HOUSE, M.D.

(2005) Television Review

This page was created on June 5, 2005
This page was last updated on June 6, 2005


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About this Series

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CREDITS

Created by David Shore

Cast (in credits order)
Hugh Laurie .... Dr. Gregory House
Lisa Edelstein .... Dr. Lisa Cuddy
Omar Epps .... Dr. Eric Foreman
Robert Sean Leonard .... Dr. James Wilson
Jennifer Morrison .... Dr. Allison Cameron
Jesse Spencer .... Dr. Robert Chase

Regular guests:
Chi McBride .... Edward Vogler
Marco Pelaez .... Pharmacist / Hospital Pharmacist
Stephanie Venditto .... Brenda - Nurse
Ron Perkins .... Dr. Simpson
Kenneth Choi .... Dr. Lim

Producers
Paul Attanasio - Executive Producer
David Shore - Executive Producer
Bryan Singer - Executive Producer
Katie Jacobs - Executive Producer
David Shore - Creator

Also known as: House M.D.
First Aired November 2004
Running Time 60 min
Country United States
Currently Appears Tuesday 9:00 PM
Network FOX

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SYNOPSIS
From executive producers Paul Attanasio (Gideon's Crossing, Homicide: Life on the Street), Katie Jacobs (Century City), David Shore (Hack, The Practice) and Bryan Singer (X-Men, Logan's Run) comes a new take on mystery, where the villain is a medical malady and the hero is an irreverent, controversial doctor who trusts no one, least of all his patients.

(l to r: Jennifer Morrison, Jesse Spencer, Hugh Laurie, Omar Epps, Lisa Edelstein, Robert Sean Leonard)

House is a great hospital drama with a twist, sarcasm, and comedy all coming from the leader, Dr. Gregory House (Hugh Laurie). Omar Epps (Dr. Eric Foreman) had a previous acting gig as a Dr. Dennis Grant in another hospital drama, ER. Although Hugh Laurie puts on an American accent, critics think his role as Dr. Greg House is a "memorable" acting moment of his.

Dr. House and his team of handpicked experts all specialize in diagnosing their very ill-fated patient and solving the very mysterious and critical case of the unknown sickness. Only the most serious and unheard of cases of sicknesses go in their direction. The team will make the diagnosis, legal-or-not and just about everything they can think of to save their patients' lives and not have to put another one in a bodybag. But through all of this drama, Dr. House and the crew still keep their comical side and crack a few jokes, to entertain themselves or their patients, but that's just how Dr. House is.

Click to go to Maurice's BlogReview by
MAURICE BROADDUS

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Remember the halcyon days of the Fall TV Season of 2003, when we had the battle of the “girls dealing with the universe” shows? Wonderfalls was great, but was cancelled after four episodes. Joan of Arcadia was very good, has found its legs, and is flourishing. And Tru Calling, which was mediocre on its best days, was mercifully cancelled after one season. These days we have House versus Medical Investigation competing for audience’s attentions with similar premises. The upshot? House wins.

Medical Investigation is a way station for actors and actresses whose shows were cancelled last season: Neal McDonough (Boomtown), Kelli Williams (The Practice), Christopher Gorham (Jake 2.0) and Anna Belknap (The Handler). Sticking closely to the CSI model of the procedural, the members of the mobile medical team from the National Institute of Health pursue disease outbreaks instead of murder scenes. The gimmicks that define the show include the blue tones that it is filmed in can be distracting, especially when one week their patients were turning blue; and the “brain blasts” (a la Jimmy Neutron) when Dr. Stephen Connor (McDonough) finally pieces together the case. However, the show is formulaic to the point of boredom: people get sick, staff looks for commonality among the patients, they run down a series of dead ends and bad leads, Dr. Connor has his brain blast, and a treatment is found. No twists, no turns, little character development; it’s like the constraints of their job limits what the writers can do with them. No amount of camera trick shots or special effect depictions of an illness will cover up a lackluster script; nor does a character’s earnestness equal an interesting character. You want better for the talented cast, but either this dour show needs to improve quickly or they need to fire their agents and put this snooze-fest behind them.

06.jpg (45 K)House on the other hand is everything that Medical Investigation is not. Witty, interesting, and filled with characters that, even if you don’t like, you want to watch. One of the things you learn when looking at a new show is to study its pedigree. House’s executive producers include Paul Attanasio (Homicide: Life on the Street, Gideon’s Crossing), creator David Shore (The Practice), and Bryan Singer (director of X-Men, X-2, and The Usual Suspects). Granted, pedigree doesn’t always equal greatness, but it’s certainly a good place to start.

03.jpg (34 K)In Dr. Gregory House (Hugh Laurie) we have a hero who is cavalier, cranky, and more than a bit of a jerk. “What would you want: a doctor who holds your hand while you die or who ignores you while you get better?” Brilliant, yet easily bored, the soap opera-loving doctor doesn’t like dealing with patients (he treats illnesses, patients make him miserable). He has to be power-played into working in his hospital’s clinic. He doesn’t believe that he’s always right, he just finds it “hard to operate on the opposite assumption”. Life’s too short and too painful, so he says what he thinks: “Humanity is overrated,” a question may seem rhetorical “when you can’t think of an answer,” “gorgeous women only go to medical school if they’re damaged,” and he tells a patient that his wife must be having an affair because he turned orange and she didn’t notice.

His staff is made up of (his) hand picked experts form a kind of super hero team, with each member specializing in a different area and bringing a unique skill set. Omar Epps’ character, Dr. Taylor Foreman, brings street smarts, as well as his medical specialty, and another character is told that she brings, well, a pretty face. The characters have a reason for being and doing, motivations beyond robots doing so for the love of the job. In a lot of ways, this is a similar medical whodunnit type show that Medical Investigation is, investigating all manner of mysterious diseases, except that it does so against the backdrop of a hospital with all of its attendant politics and patients.

“Our bodies break down ... it always happens and there’s never any dignity in it.”

10.jpg (38 K)“We’re to live with dignity, not die with it,” Dr. House snaps (almost all of his dialogue seems to be him snapping). Dr. House had an infarction in his thigh, and due to a mis-diagnosis, he ended up with a limp. His handicap reminds us of our own weakness. Along with these broken bodies we need to seek cures, seek doctors. Doctors aren’t here to help the healthy, but the sick. This mission statement is true of all of us: We are not sent to be served but to serve.

We have a love and fascination with our doctors. The medical drama is part of a longstanding tradition and one third of the trinity of television genres: medical shows, legal shows, and police shows. Right now, the steady-creaking-after-all-these-years ER and the wonderful sitcom Scrubs seem to be carrying on the tradition. House has smart dialogue, style, and a healthy dose of humor. Yes, its lead character has the bedside manner of a total cad, but it’s amazing how good a show can be when it has characters you want to watch.

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