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Underworld: Awakening (2012)
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Review by David Bruce ![]() BLAST FROM THE PAST (1999) Blast From The Past is the funny and romantic story of a modern-day Adam and Eve. Like the original Adam, this one is a strangely innocent grown man just entering the brave new world looking for a wife, Eve. |
. Cast: Brendan Fraser, Alicia Silverstone, Christopher Walken, Sissy Spacek, and Dave Foley. Directed by Hugh Wilson. Produced by Wilson and Renny Harlin. Executive produced by Amanda Stern, Sunil Perkash, and Claire Rudnick Polstein. Mary Kane serves as co-producer. Written by Bill Kelly and Hugh Wilson. |
The year is 1962, and the Cuban Missile crisis has pushed America to the brink of war. Fearing a nuclear attack, Helen and Calvin Webber (Spacek and Walken) take refuge in their backyard bomb shelter having witnessed a blast they thought must be the Big One, but was actually a plane crashing into their yard. So it was that they ensconced themselves in their elaborately engineered bomb shelter to wait out the half-life of radioactive contamination. For 35 years, Adam (Fraser) was raised on Jackie Gleason re-runs, Perry Como records and dreams about life on the surface. While his father taught him about science, baseball and avoiding Communists, his mother taught him about dancing, manners and charming girls. Meanwhile, he waited and waited for a chance to see the sky. |
Thirty-five years later, Adam emerges from his underground home for the first time on a mission to re-stock supplies and search for a wife. Discovering a strange new world that is completely unfamiliar to him, he turns to a street smart young woman named Eve (Silverstone) to help him adapt to his surroundings and find the supplies on his list. Unfortunately, finding a wife proves to be more difficult for the naive and "sheltered" Adam, whose early '60s mentality is a bizarre but refreshing change for Eve and her friends. When Eve's ultra-hip roommate, Troy (Foley), steps in to assist, Adam gets a quick lesson in life in the '90s that results in more attention than he ever expected.
A MODERN DAY VERSION OF ADAM AND EVE 0R HOW TO SEE THE BEAUTY OF CREATION ...And the joy of human relationship! |
| EVE = FALLEN HUMANITY |
THE MODERN EVE according to ALICIA SILVERSTONE Silverstone saw the character of Eve as typical of many single women in America today. "Eve is an example of a woman who's angry and cynical because she's been hurt so many times. She's built up enough walls that she doesn't want to deal with men, other than to get what she wants from them," says Silverstone. "So when Adam comes along he's like her guardian angel. She's never fallen in love and he's known nothing but love his whole life. He respects her, he treats her with manners, he doesn't play games and he teaches her about being confident with who you are. Adam doesn't have to be anything but who he is to love her." ADAM = INNOCENCE/PARADISE LOST |
THE INNOCENT ADAM according to BRANDAN FRASER "I felt that all of Hugh Wilson's talents in playwriting and filmmaking were manifested in this project. It was a comic fable about how being a gentleman can still be noble and it had a very different quality to it from any of my previous endeavors." He was also drawn to Adam who is an utter stranger in our modern times yet an irresistible reminder of innocence lost. "Adam is the odd man out, thrust into a new and chaotic world," he explains, "and then to top it off, he falls in love." PARADISE = MANNERS AND GENTILE BEHAVIOR
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RESTORING A PARADISE LOST Adam's story was conceived by screenwriter Bill Kelly, who wondered what a man might be like if he was raised without any of the hyper-modern influences that changed life so radically in the '60s, '70s and '80s. Thus, he came up with the idea of a family literally "sheltered" since 1962. Explains Kelly: "I was fascinated by the idea of someone frozen in time, like the isolated Japanese who didn't know the war was over. With no other influence than the principles of his parents -- no friends, no current events, no MTV -- Adam is raised in a bubble, but not a vacuum." THE FALLEN WORLD TYPE = LOS ANGELES
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PARADISE VISION EAST OF EDEN For Hugh Wilson, Los Angeles was the perfect backdrop for this story of old school values-meets-cutting edge culture. "Los Angeles is the place where culture goes to the farthest edge," he notes. "And of course it's also a place where people look at the world with very jaded eyes. There aren't very many people out here who look up in wonder at the sky everyday. Or who appreciate the rain. Or who can get a hip L.A. chic like Eve who's seen it all to react with her heart. But that's Adam. He might be wearing his mother's bedspread for a sport coat but he's full of extraordinary surprises." CLICK HERE FOR PART TWO More graphics and a place for your comments. OFFICIAL SITE Blast from the Past © 1999 New Line Cinema. All Rights Reserved
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