|
include("inserts/comments_bottom_short.htm"); ?>
A
KINDER, GENTLER PLEASANTVILLE
Subject: Chocolat
Date: Mon, 30 Apr 2001
From: "Jon Zuck"
I
Loved Chocolat! The parallels between Chocolat and Pleasantville
were striking to me. Both seemed to have a similar message, that
the disorder and temptation we encounter on earth is here for a
reason, a good reason, that we may grow into greater love. Of the
two, Pleasantville is still my favorite, with harder-hitting portrayals
of fallenness and redemption through love, but the "kinder, gentler"
Chocolat is a wonder. If Pleasantville is a myth, then Chocolat
is a fairy tale, likewise celebrating the "beata culpa." and the
wonder of growth from innocence into goodness.
--- Shalom v'Tovah,
Jon Zuck Web
URL: http://surf.to/frimmin
It is more important to love much than to think much. Always do
that which most impels you to love. --St. Teresa of Avila
SACRAMENTAL
CHOCOLATE
Subject: Chocolat
Date: Sat, 28 Apr 2001
From: Tom Orr, writing from Morristown, IN.
David,
I agree with a number of the posted comments that this film (however
imperfect) is about the work of grace--often portrayed in the New
Testament as unconventional and against the established order. Fans
of this film might also be intrigued by the Tom Waits song, "Chocolate
Jesus," arguably a radical take on the Eucharist. Though Waits (so
far as I know) is not a professing Christian, he may be speaking
more than he knows about the unexpected ways in which grace is experienced.
Peace.
Tom Orr, writing from Morristown, IN.
WHAT
AN INSPIRING PARABLE!
Subject: Chocolat
Date: Thu, 26 Apr 2001
From: "Erin Davis"
I was SO pleasantly surprised by the movie "Chocolat"; from the
previews, I expected it to be all about sex; or more specifically,
about chocolate as an aphrodisiac. But the movie was about so much
more; I believe the young priest summarizes the message best in
his Easter Sunday homily near the end of the movie (paraphrased):
"I want to talk about Jesus' humanity...about the way He was when
He walked this earth. It seems to me that we find true godliness
not in what we deny ourselves, or give up, or who we exclude...but
in what we embrace, create, and who we include." This is what I
understood as the essence of the meaning of 'Chocolat'. It was a
powerful story of a woman (Vianne) who "shook up" a small French
town by what she embraced, what she created, and who she included.
It was also about a man (Comte) who saw religion as a set of rigid
conduct that hinged on self-denial, righteousness by works, and
condemnation of others who didn't meet his standards.
I
disagree with those who say that this movie made out the church
to be evil. I do agree that it showed legalism and self-righteousness
to be wrong, and these were found in the church (building) throughout
most of the movie because of who controlled the people (Comte, who
even wrote the sermons out of his need to control and conquer anyone
who did not conform to his standards). But, as the movie progressed,
you could see individuals in the church start to come alive, because
of Vianne's presence in the town. They started to become colorful,
cheerful, relational, free and they even began to rebel against
Comte (by eating chocolate in the church---heaven forbid!). Those
who love God by loving others are the true church ("as you have
done it to the least of these, My brothers, you have done it unto
Me"---Jesus), and in the end the young priest (who was not controlling
or self-righteous) was enabled by Vianne's help and Comte's humiliation
to bring the truth of love to the people who were already being
changed by it. The fellowship of like-minded people who are alive
to love, honest, and free (because of God's grace) IS the church,
and the church was shown to be good (not the bad guy) by the end
of the movie.
I
also disagree with the description of Vianne being portrayed as
a 'pagan who is pawning earthly pleasures' who spurns the church.
The only thing Vianne ever said negatively about the church is,
"We will not be attending Mass." Perhaps this is because she had
experienced the wounds of religious rejection in the other towns
she had visited. Perhaps she would attend when she knew love was
being preached. Plus, 'Chocolat' is a story, a parable, and it would
not have served the purpose of the parable for Vianne to be born
again and sufficiently religious for us modern Christians. When
Jesus taught by parables, were the people in his stories saved?
The king, the gardener, the bridegroom? No, they were powerful symbols
of a particular way of loving, just like Vianne was in the movie.
Unconditional, creative, a listener, a lover of the outcast, a wanderer,
an empowering friend, and a rebel to religion. These words describe
Jesus of Nazareth pretty well.
Of
course, Vianne was also very human as well, which brought another
fascinating facet to the movie: the symbolism of her mother's urn
(and the way it broke due to the daughter's courage to rebel against
past wounds). Vianne was driven to repeat the past, until the old
messages from her childhood ('obey the cold, cruel North Wind---get
out when you are rejected') were replaced by her daughter's desire
to stay and love and belong. The daughter was also able to release
her imaginary kangaroo (who was also wounded; he had a bad leg)
when the cycle of the past was broken. The ending of the parable
brought a wonderful aliveness, freedom and security to the lives
of all those in the town who were truly "seekers."
I'm
afraid I've been too long-winded; you can tell I loved this movie.
I saw it twice last week, and would recommend it to anyone. Just
be sure to discuss it after, and discover the richness of Chocolat---even
during Lent!!!
Erin Davis
REJOICE!
Date: Tue, 3 Apr 2001
From: Caldwell Alexander A A1C
People,
people, this parable is not perfect, there are distinct flaws, but
let us rejoice in truth where it is found! The writer/director is
not a fundamentalist pastor sermonizing, if he was then I would
have distinct problems with his message, but this film is coming
from a secular viewpoint and captures ideas of grace and legalism
quite profoundly. Paul saw truth in Athens and he used it as a springboard
for initiating conversation on Mars Hill. Let us follow his example
and not throw up so many walls when a movie is not perfectly in
line with scripture, let's consider the source and be mindful that
truth springs often from pagan lips.
A1C Alexander Caldwell
Flight Medicine ex. 4705 4 Fox
PREACH
IT BROTHER
Date: Mon, 2 Apr 2001
From: Kim
Caldwell
Alexander - preach it brother!!!
I agree wholeheartedly.
Kim
DISAPPOINTED
Date: Tue, 27 Mar 2001
From: Jendi
My
first post to this list. I agree with those who are disappointed
in Chocolat's portrayal of Christianity. It would have been a much
better film if the representative of grace and forgiveness had not
been opposed to the church, as Vianne was, but rather someone who
presented the life-giving message as a Christian message. If Vianne
didn't want to go to church, fine, but if she's so enlightened and
compassionate, why did she disrespect others' beliefs by opening
her shop during Lent, a deliberate provocation? The movie left the
impression that Christianity was the problem, not the solution.
Also, in this day and age, do we really need a sermon against self-restraint?
It seems that the vice of this time period is quite the opposite.
Jendi
RESPONDING
TO ROB
Date: Wed, 28 Mar 2001
From: Kim
In
response to Rob on March 12, I can understand where you're coming
from.
You
did make sense! However, I would challenge you to see that the church
often IS the villain by judging and condemning all those outside
it's walls. Jesus never did any such thing, but he *did* judge those
that believed themselves pious and righteous in their own eyes.
Unfortunately, there are too many Christians like that, and in the
movie Vienne reminded me of so many people I've met that have been
turned off God because they've met too many jerks that claimed to
know Him. I would feel the same way!
It
is such an important fable about *grace*, and I doubt the writer
had theological correctness in mind when it was written. If the
movie had been produced/directed by a professing Christian I might
have felt differently about it, but it wasn't. It's challenging
though to know how to put grace and truth together without becoming
a big moral marshmallow that accepts everything in the name of accepting
everyone.
Kim
AGREE
WITH GUY
Date: Fri, 23 Mar 2001
From: Chris
My
first post to this list. I agree with Guy. Roger Ebert easily pegged
the now steroetypical portrayal of the church or religion in moview.
Even the priests Easter sermon in the end was less a sinple Christian
declaration of the redemption of Christ (which could have been an
effective coda to the movie) but more a soft, generic message focusing
on the good things Christ did when he was alive.
I
like the Director. I thought Cider House Rules in spite of its clear
pro-choice stance effectively posed the difficulties of caring for
the hurting,pregnant women and the children they have. But in this
movie Mr Hallstrom doesn't ask us to work so hard. As other reviewers
have pointed out he makes it too easy. One third of the way in one
could already see the whole plot laid out. Even the "twist" of the
Johnny Depp character (Vianne couldn't guess his favorite) foretold
that he would less under her spell and she more under his.
I
would disagree with Ethan. Though its been over 8 years since I
sw Babette's feast, I still recall it as one of the great "food"
movies. And I beleive it had (intentionally or otherwise) a strong
Christian message of unconditional love, self-sacrifise, forgiveness
and redemption. And it was a better movie. I would agree with Ethan,
you should rent it. Of the "food" movies I've seen it's #1 or 2
(with the other being "Big Night" directed by Stanley Tucci.
That's all for now
Chris
COMENTARIO
SOBRE
Subject: Chocolat
Date: Wed, 21 Mar 2001
From: "Antonio Yglesias" antonioy@sol.racsa.co.cr
Escribo
en español. Me es más fácil. "Chocotat" tiene una virtud: es clara.
Explora una realidad difícil de comunicar, a pesar de que Jesús,
hace muchos años, lo planteó muy claramente. El Amor de Dios no
debe limitarse a unas cuantas leyes y mucho menos, no debe de ser
nunca fruto del miedo, miedo a vivir, miedo a ser, miedo a sentir.
La vida es un homenaje al Creador y ésta ha de ser vivida con alegría
y corazón abierto. Creo que ahí está la enseñanza de esta estupenda
película. Cerrarse al amor es cerrarse a Dios. La ley judaica era
lo mismo y Jesús arremete en contra de ella cuando palpa su dureza
y sequedad. Este film es un conjunto de metáforas que nos invitan
a reflexionar sobre ese mismo tema, y creo que lo logra, pues nos
enfrenta a realidades espirituales que son reales aún en nuestro
tiempo. La historia en sí es un fábula, pero muy bien narrada, muy
bien contada, con gusto y talento. Todo lo que nos permita expander
nuestra conciencia hacia el Amor verdadero, que es fraternidad y
ternura por todas las creaturas, sea bienvenido.
Antonio Yglesias. antonioy@sol.racsa.co.cr
THE
PRIEST'S SERMON
Subject: Chocolat
Date:
Wed, 21 Mar 2001
From: Caldwell Alexander A A1C
I
disagree with the post that said that true Christianity and piousness
were not distinguished from each other in this film. The priest
gave a simple yet profound sermon at the end of the film that put
my mind at ease and showed that the film makers cared enough to
make the distinction, The priest said "I don't want to talk so much
about Jesus' death as much as how he lived, let us show our devotion
to God not by what we reject but by what we embrace" Strong words
indeed, I saw the film twice and the second time I shouted a loud
"Amen" to the Sermon. I was bowed over, did I just hear what I thought
I heard? The people that Christ spent the most time attacking were
religious zealots, some of whom, like the town mayor might have
been pure in their motives. But pure motives are so often sullied
by hurtful actions. Rejection is a harmful action and has blackened
the eye of Christianity for to long. Jesus was very clear when he
said to go to the highways and byways and compel them to come to
the wedding feast, it is the love of Christ that constrains men
to believe, I love the scene where Viannne and her daughter go to
the river to welcome the river rats, to me Vianne was a beautiful
model of Christ and his kindness, A remarkable movie.
A1C Alexander Caldwell
Flight Medicine ex. 4705 4 Fox
WHAT
GRACE CAN DO TO A VILLAGE
Date: Tue, 20 Mar 2001
From: Marcus W. McFaul
This
is a marvelous movie with many homiletical opprtunities! The mayor
finally allows himself to experience grace/forgiveness/acceptance
and it happens on Easter! The scene in the shop-window is his rebirth,
with priest and shop-owner as vehicles of God's grace to him. It
is amazing what grace can do for a village. The mayor at one point
is helping the priest pull weeds as he is discussing the"enemy."
By the end let's hope is is more interested in plantingwheat. Go
see this movie, it's marvelous.
Marcus W. McFaul, Senior Pastor,
First Baptist (ABC/USA) Lawrence, Kansas
INSPIRING
Date: Wed, 14 Mar 2001
From: Erin
What
an inspiring parable!
THE
CHURCH IS THE VILLIAN
Subject: The church is depicted flatly as
the villain
Date:
Wed, 7 Mar 2001
From: david
I
agreed with Rob who suggested that "the church is depicted flatly
as the villain." When I left the theatre I was ambivalent because
I enjoyed the movie but didn't like the message. I felt embarrassed;
as though I had just sat through a mockery of my faith and yet I
wasn't really outraged because I rather agreed with it.
As
I reflected on the message, I realized that the author and/or screenwriter
(Harris/Jacobs) were appropriately critical of the hypocritical
behavior of the Comte, the Priest and others such as the abusive
husband, Serge. However, their religion was legalism, not Christianity.
Jesus seemed to reserve his harshest words for just this kind of
legalistic pseudo-faith.
What
frustrated me was that Harris & Jacobs didn't distinguish between
"CHURCHianity" and true CHRISTianity. The latter is based on a daily
relationship with one's redeemer. It is in response to what He has
done for us that motivates us to do good works (Christianity) rather
than our doing good works in order to attempt to win His acceptance
and approval (legalism/Churchianity).
Though
Harris & Jacobs were effective in unmasking the hypocritical behavior
of the villagers, they offered as their only answer to such behavior
people (such as Vianne, Madame Audel and Roux) who simply threw
off their false religion without embracing true faith. Movie goers
without a true relationship with the living Jesus will likely find
fodder in this storyline for the rejection of the church altogether
- Vianne, Madame Audel and Roux were certainly portrayed as being
more content outside the legalism of the church.
In
short, Harris & Jacobs created a believable straw man and then crushed
it with humor and poignancy. I wish that the heroes in this fable
had been grace-filled, born-again believers. That answer would be
far less harmful than theirs.
BABETTE'S
FEAST?
Subject: Movie comment
Date: Tue, 6 Mar 2001
From: Ethan
I haven't seen Chocolat yet, but after reading the review and the
comments, it seems strikingly similar to the movie "Babettes Feast".
Has anyone seen "Babettes Feast" who has comments?
LENT
Date: Sun, 4 Mar 2001
From: Mark Whittaker, Pastor
I
just saw the movie tonight having read the review. The story takes
place in the forty days of Lent starting with the beginning of Lent
and ending on Easter Sunday, not over the period of a year. Elizabeth
Achtemeier says "God willed for humankind to have abundant life,
but that abundant life is possible only in relationship with God.
Otherwise we know only chaos, darkness, evil, and finally the void
of death." Both sides in the "conflict" fail to understand this
and pull the village away from God and the joy and commitment that
God calls from everyone.
Mark Whittaker -Pastor,
First UMC Homosassa Florida
Come and see the Manatees!
GOOD
FLICK
Subject:
Good Flick
Date: Sun, 04 Mar 2001
From: Eric
I walked away from the film thinking it was a good versus evil battle.
But, the more I think about it, especially after worshipping today,
I see it as a battle between legalistic rulers who fear things of
which they have been forbidden to partake, i.e., chocolate.
Vianne
brought joy to the lives of the empty people living in that village
in the same way Christ tocuhed the leper when told by the Jews not
to do so.
Great
film! A must see!
A
TYPE OF CHRIST?
Date: Thu, 01 Mar 2001
From: Nils Blatz
Dear
David, You say that the heroine in Chocolat is "a type of Christ"
who comes to break the legalism of relgious faith.
The
reason this does not work is that Vianne Rocher has absolutely no
interest in religious faith, she is presented as utterly indifferent
to the community of worshippers.
Jesus,
on the other hand, (like Paul, Peter, etc. etc.) was deeply committed
to, deeply involved in, the synagogue. "He was in the synagogue
on the sabbath day as was his custom." And from the inside he was
a fierce fighter for a newer covenant.
(I
also think that your perspective denigrates 1st century Judaism
as a particularly legalistic faith, but that's off the main point
-- which is Chocolat.)
Warm regards, Nils Blatz
Response:
Yes, yes you are right the parallel is not perfect. There are differences
between Christ and Vianne Rocher, to be sure. And, I am sure the
author never intended such a connection. But indeed Vianne is a
Christ figure because she comes to liberate the people. As far as
Judaism in the 1st century being a particularly legalistic faith
-well, it was and is. It is based on the five books of Moses, the
Torah (the Law). But the Law is not without Grace -which may be
your point -and in that you are right. -David.
FORGIVENESS
FOR BREAKING A SACRAMENT
Date: Tue, 27 Feb 2001
From: Mike
I saw the film yesterday and I was struck by the legalism that dominated
the count's life and ways. Yet he needed the forgiveness of grace
that he could not accept. His belief that the sacrament of marriage
must be upheld flew in the face of his own need of forgiveness for
his own failed marriage. Vianne represented something that the count
could not accept: that there can be forgiveness for even the sin
of breaking a sacrament. This is a dangerous belief, but a reality.
Grace extends to all who will humble themselves and ask. The count
could not truly be humble until he had committed a true sin, the
break-in, and then experience the grace of the chocolate.
The
church is depicted flatly as the villain
Date: Mon, 12 Feb 2001
From: Rob
This
movie would have been much better if the conflict had merely been
between legalism and grace. As it is it is a straw man argument
against Christianity.
The
possibility that the religious people in this movie misunderstand
Christ is not presented. The Comte and the others are presented
as "the Church of Legalism" not as merely legalistic Church members
.The real reason someone would give up chocolate for Lent is not
because it is bad, but precisely because it is good. Obviously,
the Christians in this movie are in need of grace, but so is Vienne.
Ultimately, the all-bad church comes around to the all-good pagan's
way of thinking. There was an attempt to show Vienne as not having
all the answers, but her "growth" was the result of her interplay
with someone with the same worldview as her own. The church ultimately
contributes nothing to her development as a person.
If
the movie had been set in Victorian England with a Dickensian villian
(the cruel schoolmaster, the cold-hearted industrialist) the story
would have worked much better. But since the church is depicted
flatly as the villain I think there is no room to interpret chocolate
as a metaphor for God's grace. I hope I make sense!!
BIBLE
PASSAGE FOR CHOCOLAT
Date: Sat, 10 Feb 2001
From: Kris Childress
David,
This New Testament passage kept coming to mind as I watched Chocolat.
(I think that the humiliation of the Comte at the end is a perfect
illustration.)
Kris Childress
(Colossians 2:20-23 NIV) Since you died with Christ to the basic
principles of this world, why, as though you still belonged to it,
do you submit to its rules: {21} "Do not handle! Do not taste! Do
not touch!"? {22} These are all destined to perish with use, because
they are based on human commands and teachings. {23} Such regulations
indeed have an appearance of wisdom, with their self-imposed worship,
their false humility and their harsh treatment of the body, but
they lack any value in restraining sensual indulgence.
MERE
PLEASURE?
Date: Sat, 10 Feb 2001
From: Sonja
Is
the chocolate pleasure or is it grace? A taste from the table of
feast of the pascal victory over death and the law?
Response:
Yes, I think that is right: Chocolate equals grace. -David
PAGANISM?
Subject:
paganism?
Date: Fri, 26 Jan 2001
From: Guy
Did
Hollywood Jesus see the same movie as Roger Ebert? He said it was
"about a war between the forces of paganism and Christianity, and
because the pagan heroine has chocolate on her side, she wins."
Is she a witch, a pagan priestess? And what's all this about a showdown
on Easter Sunday? Surely Ebert doesn't have more Christian perception
than Hollywood Jesus, does he? Or maybe he's just over reacting
to the culture wars? Help us to understand.
Guy
Response:
It is about legalism. The heroine is a type of Christ who comes
to break up the rigidity of religion. If enjoying pleasures like
chocalote is paganism, then I am a pagan. -David
Back
to Review
|