Crash
—Overview
—Photos
—About this Film pdf
—Spiritual Connections
"Moving at the speed of life, we are bound to collide with each other." And we do. Sometimes our collisions bring out the best in us. Sometimes they bring out the worst. Either way, they shake us, they slap us in the face, and they wake us up to the reality that our world is much bigger than just ourselves and our lives.
In the movie Crash, these collisions are what construct its story. It isn’t a narrative that invites us to get to know a few characters as if they were our next door neighbors. It isn’t a story built around structured plot points, climaxes, and resolutions. Instead, its story is about different people leading very different lives who collide.
From the beginning of the movie, distance is almost a character in and of itself. We meet characters for the first time in sets of opposites—two young African American men carjacking a wealthy white couple, a white police officer and his white partner pulling over an African American couple, a white gun salesman reluctantly selling a gun to a Persian man. They are set up as separate—different people, leading different lives, best left staying on different paths.
More than just different people, however, the characters of Crash become enemies, their disconnection amplified into hate as many of them reveal the stereotypes they hold about so many people around them. Racism shows itself as the pervasive evil it too often is, not just something foreign, not just attitudes between one group of people and another, but mindsets within and between almost every person and race represented among the characters on screen.
As these different people with preconceived notions of each other collide, things are not pretty. People assume the worst about each other and treat each other poorly. Even people angered by the prejudices of others find themselves acting out and being controlled by prejudices of their own.
As people collide and lives intersect, the characters in the movie show us a harsh reality—no matter how good we see ourselves to be, we all have it in us to behave badly, to let anger, fear, or misunderstanding take control over us, and to treat others in ways no one deserves to be treated. As the movie’s characters continue to collide, however, they also reveal a much more reassuring truth—we all also have it in us to do good, to overcome anger, fear, and misunderstanding, and to live lives of friendship instead of opposition.
From one scene to the next, characters act both their worst and their best. In one scene they are a villain, another a victim, another a hero. As we get to know some characters better, we see the pain that rests behind their anger. For a few, we see that some of their actions are actually fueled by love for someone they hold dear.
Through several characters, we see that even anger and distance can be overcome with love. We watch a police officer risk his life to save the same woman he treated so poorly just a few hours before. We smile as a thief gives up money in order to save the lives of people he has repetitively insulted. We feel for the LAPD detective going out of his way to bring fresh groceries to his addict mother.
Although the end of Crash would probably not be characterized as a happy one, most of the second half of the movie points to the reality of the connections we share with everyone around us and the similarities that exist between all of us. Whatever race, whatever amount of money in their pockets, every character is shown as valuable, as a person who is loved by others and a person who needs to be loved by others.
While the beginning of the movie Crash focuses on the distorted ways people too often perceive and treat each other, the end of the movie gives us a glimpse, however limited, of the way God see us. While we are flawed, He does not focus on our flaws but desires to free us from them. Although we do things to separate ourselves from Him and others, He desires to love us, heal us, and fill our lives with friendship and connections. In a world that too often makes us feel like we are alone and untouchable, He lets us know that He is here, watching over us, working around us, and always loving us.
—Overview
—Photos
—About this Film pdf
—Spiritual Connections
—Photos
—About this Film pdf
—Spiritual Connections
"Moving at the speed of life, we are bound to collide with each other." And we do. Sometimes our collisions bring out the best in us. Sometimes they bring out the worst. Either way, they shake us, they slap us in the face, and they wake us up to the reality that our world is much bigger than just ourselves and our lives.In the movie Crash, these collisions are what construct its story. It isn’t a narrative that invites us to get to know a few characters as if they were our next door neighbors. It isn’t a story built around structured plot points, climaxes, and resolutions. Instead, its story is about different people leading very different lives who collide.
From the beginning of the movie, distance is almost a character in and of itself. We meet characters for the first time in sets of opposites—two young African American men carjacking a wealthy white couple, a white police officer and his white partner pulling over an African American couple, a white gun salesman reluctantly selling a gun to a Persian man. They are set up as separate—different people, leading different lives, best left staying on different paths.
More than just different people, however, the characters of Crash become enemies, their disconnection amplified into hate as many of them reveal the stereotypes they hold about so many people around them. Racism shows itself as the pervasive evil it too often is, not just something foreign, not just attitudes between one group of people and another, but mindsets within and between almost every person and race represented among the characters on screen.
As people collide and lives intersect, the characters in the movie show us a harsh reality—no matter how good we see ourselves to be, we all have it in us to behave badly, to let anger, fear, or misunderstanding take control over us, and to treat others in ways no one deserves to be treated. As the movie’s characters continue to collide, however, they also reveal a much more reassuring truth—we all also have it in us to do good, to overcome anger, fear, and misunderstanding, and to live lives of friendship instead of opposition.
From one scene to the next, characters act both their worst and their best. In one scene they are a villain, another a victim, another a hero. As we get to know some characters better, we see the pain that rests behind their anger. For a few, we see that some of their actions are actually fueled by love for someone they hold dear.
Through several characters, we see that even anger and distance can be overcome with love. We watch a police officer risk his life to save the same woman he treated so poorly just a few hours before. We smile as a thief gives up money in order to save the lives of people he has repetitively insulted. We feel for the LAPD detective going out of his way to bring fresh groceries to his addict mother.
Although the end of Crash would probably not be characterized as a happy one, most of the second half of the movie points to the reality of the connections we share with everyone around us and the similarities that exist between all of us. Whatever race, whatever amount of money in their pockets, every character is shown as valuable, as a person who is loved by others and a person who needs to be loved by others.
While the beginning of the movie Crash focuses on the distorted ways people too often perceive and treat each other, the end of the movie gives us a glimpse, however limited, of the way God see us. While we are flawed, He does not focus on our flaws but desires to free us from them. Although we do things to separate ourselves from Him and others, He desires to love us, heal us, and fill our lives with friendship and connections. In a world that too often makes us feel like we are alone and untouchable, He lets us know that He is here, watching over us, working around us, and always loving us.
—Overview
—Photos
—About this Film pdf
—Spiritual Connections
4 Comments:
I found the flaws in the characters quite interesting. It's not just that good people are flawed, but that very flawed people are capable great goodness. The film is filled with deep sin and with grace just as deep - and often they are combined in the same character. There is really no one in the film who comes out looking good. They live in fear and anger directed at "the other".
This may be the best film about racism that I've seen; only Do the Right Thing is in the same league. No group or character gets a pass. The poisoned fruit of the racism that is systemic in our society brings sickness to all who taste it.
We work like a horse.
We eat like a pig.
We like to play chicken.
You can get someone's goat.
We can be as slippery as a snake.
We get dog tired.
We can be as quiet as a mouse.
We can be as quick as a cat.
Some of us are as strong as an ox.
People try to buffalo others.
Some are as ugly as a toad.
We can be as gentle as a lamb.
Sometimes we are as happy as a lark.
Some of us drink like a fish.
We can be as proud as a peacock.
A few of us are as hairy as a gorilla.
You can get a frog in your throat.
We can be a lone wolf.
But I'm having a whale of a time!
You have a riveting web log
and undoubtedly must have
atypical & quiescent potential
for your intended readership.
May I suggest that you do
everything in your power to
honor your Designer/Architect
as well as your audience.
Please remember to never
restrict anyone's opportunities
for ascertaining uninterrupted
existence for their quintessence.
There is a time for everything,
a season for every activity
under heaven. A time to be
born and a time to die. A
time to plant and a time to
harvest. A time to kill and
a time to heal. A time to
tear down and a time to
rebuild. A time to cry and
a time to laugh. A time to
grieve and a time to dance.
A time to scatter stones
and a time to gather stones.
A time to embrace and a
time to turn away. A time to
search and a time to lose. A
time to keep and a time to
throw away. A time to tear
and a time to mend. A time
to be quiet and a time to
speak up. A time to love
and a time to hate. A time
for war and a time for peace.
Best wishes for continued ascendancy,
Howdy
Editor
'Thought & Humor'
Cyber-Humor & Cyber-Thought
http://ilovehowdy.blogspot.com/
Harvard Humor Club
http://groups.yahoo.com/group/Harvard_Humor_Club/
Powerful stuff. This was really a great film. So filled with irony, but as Ebert point out, you don't feel faked out by the irony. He notes that the characters are like fables, teaching us about the consequences of our actions and beliefs, and I agree.
I find it interesting that you could see a sort of "first half" and "second half" in this film...it seemed that even the structure of the story invoked the idea of crashing. One scene relentlessly crashed into the next as I viewed it. Yet I do agree that we see towards the end how we all need to love and be loved.
Thanks for your review here, Elisabeth!
I am so glad this won Best Picture. It told the truth. Period. A lot of folks are mad at the truth it told, but it's the truth.
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