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Why does this show work so well? Isn’t it just another reality show? Isn’t it just a big Sears commercial in disguise? Maybe. Or could it be that it works so well because it reinforces a whole bunch of popular and deeply held beliefs, without our necessarily knowing it? Popular and deeply held beliefs? What beliefs?

(2004) Television Series Review by Matthew Hill

This page was created on November 5, 2004
This page was last updated on June 5, 2005


Review by Matthew Hill
Before & After Photos
About the Series
Episode Examples
About the Cast
Spiritual Connections
Forum

CREDITS

Directed by David Dryden and Patrick Higgins

Cast - in credits order

Ty Pennington ... (himself)
Paul DiMeo ... (himself)
Tracy Hutson ... (herself)
Michael Moloney ... (himself)
Constance Ramos ... (herself)
Preston Sharp ... (himself)
Other credited cast listed alphabetically
Eric Ancker ... Announcer/Voice Actor
Paige Hemmis ... (herself)
View guest appearances

Producers
Herbert W. Ankrom ... associate producer
Craig Armstrong ... executive producer
Luis Barreto ... co-executive producer
Janelle Fiorito ... co-executive producer
Matt Fisher ... associate producer
Tom Forman ... executive producer
Diane Korman ... producer
Julie Link ... associate producer
Star Price ... co-executive producer
Mark Rains ... producer
Conrad L. Ricketts ... senior producer
Justin Roiland ... associate producer
Jeanette Stone ... associate producer

Original Music by Brad Chiet (underscore)
Cinematography by Daryl Studebaker

Editors
Jackson Anderer
James Anthony
Nick Arico (2 episodes)
Marc Cahill
Frederick Hawthorne
Omega Hsu
Michael Maloy
Jane McCord
Michael Yanovich

Production Managers
Philip A. Chavez ... production manager
Chrissy Richards ... production manager
Adam Salvatore ... production manager

Production Company
Endemol Entertainment USA
Lock and Key Productions

Distributor
American Broadcasting Company (ABC)

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SYNOPSIS
Put together one very run-down house, a deserving family, several opinionated designers, seven days and what do you get? The answer is Extreme Makeover: Home Edition.

The show's successful first season garnered an Emmy nomination for Outstanding Reality Program. As this ratings-rich reality series enters its second season, each self-contained episode features a race against time on a project that would ordinarily take at least four months to achieve, involving a team of designers, contractors and several hundred workers who have just seven days to totally rebuild an entire house — every single room, plus the exterior and landscaping.

The lives of the lucky families are forever changed when they learn that they have been selected to have their home walls moved, their floors replaced and even their façades radically changed. The result should be a decorator's delight… if it can be done in time.

Each episode begins with team leader Ty Pennington's now-famous "Good morning!" wake-up call, when he, along with the other designers, surprises the unsuspecting family with news that their home has been chosen to receive a makeover. Then viewers witness not only the unbelievable transformation of the house, but during the final and emotional reveal, they see how the home makeover has impacted the lives of the deserving families.

The first season of Extreme Makeover: Home Edition was able to bring extreme happiness to several families. Some of those projects included enlarging the home of a couple expecting triplets, rebuilding a house for eight children who had just lost their parents, giving a facelift to an entire community whose homes were flooded during a hailstorm, and remodeling the living space of a wheelchair-bound young man by making it more accessible — which included the installation of an elevator. In addition the makeover team did a special live episode, during which they remodeled the New York apartment of two firefighters — in just 12 hours!

The design team who work their creative magic on the homes are team leader and carpenter Ty Pennington, Paul DiMeo (carpentry/nuts & bolts), Paige Hemmis (carpentry/creativity), Tracy Hutson (shopping/style), Michael Moloney (interiors/glamour), Constance Ramos (building/planning) and Preston Sharp (exteriors/big ideas).

Review by MATTHEW HILL
Matthew teaches 7th-8th grade Reading at North Saginaw Charter Academy in Michigan, where he lives with his wife and daughter (Laura and Grace). Besides torturing adolescents, Matt's into reading, writing, playing in his church's praise band, pursuing his MA in Communications and Multimedia, trying to get his novel published, "working on his screenplay" (fooling around online), and living out/thinking about the Christian life-particularly as it connects to popular culture.
So I’m sitting here with my wife, watching this show for at least the seventh or eighth time without really meaning to, and I start thinking: I like this show. It works. It’s not as if I plan to watch it, but it’s on Sunday night when there’s nothing else to do, and so it just sort of happens, and . . . I guess I’m saying that I’m all right with that.

So then I start thinking: but why does this show work so well? Isn’t it just another reality show? Isn’t it just a big Sears commercial in disguise? Maybe. Or could it be that it works so well because it reinforces a whole bunch of popular and deeply held beliefs, without our necessarily knowing it? Popular and deeply held beliefs? What beliefs?

Belief 1: Cinderella could really happen.

People like the underdog. This TV series picks underdogs, weekly, and makes them instant winners. The recipients of the “makeover” see their house go from rags to riches in the matter of an hour. And you know, if it can happen to those people on ABC, maybe it could happen to me.

Belief 2: Good things happen to good people.

The subjects of EM:HE aren’t just underdogs, they’re almost invariably good people—people who help others, who value family, who are trying their hardest, but just can’t get ahead. This show gives them that helping hand, thus exhibiting that there is justice in the universe.

Belief 3: Individuality is important.

Not only are the subjects of this show good underdogs, they’re also interestingly unique people, just like you and me. A member of one family loves music. Another loves cars. Another wants to be a firefighter. Another loves a certain color. And the “design team” of the show takes these individualities into account, values them, and acts on them when building the family’s new house. Individuality is important.

Belief 4: It’s good to do good to others.

Really, this is the basis of the whole show—doing something nice for someone else. And why? Just because. Just because it’s nice, and you should do so.

Belief 5: Hard work pays off.

The designers, construction workers, et al., who work on the houses for this show, work very hard. They have one week to finish the entire house, and often (thanks, no doubt, to creative editing of the footage) come close to not finishing in time. But when that family returns to see the end result . . . all that hard work seems like nothing.

Belief 6: Be thankful for what you have.

When the house is finished, the families are thankful. Very thankful. But beyond the expected gratitude, there always remains a sense that the families would’ve been all right, even without the new home. There’s always a sense that the families were happy anyway, because they invariably valued what they already had.

These, at least, are the beliefs I see being affirmed by Extreme Makeover: Home Edition. There are more, I’m sure—just now, in fact, belief in the importance of family and home come to mind. And yes, I know that ABC makes it all come across this way. I know that the show is designed to have these themes. But you know, I’m all right with that. I’m comfortable with television’s role as “purveyor of cultural identity”—especially in instances like this, where I’m not being identified as something I’m not.

In other words, I already hold these beliefs, so I don’t mind watching a show that bandies them about and reinforces them. And I also am not threatened by the idea that I hold these beliefs, precisely because of television’s role. In fact, I hold these beliefs for reasons that have nothing to do with ABC, or TV, or the culture at large. I hold them because they’re all extrapolations of biblical principles—and the point is, I like shows about biblical principles. Maybe that’s why the show works so well . . . maybe lots of people, knowingly or not, like that kind of show.

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