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Spiritual Insight in Movies
All other considerations aside, how spiritual is a movie? The scale rates from profoundly spiritual (5) to not at all spiritual (1). Courtesy of HollywoodJesus.com.
 
Devastated by a hostage situation which resulted in the deaths of a young mother and her child, LAPD negotiator Jeff Talley exits Los Angeles for a low-profile job as chief of police in the low-crime town of Bristo Camino. However, Talley finds himself exactly in the same kind of situation he never wanted to face again when three delinquent teenagers take a family hostage.

(2004) Film Review

This page was created on January 20, 2005
This page was last updated on March 14, 2005


Overview
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About this Film pdf
Spiritual Connections


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CREDITS

Directed by Florent Emilio Siri
Novel by Robert Crais
Screenplay by Doug Richardson

Cast (in credits order)
Bruce Willis .... Jeff Talley
Kevin Pollak .... Mr. Smith
Jonathan Tucker .... Dennis Kelly
Ben Foster .... Mars
Jimmy Bennett .... Tommy Smith
Michelle Horn .... Jennifer Smith
Jimmy 'Jax' Pinchak .... Sean Mack
Marshall Allman .... Kevin Kelly
Serena Scott Thomas .... Jane Talley
Rumer Willis .... Amanda Talley
Hector Luis Bustamante .... Officer Ruiz

Produced by
Susanne Bohnet .... associate producer
Stephen J. Eads .... associate producer
Mark Gordon .... producer
Manfred D. Heid .... co-producer
Hawk Koch .... executive producer
Gerd Koechlin .... co-producer
Josef Lautenschlager .... executive producer
Arnold Rifkin .... producer
Josef Steinberger .... co-producer
Andreas Thiesmeyer .... executive producer
David J. Wally .... executive producer
David Willis .... associate producer
Bob Yari .... producer

Original Music by Alexandre Desplat
Cinematography by Giovanni Fiore Coltellacci
Film Editing by Richard Byard and Olivier Gajan


Rated
For rating reasons, go to FILMRATINGS.COM, and MPAA.ORG.
Parents, please refer to PARENTALGUIDE.ORG

TRAILERS AND CLIPS
Trailer:
QuickTime, Various

Clip - 'I am the Guy':
Windows Media Player

Clip 2:
Windows Media Player

Clip 3 - 'Bang':
QuickTime/Windows Media Player/Real Player, Various 
BOOK
Hostage : A Novel
by Robert Crais


Robert Crais is the real thing: a writer who keeps topping himself. Last year, after eight popular books featuring private eye Elvis Cole (including L.A. Requiem and Voodoo River), he produced Demolition Angel, his first standalone suspense novel. Its complex, multidimensional hero was a damaged cop haunted by her past failures. It worked in that book, and it works even better in this one.

Jeff Talley, the police chief in a small Southern California town, still has nightmares about the young hostage who died when he made the wrong call in his previous job as a negotiator for an LAPD SWAT team. Now, three smalltime punks go on the run after a grocery store robbery and killing in Talley's town. Soon his deputies have surrounded the house where the inept robbers have taken Walter Smith and his two children hostage, and Talley's back in his worst dream again: until the county sheriff's full-fledged SWAT team arrives and takes over, he has to negotiate for their lives.

Crais keeps the point of view moving from Talley to the punks to the hostages as the situation unfolds in the house and on the ground. Then he ratchets up the dramatic tension: there's something in Walter Smith's house that a ruthless Mob boss wants, and he'll sacrifice anyone to get it--which puts Talley's own family in danger. The action speeds to its climax with the velocity of a heat-seeking missile, which makes it almost criminal to slow down long enough to savor the great writing. Take this passage, from a scene when Talley's face-to-face with the man who's holding his own wife and daughter hostage:

Talley ... had stepped into the Zone. It was a place of white noise where emotions reigned and reason was meager. Anger and rage were nonstop tickets; panic was an express. He had been all day coming to this, and here he was: the SWAT guys used to talk about it. You went to the Zone, you lost your edge. You'd lose your career; you'd get yourself killed, or, worse, somebody else.

Crais belongs in that tier of writers whose novelistic gifts transcend the thriller category--writers like Michael Connelly, Dennis Lehane, and James Lee Burke. Hostage is a breakout. --Jane Adams
Book Info

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SYNOPSIS
Click to enlargeDevastated by a hostage situation which resulted in the deaths of a young mother and her child, LAPD negotiator Jeff Talley (Bruce Willis) exits Los Angeles for a low-profile job as chief of police in the low-crime town of Bristo Camino in Ventura County.

When three delinquent teenagers follow a family home intending to steal their car, they inadvertently pick the wrong house on the wrong day. The trio find themselves trapped in a multi-million dollar compound on the outskirts of town owned by an accountant. Panicked, the teenagers take the family hostage, placing Talley in exactly the kind of situation he never wanted to face again. Soon after, Talley readily hands authority of the hostage situation over to the Ventura County Sheriffs Department and leaves the scene. After it becomes clear that the Sheriff Department cannot handle the crisis, Talley is forced to resume the command he had abandoned where the stakes quickly evolve into a hostage situation far more volatile and terrifying than anything he could ever imagine. Based on the novel by Robert Crais.



Click to go to ELISABETH'S BLOG
Review by
ELISABETH LEITCH
Review continued on Elisabeth's blog

As the movie Hostage opens, hostage negotiator Jeff Talley lies on top of a building and speaks on the phone to a man in a house below. He tells the man that things can still be okay, things can be worked out…no one needs to die. On the other side of the building, a man holds up a sign indicating that officers have a clear shot. Talley responds by holding up a sign telling officers that no one needs to die today and continues to talk with those inside.

Soon, however, the captor begins to yell that it’s too late. He frantically shouts a prayer, thanking God for His grace, asking God for forgiveness. Talley leaves the rooftop and runs towards the house, shouting through the man’s prayers, telling him that only God should decide who lives and who dies, pleading with him to wait so they can pray together. Then gunshots explode.

Review continued on Elisabeth's blog

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