ANGEL
EYES
The
film makes a case for destiny being a mix of personal choice, past
history, and the hand of God (providence).
-David Bruce
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ANGEL EYES
(2001)

This
page was created on May 26, 2001
This page was last updated on
May 21, 2005
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Directed
by Luis Mandoki
Written by Gerald Di Pego
Jennifer
Lopez .... Sharon Pogue
James Caviezel .... Catch Lambert
Sonia
Braga .... Mrs. Pogue Terrence
Dashon Howard .... Robby
Victor Argo .... Mr. Pogue
Shirley
Knight .... Elanora Davis
Daniel Magder .... Larry Jr.
Jeremy Sisto .... Larry
Produced
by Jellybean BenÃtez (associate producer), Bruce Berman (producer),
Mark Canton (producer), Neil Canton (executive producer), Don Carmody
(executive producer),Bernie Goldmann (producer), James A. Holt (co-producer),
Dawn Miller (CO-producer), Elie Samaha (producer), Andrew Stevens
(executive producer), Leslie Weisberg (associate producer)
Original music by Marco Beltrami
Cinematography by Piotr Sobocinski
Film Editing by Jerry Greenberg
Rated
R for language, violence and a scene of sexuality.
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Angel
Eyes Various Artists - Soundtracks - 2001

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SOMETIMES,
AN ACCIDENT
IS NO ACCIDENT AT ALL.
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STUDIO
SYNOPSIS:
"Angel
Eyes" is a story about a seemingly unlikely couple who cross paths
under life-threatening circumstances as though they are destined
not only to meet but to save each other's lives. Not once, but twice.
Sharon's
dedication to her job does little to compensate for the fact that
she has no personal life. She has been estranged from her family
for many years. Disconnected from them and from life in general,
Sharon fills her days with work and her nights with her private
regrets.
Somewhere
in the same neighborhood a man who goes by the name of Catch is
living his own half-life. A strange, haunted soul who sleeps in
an empty apartment, he spends his days dispensing little gifts of
goodwill to anyone in need. If it starts to rain and he notices
a car window open, Catch will roll it up; if a stranger passes by,
Catch will offer a smile. Twice a week he delivers groceries to
a disabled woman named Elanora Davis (Shirley Knight). He and Elanora
exchange the same light banter every time he stops by but she has
learned not to ask him the kinds of questions he doesn't want to
answer.
To
most people who encounter him, Catch is an odd but harmless figure.
To some, he appears dangerous, suspicious. They wonder what he is
up to. But Catch is indifferent to the reactions he elicits. He
moves through the landscape in a kind of existential daze, performing
his services automatically as though this is the only thing he was
meant to do. Yet he seems to derive no real pleasure from it.
Like
Sharon, Catch has no personal life.
When
Sharon learns that her parents, Josephine (Sonia Braga) and Carl
(Victor Argo) are planning a big party to celebrate the renewal
of their wedding vows and she has not been invited, she reaches
a crisis. At the same time, Sharon's investigations into her new
lover's background bring up issues for him that he would do anything
to avoid - even if it means never seeing her again.
After
years of dealing with their pain in the only way they knew how,
Sharon and Catch must make some difficult decisions and risk losing
each other if they are going to move forward and reclaim their lives.
© 2001 Warner Bros.
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JENNIFER LOPEZ EXPLAINS HER CHARACTER
300K
100K
56K
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REVIEW
BY
DAVID BRUCE
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Sharon
is a tough cop. She needs no help. She is good at what she does. |
 
On one occasion, however, some one got the drop on her. |
 Seemingly
out of nowhere Catch
shows up and saves her life. It is as though he is a guardian angel. |
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A
relationship begins.
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It is hard for either one to fully give in to the other. |
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The
reason turns out to be their pasts. Sharon
came from an abusive family.
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 Catch
came from a disaster that took his wife and child. Both must reconcile
with the past, so they can move forward. |
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As
it turns out Catch was saved from an otherwise fatal car crash by
Sharon at the start of the film. Catch, as mentioned, later saves
Sharon. It is as though they were meant to be. The relations between
them bring them to a place where they can deal with the past.
The
film makes a case for destiny being a mix of personal choice, past
history, and the hand of God (providence).
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RECENT
FILMS THAT HAVE
EXPLORED THE RELATIONSHIP BETWEEN
WHAT WE CAN AND CAN'T CHANGE.
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BOUNCE
Similar
to Angel Eyes this film explores the relationship between freedom
and destiny.
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PAY
IT FORWARD
Change and destiny come through free choice. An individual's
choices impact the lives of others. |
AUTUMN IN NEW YORK
No sense of destiny. However, life and love transcend time.
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BLESS
THE CHILD
Forces of good and evil interact determining the future. People are
destined. |
THE
CELL
It's all in the mind. Destiny is determined by past experiences, specially
from childhood. |
THE
FINAL DESTINATION
Life
is determined by fate, and so much by free will. Our appointment with
death can nor be cheated. |
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include("inserts/comments_bottom_short.htm"); ?>
INCREDIBLE,
BUT...
Subject: Angel_Eyes
Date: Sun, 03 Jun 2001
From: Danielle Grober
Angel Eyes
This film was incredible. I loved the way Jennifer Lopez expressed
her acting talent in this film as well as expressing her own feelings
through interviews. The film has a mellow, sort of shallow theme
to it. There was an un wanted sex scene in there and with no comment
on her acting ability there, i will express i was greatly disappointed.
There was no need to have that on film and how both characters expressed
their language swearing and using the Lords name. Jennifer commented
once that as much as she liked the diversity of the film with the
context that she could be herself in it, she didn't like the way
she was potrayed as a women. I strongly agree because she seemed
so unbelievably easy, and what are girls supposed to think when
they see her and think of her as a role model? They feel they are
entitled to do what she has done. No one really considers, however,
it is a film. Hollywood does portray women as sex objects, men as
blood thirsty criminals, and God-- a fairy tale that is too good
to be true. Sure, it would be nice if He existed, but he doesn't,
so its not helping anything--type of attitude. Entertainment all
together i becoming more hopeless and less fulfilling as it once
did many years ago.
Danielle Grober
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