Miami Vice: A Journey Into Darkness

Not too far into the movie, Tubbs (Jamie Foxx) comments to Crockett (Colin Farrell), “There’s undercover, and then there’s which way is up?� That simple statement defines the tension that drives Michael Mann’s Miami Vice as it explores the dark world of the illegal drug trade.

I remember the original television show. I wasn’t particularly a fan but I watched it from time to time. I remember bright colored clothing, sunny beaches, hot cars, fast boats and attractive women. The movie retains the cars, boats and women but overall the look is much darker, more oppressive. It is filmed in a gritty, realistic way using HD cameras. Many scenes are shot from a perspective that puts the viewer in the middle of the action. I found it to be very effective at pulling me into the movie and keeping me enthralled.

Miami Vice starts in an interesting way. I don’t know if it was intended or an error in the screening I attended but the movie begins with no opening credits, no title sequence, just “bang� right into the action. I’m curious enough that I’m going to have to see a regular theater showing to find out if it was deliberate. I can’t say I’ve seen this technique before. I’m not sure I liked it as I kept waiting for the opening credits and they never arrived. The absence was a bit distracting but I soon got over it.

From nearly the very beginning things go wrong for our characters. Crocket and Tubbs receive a mysterious phone call from a former informant. An undercover deal has gone badly; a high-level, law enforcement insider has leaked information. Soon, the two partners are recruited to go undercover again. This time, to find out who is betraying their fellow officers. To do that they need to infiltrate the cartel run by enigmatic, drug lord Montoya (Luis Tosar).

To me, this is the heart of the movie, struggling to remember who you really are while you are immersing yourself in another role. For our undercover agents, it’s not enough just to put on the clothes and talk the language. They must become the role, live the life and prove themselves before they can infiltrate the dark world they must travel to complete their assignment. The danger of course, is that they may reach the point where they are no longer undercover and become the thing they set out to fight against.

This is a cautionary tale we can all benefit from. If we’re not careful we’ll simply adopt the beliefs and behaviors of the people around us. It takes an effort to learn who you are and what you believe. And then continuous reminders to avoid following the currents of the culture in which we live. It’s not until the very end of Miami Vice that it becomes clear which path Tubbs and Crocket will choose.

Miami Vice is an entertaining film with plenty of action. There are a few gratuitous scenes of a suggestive nature. And let’s not forget the violence. Still, whether you are a fan of the original series or not I think you’ll find it an interesting thrill ride.

You, Me and Dupree

Mash-ups seem to be all the latest rage in the music industry. A producer takes a song or portion of a song from one artist, and then combines it with material from a second artist. In the process something new is created that hopefully transcends the sum of the original, individual parts. I’m not sure, but “You, Me and Dupree� may be the first time I’ve seen this technique applied to a movie. At least, I think that’s what directors Anthony and Joe Russo were trying to do.

The basic premise is simple; as the movie opens Carl (Matt Dillon) and Molly (Kate Hudson) are getting married. Dupree (Owen Wilson) is the best man. From the very beginning we come to know Dupree as a career slacker. He arrives at the wrong Hawaiian island for the wedding, he loses his job for taking time off to attend the wedding, and winds up being evicted from his apartment. Where does he turn? Why, to his best friend Carl of course. This sets the stage for the movie to really get rolling.

I looked forward to seeing this movie, as I am a fan of Owen Wilson. I wasn’t expecting art but I thought it might be fun. As the movie progressed I have to confessed, I found it more and more puzzling. Then it dawned on me, I was actually watching two movies. One a light, romantic comedy. The other a coarse, crude buddy film. I enjoyed the former; I could have lived without the latter. As each scene opened I never knew which of the two I was going to be watching.

Most of the humor in “You, Me and Dupree� comes from the situation created when Dupree moves in with the newlyweds while he searches for a new job and then presumably, a new place to live. Just for a few days of course! It shouldn’t be difficult to imagine the conflicts that emerge from a scenario like this, some with disastrous results. Ultimately, the movie is about Dupree as he comes face-to-face with his “slack-ness� and its effects on the people around him.

So, would I recommend this movie? Let me think about that. There are several very funny situations and plenty of chuckles through out. The down side is the presence of several scenes that seem to be included simply for shock value. They don’t advance the story or really contribute in any meaningful way. Frankly the movie would have been better off without them in my opinion. Still, I have to confess that I did laugh out loud more than once and I did enjoy most of the movie. If you’re looking for a few laughs and not expecting anything deeper than that, you might find this one entertaining.

This movie is rated PG-13 for sexual content, brief nudity, crude humor, language and a drug reference. Honestly, I think it’s pushing right up against the edge of an R rating and I wouldn’t recommend taking even your young teenagers to see this one.

In addition to Owen Wilson, Kate Hudson and Matt Dillon the movie also stars Michael Douglas as the father-in-law.