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Spiritual Insight in Movies
All other considerations aside, how spiritual is a movie? The scale rates from profoundly spiritual (5) to not at all spiritual (1). Courtesy of HollywoodJesus.com.
 
FRIDA
Pain and passion are often the building blocks of art. Consider Vincent Van Gogh or Jackson Pollock. Such things can also be the building blocks of faith and hope (as well as doubt and despair). Seeing such things in people's lives and their responses can help us deal with our own kinds of pain and passions.
Review by Darrel Manson


FRIDA
(2002)


This page was created on November 30, 2002
This page was last updated on August 21, 2003


Frida --Review -click here
Frida -- About Frida Kahlo -click here
Frida -- About this Film -click here
Frida -- About the Cast and Crew -click here
Frida --Spiritual Connections -click here
Frida --Forum -click here

CREDITS

Click to enlargeDirected by Julie Taymor
Book by Hayden Herrera (Frida: A Biography of Frida Kahlo)
Screenplay by Clancy Sigal, Diane Lake, Gregory Nava & Anna Thomas

Salma Hayek .... Frida Kahlo
Alfred Molina .... Diego Rivera
Geoffrey Rush .... Leon Trotsky
Ashley Judd .... Tina Modotti
Antonio Banderas .... David Alfaro Siqueiros
Edward Norton .... Nelson Rockefeller
Valeria Golino .... Lupe Marín
Mía Maestro .... Cristina Kahlo
Roger Rees .... Guillermo Kahlo
Patricia Reyes Spíndola .... Matilde Kahlo
Saffron Burrows .... Gracie
Margarita Sanz .... Natalia Trotsky
Diego Luna .... Alejandro Gonzalez Arias
Jorge Valdés García .... Doctor, Red Cross Hospital
Felipe Fulop .... Jean van Heijenoort
Anthony Alvarez .... Trotsky´s Bodyguard
Chavela Vargas .... Death

Produced by
Mark Amin .... executive producer
Lindsay Flickinger .... producer
Brian Gibson .... executive producer
Mark Gill .... executive producer
Sarah Green .... producer
Nancy Hardin .... producer
Salma Hayek .... producer
Jill Sobel Messick .... executive producer
Jay Polstein .... producer
Ann Ruark .... co-producer
Amy Slotnick .... executive producer
Roberto Sneider .... producer
Lizz Speed .... producer

Original Music by Elliot Goldenthal
Cinematography by Rodrigo Prieto
Film Editing by Françoise Bonnot

MPAA: Rated R for sexuality/nudity and language.
Runtime: Canada:120 min (Toronto Film Festival) / USA:118 min

For rating reasons, go to FILMRATINGS.COM, and MPAA.ORG.
Parents, please refer to PARENTALGUIDE.ORG

TRAILERS AND CLIPS

Trailer:
QuickTime, Various

Clips:
QuickTime, Various




CD SOUNDTRACK
CD InfoFrida (Music from the Motion Picture)
Elliot Goldenthal

She was famous as both artist and model, infamous as political revolutionary and social libertine, and Frida Kahlo's controversial life couldn't help but seem the stuff of great musical theater. Her story is brought to the screen by director Julie Taymor, whose musical compatriot here is also her husband; Elliot Goldenthal, student of both Copland and Corigliani, shrewdly sublimates his modernism in service of the rich, evocative music and songs of Mexico and Central America. Utilizing performers that range from the contemporary (Lila Downs) to the folk-classic (Costa Rican legend Chavela Vargas; Brazilian star Caetano Veloso) and traditional (Los Cojolites, El Poder Del Norte, Trio Huasteca, Caimanes de Tanquin, and others), Goldenthal generously displays the true breadth of Mexican folk music, while seamlessly infusing it with the minimalist corners of his own underscore and some winning songwriting of his own. The result is one of 2002's most compelling soundtracks. The enhanced CD features include musical film excerpts, as well as a video conversation between Goldenthal and star Salma Hayek and text interviews with the composer and director Taymor. --Jerry McCulley
1. Benediction and DreamMusic
2. The Floating BedMusic
3. El ConejoMusic
4. Paloma NegraMusic
5. Self-Portrait with Hair DownMusic
6. Alcoba Azul
7. Carabina 30/30
8. Solo Tu
9. El Gusto
10. The Journey
11. El Antifaz
12. The Suicide of Dorothy Hale
13. La Cavalera
14. La Bruja
15. Portrait of Lude
16. La Llorona
17. Estrella Oscura
18. Still Life
19. Viva La Vida
20. The Departure
21. Coyoacan and Variations
22. La Llorona
23. Burning Bed
24. Burn It Blue
POSTERS
Frida Kahlo - Autretratto Con Monos
Autretratto Con Monos
Frida Kahlo
24 in x 36 in
Art Print
Framed | Mounted
Search For Posters!
BOOK
Book info

Frida: A Biography of Frida Kahlo
by Hayden Herrera


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SYNOPSIS
Prepare to be seduced

From her complex and enduring relationship with her mentor and husband, Diego Rivera, to her illicit and controversial affair with Leon Trotsky, to her provocative romantic entanglements with women, Frida Kahlo lived a bold and uncompromising life as a political, artistic and sexual revolutionary.

FRIDA chronicles the life Frida Kahlo (SALMA HAYEK) shared openly and unflinchingly with Diego Rivera (ALFRED MOLINA) as this controversial couple took the art world by storm.

REVIEW by
DARREL MANSON
Pastor, Artesia Christian Church, Artesia, CA
http://netministries.org/see/churches/ch01198

Darrel has an incredible love and interest in the cinematic arts. His reviews usually include independent and significantly important film.

Click to enlargeFrida Kahlo was an amazing artist who was able to convey her passion and her pain through her paintings. Sadly, the passion and pain are absent in the film. We see the origin of the pain (a bus accident that nearly killed her and kept her in constant pain thereafter), but we rarely even see a grimace on her face. We see the objects of her passion, Diego Rivera, Communism, Leon Trotsky, but we don't feel the passion that is there. And since a good part of the film is the love story between her and Rivera, a lack of passion is a serious flaw.

Click to enlargeThe relationship between these two artists is interesting. They both are very talented and very self-confident in their art. Rivera is very clear about his inability to be faithful within marriage, and Kahlo accepts that (and has her own flings). But in spite of these traits, they are very much the match they each need. And even when they are angry and apart, they manage to maintain their love throughout their lives.

There are many things about Frida Kahlo that will turn many people off from any depiction of her. She was a Communist (although judging from this film, she and Rivera weren't very good Communists). She was bisexual. She committed adultery (but then so did Rivera - and far more often and blatantly).

Click to enlargeHer art, however, was unique as she blended Mexican folk themes with surrealism. Many of her pictures were self-portraits that allowed the viewer a window into her suffering. The film does have value in giving us a framework to understand her work. I had seen a few of her painting before, but was never very impressed. Now I feel I have a much better grasp on what she was saying through her art.

Although the passion and pain may not have come through in the movie, the artistry does. Sometimes it happens just by us seeing some of her paintings in the context that produced them (especially the painting she did after a miscarriage). At other times the pictures come alive through some interesting camera work and scenic design. The visual artistry of the film is certainly worthy of a film about an artist.

Click to enlargePain and passion are often the building blocks of art. Consider Vincent Van Gogh or Jackson Pollock. Such things can also be the building blocks of faith and hope (as well as doubt and despair). Seeing such things in people's lives and their responses can help us deal with our own kinds of pain and passions.

Frida helps us to appreciate her art, but leaves us without a real chance to appreciate her life that brought forth that art.

PHOTOS
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CONTINUE:
Frida --Review -click here
Frida -- About Frida Kahlo -click here
Frida -- About this Film -click here
Frida -- About the Cast and Crew -click here
Frida --Spiritual Connections -click here
Frida --Forum -click here
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Frida © 2002 Miramax Film Corp. All Rights Reserved.

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