The Cult of Lost
What is it with this show? I’m obsessed with it. When Wednesday rolls around, I—and most of my co-workers, friends, and family—refer to the day as “Lost Day.� On “Lost Day,� we speak mainly of Lost, we make sure not to call each others’ houses between 9 and 10 (Lost is on, you heathen!), and we visit sites like thefuselage.com before airtime to brush up on the latest Lost theories and speculation . . . well, at least I do. Thursdays? The day after? They’re just as bad. All of us, basking in the post-Lost glow, like worshippers fresh from church, do more talking, more theorizing, more speculating, more “Wow, did you see the part where . . .� “You know what I think it is?� “Man, what a cool show . . .� We may as well be saying, “What a mighty God we serve!�
And yeah, it makes me a little uncomfortable—this obsessive, cultish devotion to just a TV show, after all—but I’ll get back to that. I don’t want to miss the real question. The question I started out with: what is it with this show? How has this show so captivated me, those close to me, and millions of other people around the world? And I’m talking captivated here. Yes, it’s popular. Yes, it’s award winning. But it’s more than just that. Lost, for the uninitiated, has a true cult following. A Twin-Peaks, X-Files style cult following. So, why? And, seeing that this show can inspire something like religious devotion, is there some connection between the essence and allure of this show (and other cult shows for that matter), and the essence and allure of God? In bowing down to this story, are we really bowing down to some even deeper story? Tough questions. But they also seem important, relevant, and just plain fun to think about. Well, as one of the happy ones who has religious devotion to both God and Lost (I hope still in that order), here are some thoughts:
Lost is mysterious . . . so is God and life with God
4, 8, 15, 16, 23, 42. If those numbers mean nothing to you, then you probably haven’t tapped into the mystery that is Lost. Regular viewers know that these numbers are connected to the people and events on the island—you do know that Lost is about survivors of a plane crash on an island, right?—in a myriad of strange ways. They’re winning lottery numbers. They must be periodically entered into a computer to stave off . . . something. They’re engraved on the hatch. But the numbers are just part of the mysteries of the island. There’s the monster. Desmond. The French Woman. Dharma Corp. The Others. On and on. And to me, it’s this sense of mystery—this need to find the connections between “random� events, to find out what will happen next, to find out why things are the way they are—that really drives the show.
Mystery, we shouldn’t be surprised to find, is also essential to God and relationship to him. His ways are “above our ways,� his “paths beyond finding out.� He is paradoxical, speaking with a “still small voice,� yet having universe-creating power. And isn’t the Bible, God’s revelation of himself, the record of an unfolding mystery? Paul seems to think so, describing things he calls “mysteries� in the New Testament—things that God has kept hidden, only to reveal them bit by bit, until the time has come for all answers to be given. Just like the plotlines of a show like Lost.
Lost is exotic and novel . . . so is God and life with God
Personally, I’ve never been deserted on an island. I’ve never been attacked by a shark while sailing on a handmade raft. I’ve never bathed in a waterfall, never been in a gunfight or plane crash, never seen a monster, never found a crazy bomb-shelter thing hidden in a jungle. Of course, this kind of stuff is commonplace on Lost. The very title of the show implies the exotic and unknown. Another reason that the show attracts such a crowd, I think, is the fact that viewers can vicariously participate in these exotic and novel things on a weekly basis.
And God is way more novel, exotic, and unknown than anything on Lost. God is “wholly other,� as it’s been put before. The Bible calls him “holy,� which ultimately means he is supremely special and different from us. He is unique. The thing is, we are invited—as we are invited onto the mysterious island—to have a relationship with this “wholly other� person. He calls us to a great, supernatural adventure, where even the seemingly mundane is seen to be exotic in its eternal importance.
Lost creates community . . . so does God and life with God
My co-workers, friends, family, and I are part of a special group. We share a common value, we have our own language and buzzwords, we participate in a weekly ritual—all centering on being Lost-watchers. We are members of what I’m calling the “Cult of Lost.� Members of this “cult� are “in� by virtue of knowing about, talking about, caring about, and doing certain things. And the sense of belonging that is created by this feels good. It’s good to be “in the know,� and to fellowship with other people that are “in the know� too.
Clearly, God calls people into a similar kind of fellowship. He calls everyone to become part of his church—his people that are “in the know.� But the Bible says that we are even more than members of a group if we are believers in Christ. It says that we become adopted children of God himself, and parts (somehow) of Christ’s body. Is it possible that the need for this radical kind of belonging may be at the root of our enjoyment of belonging to smaller kinds of groups—groups like fans of TV shows?
Lost’s characters are complex and redemptive . . . so is God and life with God
Jack’s a doctor struggling with having greatness “thrust upon him� by the other survivors, all the while trying to deal with his own issues: his recently dead, alcoholic father; his wife who left him; his feelings for Kate (and Ana Lucia?). Kate, on the other hand, is a fugitive—she actually was in handcuffs when she boarded the plane. Sawyer? A con-man. Jin? A hit-man. Michael? Trying to reestablish a relationship with his son. Locke? He couldn’t even walk . . . until the crash. And these are just a few of the many diverse characters in Lost. All of them, through flashbacks, are given fascinating and complex backstories, all of which inform the present drama on the island. And all of them are characters living out redemptive themes—trying to move past issues, receive forgiveness, come to terms, fulfill destiny.
Again, we see an obvious spiritual connection. Many characters in the Bible also have fascinating pasts and backstories, leading up to moments of revelation and redemption. And the Bible also, of course, has a redeeming God who is there to understand our complex lives, and offer forgiveness. The Bible has a redeeming God who actually became a human being like us so as to better understand our lives, and give us a model. Lost even seems to sense this spiritual nature of its characters’ redemptive struggles—it abounds with religious imagery and story elements, and has on several occasions connected scripture or prayer with the resolution of character issues.
Lost is about big universal themes . . . so is God and life with God
Beyond dealing frequently and specifically with redemption, Lost is, without fail, always about big themes. It’s about good triumphing over evil. It’s about the need for our problems to have solutions. The need for a leader, for safety, for hope, for meaning. It’s about life and death and faith. About love and hate. About destiny and chance.
God also is about these big, bold, epic themes. The Bible also is a book about good overcoming evil, finding peace, finding a leader, having faith and hope and love, overcoming hatred, finding our purpose. But of course, you may say, tons of stories and books contain this kind of thematic material. So what? So Lost might be able to be connected to the Bible, or whatever . . . so what?
Here’s where we get to the point: Lost’s allure—which is made up of, at least, mystery, exoticism, a sense of community, complex characters, and big and redemptive themes—is not only similar to the allure of the God of the Bible, but it is alluring because it’s similar. I believe that cult followers of Lost, me included, get a type of spiritual sustenance and inspiration from the show because of these biblical echoes, this spiritual truth smuggled as television, because of the fact that Lost gives in kind to what we’re all really seeking. In fact, I’d say that the story of the Bible explains why so many of our favorite stories, like this television show, can create the kind of cultish devotion I’ve described: because all stories are variations on an original. Because all human needs can be boiled down to spiritual ones. Because, deep down, every human being has the gospel of the Bible inside.
7 Comments:
I read this to my boyfriend, who has yet to start watching with me. I, however, am a complete and total devotee and have been since the pilot, which left me feeling nothing short of gobsmacked. Great article! Should we do the secret handshake?
Anonymous: Thanks for the positive post, and yes, we should so have a secret handshake. But what would it be? Tracing out the Dharma Corp logo? Something involving the "FATE" taped to Charlie's fingers? A military/paramilitary thing to give props to Ana Lucia and Sayid? The options are endless!! Get your boyfriend (and everyone else) into the club . . .
Hi Matt! I came, I saw, and I believe. -MD
I love it . . . Thanks "MD"--I knew you'd come around if you stopped by.
I just started watching lost not to long ago. It is actually a great show. Every one I know says" It's ok. Why do you watch that s***? And most of all, Why don't you watch something different. I guess it is their own opinion and they are intitled to it. But it is really cool to find some people that agree on it being a great show.
By the way great review! I actually agree on a lot of what you said. As i said above I don't actually find people that are so excited about the show. So I guess I am amazed. And it is cool to be amazed.
Oh dear, another mob of unfortunately not atypical cultural leppers, whose mind has been numbed by a bog standard, crass American teen-targeted melodrama and you've walked blinkered into such monotony. Please, its poorly acted, unrealistic, inconsistently paced, and falsely tense (I could go on). William Golding will be turning in his grave at this tripe. Season two is currently plaguing channel 4 in England and I cant wait for it to finish so it can be refilled by gems like Curb Your Enthusiasm!
Hey Andy:
*Lost* isn't perfect by any means, but give it *some* credit. All I see in your post is personal opinion, which apparently is "I don't like this show." That's fine, but you don't need to groundlessly throw stones at those who do (including millions of weekly viewers, a myriad of internet fanboys (Lost Experience, anyone?), and a majority of professional critics). If you'd rather spend your time on Larry David and William Golding, go ahead, but you don't have to be so violent about it--J.J. Abrams would be turning in his multi-million dollar mansion ;).
By the way #1: I notice you didn't take time to unpack any of the thinking behind the article. I guess the above reasons still stand as possible motivations behind those who have made *Lost* the cult phenomenon it is.
By the way #2: You spelled lepers wrong.
Post a Comment
<< Home