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A.I.: Artificial Intelligence (2001)
Release Date:
Tuesday, April 5, 2011

MPAA Rating:
PG-13

Rating Reason:
For some sexual content and violent images

Genre:
Fantasy, Sci-Fi

Starring:
Haley Joel Osment, Jude Law, Frances O'Connor, Sam Robards, Brendan Gleeson, William Hurt, Jake Thomas, Robin Williams (narrator)

Written By:
Steven Spielberg

Director:
Steven Spielberg

Official Site:
A.I.: Artificial Intelligence (2001)

Synopsis:
It is a time when natural resources are limited and technology is advancing at an astronomical pace. Where you live is monitored; what you eat is engineered; and the person serving you is not a person at all. It's artificial. Gardening, housekeeping, companionship -- there is a robot for every need. Except love.

Emotion is the last, controversial frontier in robot evolution. Robots are seen as sophisticated appliances; they're not supposed to have feelings. But with so many parents not yet approved to have children, the possibilities abound. Click to enlarge

And Cybertronics Manufacturing has created the solution.

His name is David (HALEY JOEL OSMENT).

A robotic boy, the first programmed to love, David is adopted as a test case by a Cybertronics employee (SAM ROBARDS) and his wife (FRANCES O'CONNOR), whose own terminally ill child has been cryogenically frozen until a cure can be found. Though he gradually becomes their child, with all the love and stewardship that entails, a series of unexpected circumstances make this life impossible for David.

Without final acceptance by humans or machines, and armed only with Teddy, his supertoy teddy bear and protector, David embarks on a journey to discover where he truly belongs, uncovering a world in which the line between robot and machine is both terrifyingly vast and profoundly thin.

A.I.: Artificial Intelligence (2001) | Review

The Production of an Intelligent Adult Fairy Tale.
HJ

Content Image

Kathleen Kennedy. Click to enlargeProducers Kathleen Kennedy and Bonnie Curtis, who had not yet worked together as producers despite their extensive experience with Spielberg, assembled a top notch crew that would thrive amid the frenzied production schedule filled with complex special effects and processes (some of which were destined to be groundbreaking in their fields) as well as the heightened secrecy factor.

Editor Michael Kahn, composer John Williams, special effects creators Stan Winston and Michael Lantieri and cinematographer Janusz Kaminski have all won Academy Awards for their work with Spielberg. Production designer Rick Carter created sets for "Jurassic Park" and "Amistad," among other films. Wardrobe designer Bob Ringwood had worked with the filmmaker on "Empire of the Sun," while ILM senior visual effects supervisor Dennis Muren?s experience with Spielberg dates back to "Close Encounters of the Third Kind."

Advances in "virtual set design" would allow whole cities to be built in a blue screen environment. Robotics innovations would bring a teddy bear to life and give him a voice. But the most critical hurdle still lay before them: casting.

"The reason we could all take this bizarre journey, in my opinion, rested on the shoulders of Haley Joel Osment," Curtis observes. "His performance makes it all possible. He has such a style at such an early age. His transformation within the film is so complete."

Click to go to THE SIXTH SENSEAt 12-years-old during filming, Haley Joel Osment had already made his mark in a performance that earned the young actor an Oscar nomination in M. Night Shyamalan?s box-office phenomenon "The Sixth Sense." In "A.I.," he plays another kind of remarkable boy ? this one built from silicon and synthetics. "I talked with Steven about to what extent I would make David robotic," Osment says. "We decided that, as we progressed and I learned more as a robot about the world, my experiences would make me more and more human and less mechanical. As David learns, many of the physical characteristics fade, but some of the subtler ones never go away."

Haley?s father, Eugene Osment, is also an actor, as is Haley?s younger sister, Emily.

The elder Osment accompanied his son to set every day, preparing him for the day?s work and communicating what the day?s technical demands would be.

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