AN
INTERVIEW WITH
DIRECTOR MICHAEL HOFFMAN
Director of Emperor's Club
Michael
Hoffman's grandfather was a Methodist revivalist preacher. His
father taught him the Bible. At age six he checked out his first
book by Shakespeare from the library. He has a life long love
of the literary classics from Shakespeare to the Bible and Pilgrim's
Progress. In fact, he directed Shakespeare's A MIDSUMMER NIGHT'S
DREAM in 1999. He is a former Rhodes Scholar.
If
there ever was a film that was perfectly suited to Michael Hoffman
this is it. Interestingly enough, it is about a scholar who loves
classic literature, just like he does. Additionally, the underlying
story is the Biblical story of Paradise Lost, a story that his
Methodist grandfather preached many times.
I
spoke with Michael Hoffman regarding his latest film THE EMPEROR'S
CLUB. He was very straight forward about the deeper meaning of
this incredible film.
"It's
about the snake in Paradise," he said. "The school can
be thought of as a Paradise, or perhaps a Utopia. And then the
snake enters... The professor bites."
As
I viewed the film I could understand what Hoffman was talking
about. The Prep School did indeed represent a form of innocence
and a type of paradise in terms of the Professor William Hundert
(Kevin Kline). It was an ideal professorship in a perfect place.
The perfect job in a virtual paradise setting.
Professor
Hundert has a wonderful code of ethics. He is exemplary in his
conduct and character. He views his mission as passing those values
on to his students. He is like a priest, a minister, a spiritual
father to his students. He sincerely wants to mold the character
of his students.
And
then the snake enters.
"We
all have those moments," director Hoffman states. "The
film is about how we deal with those moments. Professor Hundert
began to define his life by his weak moment."
The
snake --the temptation, the weak moment-- comes via Senator Bell
(Harris Yulin) and his disobedient son Sedgewick (Emile Hirsch).
"You will not mold my son," the Senator tells Professor
Hundert. According to Director Hoffman,
the Senator was saying, "I will be the spiritual father,
not you."
The
professor seems to go into a tail spin, and in an effort to demonstrate
to Sedgewick that he can be more than his misdeeds the professor
alters his grade from an A- to an A+. He yielded to temptation.
A little thing that becomes a defining moment. Paradise lost.
Professor
Hundert's whole life changes. He has fallen from grace. He can
not find his way. He questions his own character.
"We
all have moments like that," says Director Hoffman. "We
replay them again and again in our minds. Sometimes we define
our lives by those moments. Hundert became so focused on his own
error. He became haunted."
"I
like the story because it never fully resolves Hundert's problem.
It is like real life. The ending is both surprising and inevitable."
"The
film demonstrates the need of forgiveness."
"And
especially the need to forgive ones own self and move on, right?"
I asked.
"Exactly,"
responded Hoffman, "We need to move on. We are more than
those 'what-if' moments."
"We need redemption from moments like that."
Amen!