene Millan ... Steve
Sara James ... Papo's Girlfriend

Original Music by Gavin Friday and Maurice Seezer with Coldplay (song "Clocks")
Cinematographers by Declan Quinn
Editors by Naomi Geraghty


MPAA: Rated PG-13 for some sexuality, drug references, brief violence and language. (edited version)
Runtime: 105 min

For rating reasons, go to FILMRATINGS.COM, and MPAA.ORG.
Parents, please refer to PARENTALGUIDE.ORG

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SYNOPSIS

Click to enlargeFrom master storyteller Jim Sheridan ("My Left Foot," "In The Name of the Father") comes a deeply personal and emotionally raw tale of a family finding its soul IN AMERICA. Through the wide-open eyes of two young heroines, Sheridan transforms a devastating human tragedy into a riveting, humor-tinged story about memory, secrets, love, loss, coming together and starting over.

To begin all over again is a classic American dream. But it's remarkably hard to do, as Irish émigrés Johnny and Sarah (PADDY CONSIDINE and SAMANTHA MORTON) discover when they hit the streets of modern-day Manhattan, their two spunky young daughters in tow, and emerge into a realm as comical and adventure-filled as it is strange and terrifying. The family faces a dizzying new future –- but first they must face down a past that haunts every single one of them.

With no cash to spare, Johnny and Sarah settle into a chaotic New York tenement populated by a colorful assortment of characters – and attempt to turn a Gothic horror-movie setting into a true home. From dragging an iffy-looking air conditioner across Manhattan to finding make-do jobs, nothing comes without a fight for the couple. And yet, while they see America as rife with challenges, dangers and weirdness, their daughters see it as a magical place where anything can happen, a place that might release them all from the anguish of what has come before. Then, on Halloween, Christy and Ariel (sisters SARAH and EMMA BOLGER) dare to knock on the door of "the screaming man," a mysterious neighbor named Mateo (DJIMON HOUNSOU), and everything changes. As the family heads for a crisis, Mateo becomes their unlikely ally in the territory where hope, faith and even magic hold sway.

Click to go to BlogReview by
MELINDA LEDMAN BLOG
HJMLedman@yahoo.com.
Melinda Ledman is a graduate of Baylor University with a Bachelor’s degree in English. During college, she worked on the film Letter From Waco (director Don Howard), which won the award for best documentary feature in the 1997 South by Southwest Film Festival. After she and her husband Rob had their first child in September 2002, she began free-lance writing full time. In addition to writing reviews, she most enjoys writing original screenplays. She gratefully serves God after 12 years of alcoholism, and appreciates grace and freedom on a whole new level.
Click to enlargeIn America is definitely one of my favorite films of the year. It will make my top three, hands down. Why? It rejects cinematic contrivances and tells the real story of life, the grit of existence as we know it. It strips down life itself, peels back the facades of this world, and leaves our humanity bare, naked and exposed for observation. It does what the Bible does –it struggles with death, wrestles with faith, and exposes the goodness that God brings to the world.

Struggling with Death
—If I had to simplify this film (which would be a serious injustice), I would say it is the story of a family dealing with the death of their son. But, it far exceeds that as Director Jim Sheridan takes us through the entire grieving process with this family. We feel the guilt, the blame, the anger at God along with the inability to feel, juxtaposed to the very real undercurrent of sorrow. A father looks for his dead child during a game, and a mother sees the resemblance of the child in her husband’s eyes. But Sheridan doesn’t stop there. He pursues the struggle of a dying man, Mateo, who has not yet “crossed over.” Again, we feel. We feel his anger, isolation, fear and the appreciation of life and friendship. I loved his short, powerful monologue. In two hours, we struggle with these characters through the entire range of emotions surrounding death. But, unlike the Bible, we come away with no definite answers. The Bible offers answers, but thankfully it does not ignore the struggle of man to make sense of his life.

Wrestling with Faith
– What is Heaven? Is it the ice cream parlor down the street where the mother Sarah works? Is where E.T. really lives? Does it even exist? I don’t think Sheridan answers this question, but he certainly does raise the question over and over again with his connections to E.T., aliens, “believing” and the afterlife. He also shows the struggle of faith after the unjust death of Frankie, Johnny and Sarah’s child. Although Johnny doesn’t outright curse God, he definitely separates himself from God. “I asked God for a favor—take me instead of him, and He took the both of us. Look what he left, a ghost.” Words like these echo every person’s struggle with God’s sovereignty in death. Why does He choose to take people when He does? It is ultimately a faith issue. I think the Bible actually answers this in 2 Peter 3:9 as the writer explains why Christ doesn’t come back and end all evil. “The Lord is not slow in keeping his promise [to return], as some understand slowness. He is patient with you, not wanting anyone to perish, but everyone to come to repentance.” Johnny later reveals his true inner belief that God loves him, when the prospect of Christy contracting AIDS arises. He says, “God wouldn’t do that to me.” The movie seems to imply that God is good and worthy of our faith in him--not only for the hope of life after death, but also for coping with life as we continue to live it.

Exposing God’s Goodness
– In America doesn’t show how God is good as much as it illuminates the goodness that exists in the world. The dialogue and imagery is so powerful that the intense sorrow of the film is counter-balanced by joy. We are glad to hear Sarah’s translation of the words “black man” in Irish. We say, finally--a comment on the beauty of diverse culture, rather than a complaint about the unfairness of racism. We take pride in Johnny’s perseverance, recycling bottles to come up with a few pennies to provide air conditioning for his family. We are struck by the description of a crack house as “your new mansion”—a refreshing attitude of gratefulness. We are relieved when Mateo treats rather than tricks the girls. He gives them a jar of change, Mateo’s Fortune, and reveals how truly generous one can be in the midst of pain. We admire Christi’s unrestrained love as she gives mouth to mouth CPR to Mateo, regardless of risk. And how can we forget the passion-driven lightening, rain, and blood as Johnny and Sarah (and God) create life? We laugh at Mateo’s imagination, calling blood spaghetti sauce, and explaining that his AIDS sores are a result of him being an alien with sensitive skin. The list goes on. There are so many moments of goodness and joy speckled throughout the grief in this movie. And why not? That’s what this world is with God in it. Can you imagine if God removed his Spirit from this Earth? Take away the joy, hope, the beauty of diversity, perseverance, gratitude, good will, generosity, love, passion, and imagination from this life and what is left? Can you even imagine a world without God?

I don’t know. This film really left me speechless. It was one of those that stayed with me for weeks after viewing it. I don’t really watch movies twice, but I am anxious to see this one again. I feel like it had a lot more to say than I could possibly absorb in one viewing.

Review by
DARREL MANSON BLOG
Pastor, Artesia Christian Church, Artesia, CA
http://netministries.org/see/churches/ch01198

Darrel has an incredible love and interest in the cinematic arts. His reviews usually include independent and significantly important film.
Click to enlargeJim Sheridan has written and directed some impressive films about Irish families, among them My Left Foot, The Boxer, and In the Name of the Father. In America is also a story of an Irish family, but this family has immigrated (illegally) to New York City where they are looking for a new life in the wake of the death of a child.

This film is a bit more personal for Sheridan. Even though the film is not biographical, it draws on many of the emotions of loss and life that Sheridan has been through in his life. He wrote this along with his daughters Naomi and Kristen, and includes scenes that are take from his early time in the U.S.

Click to enlargeThe story is told through the eyes of the elder daughter, Christy, who has come to America with her sister, Ariel, and their parents, Johnny and Sarah. One other family member has come as well, the memory of Johnny and Sarah's son, Frankie, who died from a brain tumor. The unresolved grief of Frankie's death continues to affect the family and its members.

They live in a rundown apartment in Hell's Kitchen. The building and neighborhood are full of junkies and transvestites. The family has very little aside from one another, The grief that still wears on them also separates them. Johnny, especially, is struggling in his grief. We discover that he really isn't a very good actor, because he has shut down the emotional side of his life. He can't even act as if he is happy with his family.

Click to enlargeThe catalyst for change in their life comes from the neighbor who lives downstairs, Mateo. Mateo has also isolated himself from the world. He is dying of AIDS and has shut himself into his apartment (with "keep away" written in large orange letters on his door.) He is struggling with his anger, trying unsuccessfully to put it into his art. When Christy and Ariel pound on Mateo's door on Halloween, they begin a mutually beneficial relationship. He shows them the beauty that remains in their lives, even in their grief; the family give him a connection with life as his life comes to a close.

The film is designed to be seen with a hint of fantasy -- as it would be remembered by a child later in life. That allows the junkies to be portrayed in a much nicer light than one would expect. It also allows for a few anachronisms that have snuck into the film.

It is in that sense of fantasy that Christy tells us that we each have three wishes. (Frankie had told her this.) And we see how she uses each of her wishes to aid her family at difficult times, finally using her last wish to bring the healing that is so desperately needed.

Click to enlargeThere are some spots in the film where it seems like it wants to be a story about faith. Some of the most intense scenes raise questions about faith or lack of faith. Unfortunately, those issues are never explored with any depth. Instead, the film is a well done exploration of the struggle to live through the pain of grief. It doesn't offer an easy solution. Even the emotional climax, which may seem easy, is the result of moving through grief over time to get to that point.

This is a film that is heavy with emotion. Sheridan seeks our emotional response and is willing to tug at every heartstring to get it. He does it well. There may be a point or two where his manipulation goes a bit too far and spoils the effect, but in most cases we don't feel abused by his emotional manipulation -- in fact, we may even appreciate the emotion he draws from us.
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