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| The opening shot in the film is a church tower with a sign that reads, “Jesus saves.” The camera pans back to show the corporate offices towering over this. Perhaps the filmmaker wanted to emphasize the way a corporate culture dwarfs the values that we want to have. But it also, I think, serves as a reminder as we enter the film that ultimately, self-interest is not the way of Christ. We remember that reconciliation with God comes by way of one who “emptied himself” for us. |
ENRON:
The Smartest Guys in the Room
(2005) Film Review |
| This
page was created on August 9, 2005
This page was last updated on
September 6, 2005
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| CREDITS |
| Directed by Alex Gibney
Writing credits:
Book: Bethany McLean and Peter Elkind(book The Smartest Guys in the Room: The Amazing Rise and Scandalous Fall of Enron)
Screenplay: Alex Gibney
Cast (in alphabetical order)
John Beard .... Himself
Jim Chanos .... Himself
Carol Coale .... Herself
Peter Coyote .... Narrator
Gray Davis .... Himself
Joseph Dunn .... Himself
Max Eberts .... Himself
Peter Elkind .... Himself
Andrew Fastow .... Himself
David Freeman .... Himself
Philip Hilder .... Himself
Al Kaseweter .... Himself
Ken Lay .... Himself
Bill Lerach .... Himself
Loretta Lynch .... Herself
Amanda Martin-Brock .... Herself
Bethany McLean .... Herself
Mike Muckleroy .... Himself
Reverend James Nutter .... Himself
John Olson .... Himself
Kevin Phillips .... Himself
Nancy Rapoport .... Herself
Nancy Rapoprt .... Herself
Harvey Rosenfield .... Himself
Jeff Skilling .... Himself
Mimi Swartz .... Herself
Sherron Watkins .... Herself
Colin Whitehead .... Himself
Charles Wickman .... Himself
Michael Lugenbuehl .... J. Clifford Baxter (uncredited)
Produced by
Mark Cuban .... executive producer
Alex Gibney .... producer
Jason Kliot .... producer
Susan Motamed .... producer
Joana Vicente .... executive producer
Todd Wagner .... executive producer
Original Music by
Steven DePalo (additional music)
Matthew Hauser
Chris Jordao (additional music)
Marilyn Manson
Tom Waits (songs)
Cinematography by Maryse Alberti
Film Editing by Alison Ellwood
Rated
For rating reasons, go to FILMRATINGS.COM, and MPAA.ORG.
Parents, please refer to PARENTALGUIDE.ORG
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| TRAILERS AND CLIPS |
6 Clips:
Windows Media Player, Various |
| CD -Samples: Windows media |
Enron: The Smartest Guys in the Room
Original Soundtrack
1. God Bless The Child - Billie Holiday Listen
2. Son Of A Preacher Man - Dusty Springfield Listen
3. That Old Black Magic - Judy Garland Listen
4. Mark-To-Market - Matt Hauser Listen
5. Sweet Dreams (Are Made Of This) - Marilyn Manson Listen
6. Lovefool - The Cardigans Listen
7. Dear Mr. Fantasy - Traffic Listen
8. Capitalism - Oingo Boingo Listen
9. California Sun - Los Straitjackets Listen
10. The Ship Is Sinking - Matt Hauser Listen
11. God’s Away On Business - Tom Waits Listen
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| BOOK |
The Smartest Guys in the Room : The Amazing Rise and Scandalous Fall of Enron
(Paperback)
Like its subject, The Smartest Guys in the Room is ambitious, grand in scope, and ruthless in its dealings. Unlike Enron, the Texas-based energy giant that has come to represent the post-millennium collapse of 1990s go-go corporate culture, it's also ultimately successful. Penned by Fortune scribes Bethany McLean and Peter Elkind, the 400-page-plus chronicle of the scandal digs deep inside the numbers while, wisely, maintaining focus on the "smart guys" deep-frying the books. The likes of paternal but disengaged CEO Ken Lay (dubbed "Kenny Boy" by George W. Bush, one of many prominent public figures with whom he rubbed shoulders), cutthroat man-behind-the-curtain Jeff Skilling, and ethically blind numbers whiz Andy Fastow vividly come to life as they make a mockery of conventional accounting practices and grow increasingly arrogant and bind to their collective hubris. They're not a likable lot, and the writers find it difficult to suppress their astonishment and revulsion with the crew who rapidly went from golden boys and girls of the financial world to pariahs when the bill finally came due. The authors' unrepressed sarcasms are more than often unnecessarily given the scope of the outrage. Enron's leading lights were or a time celebrated for their ability to concoct nearly unfathomable business schemes to hide mounting shortfalls and keeping track on their machinations can be a chore, but, by sticking hard to the story behind the fall, McLean and Elkind have reported and written the definitive account of the Enron debacle. --Steven Stolder
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| POSTER |
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| SYNOPSIS |
Directed by Alex Gibney, this is the inside story of one of history's greatest business scandals, in which top executives of America's 7th largest company walked away with over one billion dollars while investors and employees lost everything. Based on the best-selling book "The Smartest Guys in the Room" by Fortune reporters Bethany McLean and Peter Elkind and featuring insider accounts and incendiary corporate audio and videotapes, Gibney reveals the almost unimaginable personal excesses of the Enron hierarchy and the utter moral vacuum that posed as corporate philosophy. The film comes to a harrowing dénouement as we hear Enron traders' own voices as they wring hundreds of millions of dollars in profits out of the California energy crisis. As a result, we come to understand how the avarice of Enron's traders and their bosses had a shocking and profound domino effect that may shape the face of our economy for years to come. |
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Late in 2001 the energy company Enron, not long before the darling of investors, filed for bankruptcy. Thousands of workers were suddenly without a job. Billions of dollars were lost by investors (including many of the unemployed workers who had invested in company stock.) A few of the officers of the company managed to get out with several million dollars before the bottom fell out.
The story of Enron is one that is filled with greed, with hubris, with injustice, and with fraud. Some of those involved are facing legal prosecution. There will be a great deal of finger pointing, denying involvement and blaming other.
The story of Enron’s rise and collapse is told in Enron: The Smartest Guys in the Room. It is told not by telling us about numbers and accounting, but by telling us about people: Ken Lay, Jeff Skilling, Andy Fastow. We are told in the film that this top echelon of the corporation set the tone for a greed that permeated the company. The whole idea was to get as much as you can for yourself without regard to anyone else.
In some ways, this is what Capitalism is about. Among the foundations of Capitalism is self-interest. We work and invest to make money for ourselves. There is room for concern for others, but that too is often a part of our own self-interest. Through the years our culture has reined in Capitalism a bit, trying to soften the abuses it can lead to. We do this with regulations that protect workers, shareholders and the public.
Even with all the regulations in place, Enron managed to show the darkest side of unrestrained Capitalism. Lies were told to investors that made the company look more profitable than it was. Money and debt were moved around. Accounting was done in spurious manners. Advantage was taken of vulnerable situations (such as California’s deregulated power grid). Anything that either brought money in or made it look like money was brought in was done without regard for ethics or morality or who would be hurt.
And the winners were not the owners of the company (shareholders), it was those who were playing fast and loose with the rules and pocketing what they could get.
But it didn’t happen in a vacuum. Large investment banks signed off on the things Enron was doing, because they believed that they would make money as well. Accountants approved Enron’s books. (It should be noted that the accounting firm, Arthur Andersen, lost credibility and went out of business in the aftermath of Enron.)
The films serves as an indictment of Lay, Skilling, Fastow, and many unnamed employees who acted with total indifference to morality – one could even characterize their attitude as bordering on malice. The film already has its mind made up as to the guilt of those involved. It includes bits that imply a guilt by association of both Presidents Bush and of California Governor Arnold Schwazenegger, even though the film presents no real evidence that any of them were involved in events that led to the collapse of Enron, only friendship with those involved. As such, the film may come across as more political than it should be.
It would be easy to watch this film and sit in judgment on those who orchestrated Enron’s business practices. Viewers may well come away wanting justice and punishment for those under indictment.
But we should also note that in many ways, Enron represents what we all want. It was the poster child for business success. It had new, innovative ideas for the marketplace. It built the better mousetrap, and was reaping the rewards. We all want to have success. Even as we disparage CEOs and sports professionals for their high salaries, we envy them. We want to be “the smartest guys in the room.”
Because the greed and arrogance were out of control and because Enron was such a large corporation, the repercussions of the actions by Enron’s corporate leaders (and the employees who followed their lead) damaged many lives in significant ways.
Perhaps we should note that our actions also grow out of the same forces that shaped Enron. Because we act on a smaller scale, our greed and hubris may have smaller effects, but they still have effects in people’s lives. Perhaps we should see the evil that led to the fall of Enron and the pain it brought to many lives as a matter of degree as compared to some of the things that many people do every day.
The opening shot in the film is a church tower with a sign that reads, “Jesus saves.” The camera pans back to show the corporate offices towering over this. Perhaps the filmmaker wanted to emphasize the way a corporate culture dwarfs the values that we want to have. But it also, I think, serves as a reminder as we enter the film that ultimately, self-interest is not the way of Christ. We remember that reconciliation with God comes by way of one who “emptied himself” for us.
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